CD review: Irfan: The Eternal Return

eternal-return

Mandalia Music
Irfan on Facebook

Irfan was founded in 2001 in Bulgaria. This new album features: Ivaylo Petrov Oud, Kalin Yordanov – vocals, Petar Todorov – drums, Yasen Lazarov- harmonium and: Denitza Seraphimova – vocals and Darina Zlatkova – additional vocals

I first became aware of IRFAN via Kalin and his interest in medieval culture and music. We had mutual contacts in Bulgaria going back to the mid-1990’s.

The first album which I can remember was Seraphim (Bulgaria, 2007) although there was an earlier album released called simply “Irfan”.

“The name of the band is borrowed from the Sufi terminology and can be translated from Persian and Arabic as “gnosis”, “mystic knowledge” or “revelation” (*see Irfan).” Described as Dark Wave, Ethereal Wave or simply World Fusion they are strongly influenced by Bulgarian folk music as well as traditional music from the Balkans, Persia and the Middle East.

“The musicians use traditional (Bulgarian, Balkan, Oriental, Persian, Indian) and medieval European instruments and vocal techniques woven into a delicate electronic dark ambient sound. Similar in style to established bands such as Dead Can Dance, Sarband, and Vas, Irfan uses ethereal and mystic female vocals in addition with strong male vocals and choirs in combination with an assortment of various traditional and medieval string, wind and percussive instruments including the oud, saz, tambura, santoor, kaval, duduk, viola da gamba, darbouka, daf, bodhran, bendir, zarb and riq.”
On this album there is in fact a cover of a Brendan Perry (DCD) song “Salamander”.

Irfan were touring recently in the Netherlands and I caught up with them in Zeist. It was fabulous seeing them again and saying hello to Kalin.

Playing many of the songs from this new album it’s hard to say which stood out the most since they were all good 🙂    I really loved the number “The Golden Horn” though. Petar Todorov is excellent on drums and Ivaylo Petrov playing Oud is a real joy.

“In the Garden of Armida” is the haunting song inspired by a story of the impossible love between “a Crusader Knight and a Saracen sorceress from Damascus. A dramatic struggle of two diverse and colliding worlds that blossomed into a thrilling romance within the enchanted Gardens of Armida”.

If you get a chance go and see Irfan and enjoy an evening of magic and mystique.

IRFAN in Zeist, November 20, 2015 – photos Morgana

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References:

Serafim: https://www.youtube.com/watch?v=2bi9fifXAZg

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Wicca in Norway

Stein Jarving, Norway

10-11-2015 marks the 10th anniversary of Stein Jarving’s death. He was instrumental in introducing and developing Wicca in Norway. His influence can still be felt there… and further afield.

I remember him as a tall friendly giant always ready to help out and give advice. Together with Merlin we were often looking at ritual texts and their origins and the symbolic meaning. We too were interested in translations. In Stein we found a fellow initiate who was also busy introducing Wicca philosophy and practice abroad.

Ninmah has kindly submitted an article written by Stein about Wicca in Norway. She has translated it and also added an update about the situation in Norway today.

Morgana, October 2015

Stein Jarving

Stein Jarving – 1945-2005) (1)

WICCA IN NORWAY
By Stein Jarving

Additions and translation by Ninmah, PFI Norway

WICCA is the name of a specific type of witch religion, in Europe mainly used for witches who are initiated into the traditions that have emerged out of Gerald Gardner or Alex Sanders; witches that have been consecrated in a mystery tradition where you also receive training into the priesthood of the witches.

The first Norwegian Wicca circle was barely two years old when, in 1992, we were asked if we could arrange this year’s European Wicca gathering. With only ten initiates it seemed quite daunting to organize summer events for nearly a hundred witches from ten different countries. But the gathering was most satisfying, despite too much rain. And there seems no doubt that this gathering had great importance for the reestablishment of witchcraft in Norway. For witchcraft has probably been close to extinct here since legal prohibitions came against Paganism 800 years ago, or the very least it has survived hidden and anonymous.

I am sure there have been several who called themselves witches in Norway, even before 1989, nor is it long since the American witch Starhawk was in Norway and inspired a number of Norwegian women. For those not familiar with Starhawk and her Reclaiming movement in California, it may be noted that Starhawk was initiated as a witch in a tradition called Faery, but that she has since founded her own variant of witchcraft. One of her initiates describes Starhawks tradition as follows: “Starhawks variant of the witch movement is feminist and ecological, and sees itself as a political liberation movement. The objective is to change society.”

The Wiccan tradition within witchcraft, known as Gardnerian and Alexandrian Wicca, came to Norway for the first time in 1989. A few years prior to this Karina and I had, along with a few others, begun a process of gathering knowledge about witchcraft, unaware that there actually were people who still practiced this.

Through friends, acquaintances and special bookstores we found first Janet and Stewart Farrar’s books, then Vivianne Crowley’s Wicca: The Old Religion in the New Age. Then we started to investigate in England, to check if anyone would like to initiate the witches of Norway. Not long after we made contact with Vivianne and Chris Crowley, and I went over to London to meet with them. I was greeted with warmth and interest, and only three months later I was back to be initiated into Wicca. Next spring Vivianne, Chris and Paul from their coven came to Norway for a week, to initiate and train a small group of Norwegian witches, and thus the first Norwegian Wicca Circle was a fact.

Developments since then have been steady and careful: because Wicca is by no means an evangelical religion, and neither has it any parent organization. And since initiating someone into a religion, and thus taking the responsibility for training them, is a demanding and very personal process, so the process of recruiting people to Wicca consists greatly of your friends and acquaintances, or of people who find you in one way or another and stand out as particularly interested candidates that you want to work with.

There is also a desire that those who are consecrated should have a circle to go to, where they can train, exchange experiences and work with Wicca, both religiously and in practice, within a group of close and safe friends, like we do in the Wicca. It goes without saying that this is not an easy task in an elongated and sparsely populated country like Norway. And that is not only based on population density; the fact is that in the 26 years since we started with Wicca in Norway it has not been possible to ground a stable circle or group of witches in the northern parts of Norway. Though we don’t know exactly how many initiates there are; there are today – September 2015 – only 3-4 operational covens in our whole country. That being said we have initiates here that have been active from the beginning and who still are engaged in our Wiccan endeavours. We have also had a natural connection to the other Scandinavian countries, and have initiated both in Denmark and in Sweden in addition to working closely with covens there. This Scandinavian cooperation is still active and growing today. In addition there are cross-initiations between the Wicca and other occult groups such as the O.T.O, and the Norwegian and Danish Asatru.

Training in Wicca is based on personal commitment and interest, there is no one trying to push new initiates to participate in anything. All training is free of charge, but most witches have to spend much money on travel to and from activities that are held in other places than where they live, in addition to spending money on the books and equipment they will need.

The first degree in Wicca is really all you need to be a Wiccan practitioner. You are consecrated as a priest/ess so that you can make direct contact with the divine, and also you get the basic knowledge needed to begin your practice as a witch, with a special focus on trance work and simple power like healing etc. You should normally also be invited to participate together with experienced witches in the 8 annual sabbaths, seasonal celebrations, and the 13 annual full moon-esbats, where the practical, magical work is done. Active participation in all these are to be regarded as the minimum education for a witch and a priest/ess.

For those who want to go further, even to be able to dedicate and train new witches and priests/esses, requires that they provide to become skilled at creating, managing and performing rituals and that they specialize in one or more fields of witchcraft, magic, healing etc. And they should have shown an ability to safeguard and respect others’ feelings and interests, not just their own.

After an adequate amount of time – several years of practice – time will sometimes come that you are invited to move on to the 2nd degree in the Wicca, if you find one who is willing to dedicate themselves to this. It is also necessary that as many Norwegian/Scandinavian 2nd degrees as possible agree that such advancement is a good idea. This is not a given, nor is there any democratic process. Everything depends on that you have shown yourself worthy of such a trust and elevation.

After 2nd degree you can initiate others, and in reality even start a circle, but traditionally under the supervision of those who gave you 2nd degree, as a kind of training process. You don’t become completely independent until after your 3rd degree, but even then it is strongly advised that you seek council with your peers and seniors in the Wicca. After 3rd degree you can – in practice – then feel free to start your very own tradition, if you will.

Stein Jarving 2

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In today’s Norway we have a sufficient amount of 3rd degrees so that we are entirely independent for our development within Wicca. Even so we still work closely with the priests and priestesses of our English heritage, and they still come to Norway on a regular basis for further teachings and to act as a council for the initiates here. The Nordic paganism and pantheon are very strong, and thus also in the Nordic Wicca, even though we very much practice our traditional Gardnerian Wicca.

Such tendencies of regional ‘adaptations’ are common in Wicca, from American inspirations of Native American character to the northern European touches of Celtic, Saxon and Nordic influence. And this is something of the soul of the Wicca that we always draw into our practice the symbolism, poetry and techniques that we find on our way and think are valuable.

Wicca has no Bible, just a ‘cook book’ we call ‘Book of Shadows’, which is an aid under constant development. To keep the focus and tradition alive all that are initiated receives – upon Initiation – a replica of a ‘Book of Shadows’ which has been handed down directly from Gerald Gardner and Doreen Valiente, and so we all have the same starting point in our learning process.

Wiccan witches have been criticized for being secretive and almost arrogant and self-absorbed, perhaps mostly because we do not like to come forward publicly, and because we are reluctant to offer initiations. It is important here to take into consideration that Wicca is a mystery religion, which magical work mostly takes place in very small groups of people who have absolute confidence in each other – and this is an essential condition for success. It goes without saying that we therefore are also very critical about who we choose to initiate: Wicca is no union, or club, and we are not naive enough to believe that Wicca is suitable for all people seeking witchcraft. Everyone who will enter the Wicca is responsible for finding a priestess or priest who is willing to initiate them – the rest is up to the Goddess and Her consort.

Another thing is that Wicca is very time consuming and extremely interesting, and many of us have little time to spare for paganism, next to family, home and job. Even so, there have been, and still are, witches who run dedicated between coven, mundane work, and voluntary pagan national work.

The PFI Norway 10929558_1392834841030167_597750921241229467_n

 

and before that the NPF – answers hundreds of letters a year, set up with people for interviews for television, radio and magazine, publishes articles about paganism (and not just about Wicca), getting members to arrange weekend and evening courses, and so forth.

A question that sometimes emerges is why we have chosen a witch tradition and religion that has its roots in the UK, with strong ties to the Celtic and Greek traditions. This is somehow the same as asking a Christian why she has chosen a Palestinian / Roman religion with strong Hebrew affiliation. A religion’s historical starting point is always interesting, but rarely of paramount importance for those who get into it. In most cases, we link ourselves to a religion after a call that comes from within, because there is something in that particular religion which is a response to an inner need we have.

Gerald B. Gardner brought one of the goddess religions into modern Western consciousness and society, together with an amount of knowledge belonging to the witches. He did this without putting himself up as ‘pope’, Goddess prophet or Wicca’s charmer. He gave us instead a combination of beliefs and practices delightfully free from religious dogma, in a context based on love, trust and intellectual freedom. A religion based on small, independent, priest/ess-managed groups in which all the participants have a direct contact with the divine.

References:

Images Stein:

(1) Silke Rokitta (ca 2003)

(2) http://www.gateavisa.no/blekka/ga175/jarving.html

In English: http://beaufort.bravepages.com/ngrdtrad.html

PFI Norway logo: http://no.paganfederation.org/

Stein Jarving and Ninmah

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Recensie: De heksen van Bruegel

De heksen van Bruegel. Hekserijvoorstellingen in de Lage Landen tussen 1450 en 1700
Renilde Vervoort
Van de Wiele, 2015. 135 p. ISBN 978-90-76297-606. € 19,95.

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“In 1565 bracht de Antwerpse uitgever Hieronymus Cock twee gravures uit die het beeld dat wij ons van heksen hebben gevormd voor altijd hebben bepaald. De prenten waren ontworpen door Pieter Bruegel de Oude en kenden een ruime verspreiding binnen en buiten de Lage Landen.
Tot vele generaties na Bruegel putten kunstenaars inspiratie uit zijn voorbeeld door het te herhalen en aan te vullen. De heks zoals wij ze kennen, die op een bezem door de schoorsteen naar buiten vliegt terwijl de heksenketel in de haard staat te pruttelen en haar kat zich bij het vuur warmt, is ondenkbaar zonder Bruegels prototypes. Aan de hand van schilderijen, prenten en tekeningen, eigentijdse nieuwsbrieven en literaire bronnen maar ook processtukken en handboeken van heksenvervolgers schetst Renilde Vervoort, die in 2011 promoveerde op dit onderwerp, een spannend beeld van de heks in de kunst.”

Het boek vormde de leidraad voor de tentoonstelling die nu te zien is in het Catharijne Convent in Utrecht, en van februari tot juni 2016 in Brugge. Ik kon me niet voorstellen dat de voorstellingen van heksen – in de Lage Landen of ook daarbuiten – bepaald zouden zijn door het werk van die ene Brabantse schilder. Daarom heb ik al mijn boeken over heksen in de geschiedenis uit mijn kast getrokken, en ben systematisch gaan zoeken naar afbeeldingen van voor 1550. Dat bleken er niet veel te zijn, en ze stonden vooral in het boek ‘Heksenvervolging’ van J.E. Toussaint Raven. Sommige afbeeldingen komen in andere boeken ook voor, inclusief in ‘De heksen van Bruegel’. Bijvoorbeeld de gravures uit Ulrich Molitoris: De laniis et phitonicis mulieribus (Straatsburg, ca. 1490). De naakte heks van Platzi’s ‘De toverij van de liefde’ kon ik op internet alleen vinden bij posterverkopers, onder de titel ‘The Enchantress’. Zij lijkt sprekend op de heks op het detail van het middenpaneel van ‘Het laatste oordeel’ van Jeroen Bosch, met haar lange lichte haren en de donkere slangen (Bosch) / witte linten (Platzi) om zich heen gedrapeerd. De afbeelding van Bosch komt voor in ‘Het verbond van heks en duivel’ van Lène Dresen-Coenders. Dit schilderij is waarschijnlijk uit de periode 1485-1500. Het schilderij van Platzi zou uit de 16e eeuw zijn, maar ik vind het niet terug op de website van het museum in Leipzig. Vrijwel iedereen verwijst naar de marge van het manuscipt ‘Le champion des dames’ (gekopieerd in de kathedraal van Atrecht in 1451) als de oudste heksenvoorstelling: daar staan twee vrouwen in de kantlijn, op een bezem en op een stok.
Renilde Vervoort heeft er natuurlijk veel serieuzer onderzoek naar gedaan. Pieter Bruegel de Oude zal inderdaad de bron zijn van het beeld van de heks zoals we dat nu kennen. Dat hij veel navolgers heeft gehad, dat maken boek en tentoonstelling zeker duidelijk.

Het boek beperkt zich niet tot kunsthistorie. Het heksengeloof kwam op in onzekere tijden. Het weer was zo slecht dat er jaren achtereen misoogsten waren. Het klimaat veranderde: we hebben het over ‘de Kleine IJstijd’, van 1560 tot 1630. Die viel samen met de meest intense heksenvervolgingen in Europa. Iemand moest er immers schuldig aan zijn dat het klimaat veranderde. Vandaar de afbeeldingen van heksen die het weer veranderen (zoals op een gravure in het boek van Ulrich Molitoris). Vervoort besteedt ook uitgebreid aandacht aan de theologische en juridische visie van destijds op heksen. Bruegel baseerde zijn afbeeldingen op demonologische traktaten. Latere schilders baseerden zich weer op zijn werk. Opvallend is het verschil in details tussen de prenten van Frans Francken II en anderen uit zijn atelier, zoals zijn broer Hieronymus. Bekijk de verschillende versies van ‘Heksenkeuken’. Bij Frans Francken zie je nauwkeurige details, zoals in de pagina’s van een grimoire die ergens op het schilderij ligt opengeslagen. Hij lijkt goed op de hoogte van wat er bij heksen of magiërs gebruikelijk was: welke voorwerpen ze gebruikten, de juiste symbolen. Het slotstuk van de tentoonstelling is ook van hem: het grote doek ‘Heksenbijeenkomst’, waarschijnlijk besteld door het Brusselse hof van Albrecht en Isabella (p. 88-89 in het boek).

Boek en tentoonstelling vullen elkaar heel goed aan. De tentoonstelling toont de afbeeldingen op ware grootte, en geeft nog een aantal verrassingen. Het boek is heel leesbaar geschreven en mooi uitgegeven, en plaatst de afbeeldingen – en het heksengeloof – in een kader. Sommige afbeeldingen grijpen je naar de keel, maar naar andere kun je uren kijken. Afbeeldingen en tekst zetten je wel aan het denken over ‘de heksen zoals wij ze kennen’. Wat was er het eerst? De (afbeelding van de) heks, of Pieter Bruegel de Oude?

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Review: The Witches’ Heart

A new look at Traditional Wicca,

                                            straight from the heart…”

The Witches Heart
The Witches’ Heart
By Eileen Smith
Capall Bann Publishing, 2006 
ISBN 1861632614
See also
www.capallbann.co.uk 

                               by Link

The Witches’ Heart”, by Eileen Smith, offers a new and innovative look at traditional Wicca. The book is the perfect teaching tool for covens to use with their students, or for individual seekers to use as a guide along their journey.  Based on the EarthGuard tradition, founded by the author in 1998, The Witches’ Heart is an insightful mix of both personal experiences and traditional teachings.

The book starts off with a description of Smith’s own personal discovery of the Craft, with a very warm and heart-felt description of her early days with Gardnerian Wicca, including encounters both with Ray Buckland, Patricia Crowther and others. Unlike many of today’s more popular authors, Eileen Smith experienced first-hand the early days of British Traditional Wicca taking root in the Americas, serving as a teacher and mentor to students since 1975.

Smith’s very conversational writing style makes the book entertaining and easy to read. It is an excellent resource for exercises, meditations and rituals to help the reader along their own personal path towards self-discovery. “As you begin tuning into nature, you will find yourself tuning into yourself as well,” explains Smith.

The Witches’ Heart is also a working Book of Shadows, explaining the basics of Circle, the seasonal holidays and a wide variety of magickal workings that will intrigue both sages and seekers.  Of special note is the section entitled “Journey with the Goddess” – which guides the reader though their own personal 30-day journey to connect with and richly experience deity.  The book also shares a generous number of photos, artwork and tables to better illustrate each chapter.

Insightful and entertaining, both useful and unique, The Witches’ Heart beats loud and clear to readers around the world, and is a great addition to your library!

Note from Morgana:

I was fortunate to be able to attend the Florida Gather in November, 2015. There I met Lady Cara (Eileen Smith) and we had some interesting talks about the Craft. I have a copy of her book now and recommend it highly. It is especially good when Eileen talks about and shares her own experiences.

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Morgana & Lady Cara, November 2015

 

 

 

 

 

 


Lady Cara bio: Over the years, her downline has included roughly three dozen covens, many of which are still active today. Cara’s first book was published in England by Capall Bann in 2006, entitled The Witches’ Heart. Her unique designs in Craft jewelry and tools are sold online and carried by stores all over the US and in many other parts of the world. 

 

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Review: The Gospel of Loki

The Gospel of Loki
Joanne M. Harris
Gollancz, 2014. 302 p. ISBN 978-1-473-20237-5. £8.99
Read the first chapter.

Cover_The_Gospel_of_Loki

According to the cover of the book, this is ’the epic story of the trickster god’, and I think that suits the story better than the word ‘gospel’. It reminded me more of the stories of Baron Munchhausen. But it is the narrator himself who calls it ‘gospel’, and the chapters ‘lessons’. You may have heard other versions of the story, but this is Loki’s own view. “I’m calling it Lokabrenna, or in rough translation, the Gospel of Loki. Loki, that’s me. Loki, the Light-Bringer, the misunderstood, the elusive, the handsome and modest hero of this particular tissue of lies. Take it with a pinch of salt, but it’s at least as true as the official version and, dare I say it, more entertaining. So far, history, such as it is, has cast me in a rather unflattering role. Now it’s my turn to take the stage.”

‘Yours Truly’ is the narrator, and the subject of the book is his own live, in retrospect. That means he gives references to what will happen later – cliffhangers! – and apologetic comments. “What can I say? It’s the Chaos in me”. “It was, after all, my nature.” The reader understands Loki has no other choice than to fulfil his destiny. And by doing so, playing an important role in the destiny of the Aesir and Vanir in Asgard, and of the Ice Folk and the Rock Folk of the Middle Worlds. The tale is not new, it’s only retold from a new perspective. And like the tale of Arthur can be retold times and times again, so can the tales of the Norse gods be retold. Each time from a different angle, covering aspects that have not been illuminated before.

This book is ’the unofficial history of the world’s ultimate trickster’. Joanne Harris uses modern day language (‘sales pitch’, ‘high profile’) and a very casual speaking style to give Loki a voice. The story is so compelling that I almost missed my bus stop twice, being absorbed by the book, wanting to reach the end of a chapter. Definitely recommended!

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Review: Llewellyn’s 2016 Witches’ Companion

Llewellyn’s 2016 Witches’ Companion. An Almanac for Contemporary Living
Editor: Andrea Neff
Llewellyn, 2015. 287 p. ISBN 978-0-7387-3401-9. € 16,50.
www.llewellyn.com

2016_Witches_companion_cover

This is a yearly publication, and if you start at the rear of the book, you’ll even find a calendar, with holidays and new and full moons. So probably ‘almanac’ is the correct word for it. A companion for Witches it certainly is. Wiccans and other Pagans can read two articles a month, and that leaves four articles more to read even before 2016 starts. I selected these articles to read now, to be able to review the book:
– James Kambos: To walk a new path
– Autumn Damiana: The magical and spiritual uses of diet
– Blake Octavian Blair: Easy guide to guided meditations
– Diana Rajchel: The divine masculine for women.
And each article was an inspiring introduction into the field it describes. For instance the piece by Diana Rajchel deals with the subject of the male God, but addressed to women – whereas most books on the male divine are meant for men. This article helps women approach the God on new, healthy, non-patriarchal terms. It does so by shedding new light on some Gods, and giving exercises for women willing to get into more direct touch with Them, and building a balanced relationship with the male divine.

I can hardly wait to read ‘The path of a priestess’ by Stephanie Woodfield and ‘Cerridwen: meeting the Witch Goddess’, by Kristoffer Hughes. Other articles deal with Discordianism; journaling; doing magic with kids; smudge plants; healing a painful past; and why it is unfair to call another Witch a ‘fluffy bunny’. A nice mix of provocative opinions and practical articles on contemporary subjects.

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Tentoonstelling “De heksen van Bruegel”, 19-09-15 t/m 31-01-16

museum catharijne convent

 

Hoe Pieter Bruegel ons huidige heksbeeld bedacht.

Van 19 september 2015 tot en met 31 januari 2016 presenteren wij u De heksen van Bruegel: de tentoonstelling over heksen in de kunst.

Eenmalig is een unieke collectie heksenvoorstellingen uit de roerige periode van heksenvervolgingen in de Nederlanden (1450-1700) te zien.

Deze tentoonstelling toont dat niemand minder dan Pieter Bruegel aan de wieg staat van de verbeelding van de heks zoals we die nu kennen.

Voor meer informative zie: https://www.catharijneconvent.nl/bezoek-ons/tentoonstellingen/de-heksen-van-bruegel/

Speciale aanbieding voor Wiccan Rede Online lezers, geldig tot 31 januari 2016, EUR 2,50 korting op de tentoonstelling “Heksen van Bruegel” :

(Klik op de afbeelding en maak een printje)

 

Adresgegevens:

Museum Catharijneconvent Utrecht
Lange Nieuwstraat 38
3512 PH Utrecht

Telefoon: 030 231 38 35

 

 

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Labyrinten : paden van vroeger en lijnen naar nu

Logo bij artikelen over de Oudheid in Wiccan Rede Online Magazine

Al duizenden jaren maken mensen labyrinten en maken ze gebruik van labyrinten. Waarvoor dienden deze complexe symbolen, en wat hebben ze ons tegenwoordig nog te bieden?

Doolhoven en labyrinten

Vorig jaar* zaaide een boer, ik meen in Frankrijk, zijn maïs in de vorm van een doolhof. Toen het gewas hoog stond, mochten belangstellenden tegen betaling het doolhof in. Het was een groot succes: hele busladingen bezoekers kwamen erop af. Blijkbaar spreekt een doolhof ook mensen van nu aan. Niet zo vreemd, want al sinds de vroege oudheid maken en tekenen mensen spiralen, labyrinten en doolhoven. In de laatste vierhonderd jaar – sinds het mode werd onder rijke mensen die een tuin lieten aanleggen, zoals die van Het Loo – zijn doolhoven (in het Engels mazes) populair geweest: in dit soort labyrint, vooral in de versie met hoge muren, kan een mens verdwalen, wat ook de bedoeling is van dit soort ‘multicursale’ puzzels met meerdere routes, met zijwegen en doodlopende stukken. Daarvóór bestond echter al heel lang het labyrint dat plat op de grond wordt uitgelegd en bestaat uit een lange, ronddraaiende weg zonder zijpaden. De bedoeling hierbij is om van buiten af naar binnen te lopen, en vanuit het centrum de omgekeerde weg naar buiten te vervolgen. Opmerkelijk is dat het begin van de weg naar binnen doorgaans deosil is, ‘met de klok mee’ en het labyrint widdershins wordt verlaten.

Geschiedenis

Deze ‘unicursale’ of eenwegslabyrinten zijn over de hele wereld gevonden en de oudste dateren van zeker 5000 jaar geleden. In Siberië is een tekening van een labyrint gevonden op een stuk mammoet-ivoor, gevonden in een steentijdgraf, en dit artefact zou dateren van 5000 jaar voor onze tijdrekening. Een Egyptisch labyrint, gebouwd in de tombe van Amenemhet III zou ouder zijn dan 4000 jaar. In Sardinië is een labyrint uitgehakt in een rots en dat is mogelijk het oudste nog overgebleven labyrint, daterend van circa 2500 tot 2000 voor onze jaartelling. Er zijn labyrinten gevonden op Neolitische beeldjes, gevonden nabij Belgrado in voormalig Joegoslavië, in ruïnes bij Madras, India, en op een blok graniet in Wicklow, Ierland, maar ook in Mauretanië. Spiraalvormige symbolen op de ingangssteen van New Grange, Ierland, doen ook erg denken aan labyrinten. Vergelijkbare symbolen, geassocieerd met slangen, zijn gevonden in Australië (aboriginals), de Keltische wereld (Bretagne/Brittannië) en in Ohio, waar een kunstwerk van een paar honderd meter is gemaakt waarin zowel doolhof, slang als spiraal zijn verwerkt (de Heuvel van de Grote Slang, ontdekt in 1848 en blootgelegd in 1885).

Diverse vormen

In Groot-Brittannië werden labyrinten doorgaans uitgegraven in turf of gemaakt van graszoden en plaggen; in Scandinavië zijn ze vaak gemaakt van stenen en keien, al dan niet nabij prehistorische begraafplaatsen. In het Mediterrane gebied zijn waarschijnlijk ook ondergrondse labyrinten (geweest), in grotten of onder tempels. In Frankrijk waren ooit in kerken en kathedralen labyrinten te vinden op de vloeren, maar daarvan zijn er vele vernield. Nog altijd is er echter een prachtig labyrint op de stenen vloer van de kathedraal van Chartres.
Er zijn diverse typen van labyrinten, en verschillende formaten met bijvoorbeeld zeven tot vijftien cirkels. De eenvoudigste bestaan uit drie cirkels. Er zijn ook vierkante (dat van de Minotaurus) en achthoekige labyrinten en vaak is er een kruis in te herkennen. In het midden kan een vrije ruimte zijn opengelaten, maar de weg kan ook bijna onmerkbaar doorlopen zodat de weg naar binnen vanzelf overgaat in de weg naar buiten. Dat is ook het geval bij het meandermotief dat we kennen uit het oude Griekenland, maar dat al is gevonden op ‘vogelgodin’-beeldjes uit de Oekraïne die dateren van ca. 18.000- 15.000 BCE. Het Hollywood Stone-labyrint in de Wicklow Mountains in Ierland is een combinatie van een doolhof en een unicursaal labyrint. Tot de bekendste labyrinten behoren dat van Knossos op Kreta (de mythe van Theseus, Ariadne en de Minotaurus) en Glastonbury Tor.

via Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Classical_7-Circuit_Labyrinth.svg#/media/File:Classical_7-Circuit_Labyrinth.svg

Klassiek labyrint, via Wikimedia Commons 

Waarvoor dient een labyrint?

Waar labyrinten voor dienen is niet helemaal zeker, maar de oorsprong lijkt te liggen in initiaties, een verband met dood en wedergeboorte, en in vruchtbaarheidsrituelen. De route van buiten naar binnen is dan de weg naar de dood, en de weg naar buten een wedergeboorte. In Scandinavië is het gebruik bewaard gebleven om een ‘jonkvrouw’ of maagd te gaan ‘redden’ uit het centrum van een labyrint. Ook in India en het Middellandse Zeegebied bestonden soortgelijke riten. Mevrouw Cooper legt ook verband met de route van de zon, die afneemt in de winter en weer groeit in het voorjaar, en met het lichaam van de Grote Moeder. Het woord ‘laburintos’ zou duiden op het ‘huis van de dubbele bijl’, de labrys. Dat is een puur vrouwelijk symbool, dat misschien verband zou kunnen houden met de vlinder, het symbool van transformatie en wedergeboorte. In tegenstelling tot in Noord-Europa werden in de vroege Griekse culturen uitsluitend vrouwen/Godinnen afgebeeld met deze bijl; nooit mannen. Mogelijk hebben zeelieden een bijzondere band gehad met labyrinten, die vaak dicht bij de kust liggen, en er rituelen uitgevoerd om zich tegen de gevaren op zee te beschermen.

De kraanvogeldans

Door een labyrint kun je lopen, rennen of dansen. In de streken waar kraanvogels bekend zijn, van West-Siberië tot Korea en van de Mississippi tot Australië, worden kraanvogeldansen gehouden in labyrinten. De kraanvogel is een boodschapper van de goden, en heeft te maken met de dood – als ‘psychopompus’ begeleidt hij zielen naar de andere wereld – en met het kunnen bereiken van andere bewustzijnsniveaus. De dans is mogelijk ouder dan het labyrint, maar na het verslaan van de Minotaurus zouden Theseus en zijn lotgenoten deze gewijde dans hebben uitgevoerd op het eiland Delos, de geboorteplaats van de tweelingen Apollo en Artemis. Al dansend beeldden ze de bewegingen uit die hen door het doorlopen van het labyrint te Knossos bekend waren. Theseus leidde de dans, en de overigen volgden hem, verbonden door de draad van Ariadne. Kraanvogels dansen sierlijk en licht, en de kraanvogeldans is een manier om het labyrint op een ritmische manier te doorlopen. Midden in het labyrint is er het ‘stille punt’ in de dans. Op dat moment is de danser verbonden met de as van de wereld. Het labyrint heeft meer dimensies dan alleen het platte vlak…

Een weg naar binnen

Net als een cirkel in de wicca, of een stenen cirkel, is een labyrint een plek tussen de werelden, waar ook de tijd een andere rol speelt. Wie een probleem heeft, kan tijdens een meditatieve wandeling door een labyrint nadenken over zijn of haar situatie, en zich openstellen voor een oplossing. De tocht alleen al kan je in een andere gemoedstoestand brengen, of op een ander bewustzijnsniveau. Concentreer je op je probleem, probeer je valstrikken (valse zekerheden) te ontdekken en overweeg andere antwoorden dan je tot nu toe bedacht hebt. Ga dan het labyrint binnen met een duidelijke vraag of positieve intentie in gedachten. Stel je open voor antwoorden en heb geduld: het kan een paar dagen duren voor het antwoord duidelijk wordt. Je hoeft niet eens een labyrint te lopen met je voeten: als er geen groot labyrint in de buurt is, kun je er een op papier ‘wandelen’ met je vingers (je vingertop bevat zelf een afbeelding van een labyrint!). Ook tekenen in zand is mogelijk (denk aan een mandala). Een labyrint kan je helpen om je intuïtie aan te scherpen, om los te komen van het dagelijks leven maar ook om verkregen inzichten mee te nemen naar je dagelijks leven. Zet voet voor voet op het pad, kijk naar je voeten en laat je meevoeren. Naar binnen, naar het centrum, en weer naar buiten. Zelfs wie niet uit was op antwoorden, kan toch inzichten verkrijgen tijdens een tocht door het labyrint.

Ritueel

Het is mogelijk een labyrint op te nemen in een ritueel. Met behulp van gekleurd plakband, of met draad en gewoon plakband, kun je een labyrint aangeven op de vloer, binnen de cirkel die je gaat trekken. In plaats van een pathworking te doen, kunnen de deelnemers aan het ritueel om de beurt het labyrint lopen. In het centrum kun je iets neerzetten dat verband houdt met het seizoen. Eventueel kan de volgende persoon de tocht naar binnen aanvangen als de vorige aan de terugtocht begint (als er ruimte genoeg is om elkaar te passeren), maar zorg in elk geval dat iedereen voldoende tijd kan doorbrengen in het centrum. Mogelijkheden voor in het hart van het labyrint: kristallen, tekenmateriaal, de cauldron vol met water, een meditatiekruk, een opdracht of juist een mand vol ‘antwoorden’ (in de vorm van symbolen of korte teksten, of bijvoorbeeld beschilderde eieren).

Een tijdelijk labyrint maken

Je kunt dus een labyrint maken met behulp van simpele middelen, als je het tijdelijk wilt gebruiken. Binnen zijn plakband of draad (koord, of gewoon breiwol) en plakband voldoende. Op sommige vloeren kun je zand strooien en daarmee een labyrint aangeven. Een krijtje kan handig zijn om hulplijnen te trekken. Als je een vergissing maakt, kun je krijt weer uitvegen. Buiten kun je een layrint maken door stenen, schelpen of takjes neer te leggen of er een te tekenen in het zand. Op een groot grasveld kun je een labyrint ’tekenen’ met de grasmaaier. Laat het afhangen van de omstandigheden welke middelen je gebruikt. (Controleer ook of het plakband bijvoorbeeld sporen achterlaat op de vloerbedekking). Voor een model-labyrint kun je de boeken en sites raadplegen aan het eind van dit artikel. Misschien kun je met behulp van deze modellen zelf iets tekenen dat beter voldoet aan je behoeften. Tijdens een weekend in een conferentiecentrum hebben we een labyrint gemaakt met gekleurd plakband. Dat sprak niet alleen de deelnemers aan (we bleven gedurende het hele weekend steeds het labyrint lopen) maar ook de staf van het centrum en de mensen van de catering. Er werd ons gevraagd om het labyrint niet weg te halen aan het einde van het weekend. Enkele dagen later zou er een groep komen die de staf van het centrum ook de gelegenheid wilde geven het labyrint te lopen en zo gebeurde, en dat gaf ook die groep veel voldoening.

Een blijvend labyrint maken

Het maken van een permanent labyrint vergt meer. Om te beginnen moet je uitzoeken of de plek geschikt is voor een labyrint (niet te dicht bij waterbronnen of leidingen, omdat die vaak blijken te gaan lekken als er een labyrint vlakbij is!). Pendelen kan je duidelijk maken of de plek geschikt is en hoe het labyrint moet worden gelegd om op een lijn te blijven met de aard-energieën (leylines) en of de aarde zelf akkoord gaat met een labyrint op die plaats. De eigenaar van de plek zal ook toestemming moeten geven. Een permanent labyrint zal mooier moeten worden uitgevoerd dan een tijdelijk exemplaar: met echt ronde lijnen bijvoorbeeld. Aan het materiaal moeten eisen worden gesteld (tegels die niet wegzakken, mozaïek ingelegd in cement), of het labyrint zal onderhouden moeten gaan worden (buxushaagjes). Ga eens kijken bij andere labyrinten. Misschien ontdek je er wel een in je omgeving, en is het niet nodig om er een te bouwen. De hedendaagse ontwerper van labyrinten Jim Buchanan heeft zelfs een labyrint uitgezet op de plattegrond van Amsterdam. De Nederlandse doolhovenstichting wijst de weg naar 52 doolhoven en labyrinten in Nederland. In Zweden zijn er bijna driehonderd te vinden in de vrije natuur, maar ook in Duitsland en Groot-Brittannië kun je ze aantreffen. Een bijzonder en onthaastend uitstapje in de vakantie!

Literatuur

  • Liz Simpson: The magic of labyrinths. Element, 2002.
  • Roger Rundqvist: Het labyrint als inwijdingsweg. Deventer, Ankh-Hermes, 1998.
  • Caitlín and John Matthews: The Western Way. Volume I. Arkana, 1985.
  • Philip Heselton: Earth Mysteries. Element, 1995 (p. 65-66).
  • J.C. Cooper: An illustrated encyclopaedia of traditional symbols. Thames & Hudson, 1984.
  • Janet en Colin Bord: Doolhoven en labyrinten, symbolen van de ziel. In: Onze mysterieuze wereld. Van Holkema & Warendorf, ca. 1988 (p. 106-111).
  • Helen Raphael Sands: Labyrint, een weg naar jezelf. Altamira-Becht, 2001.
  • Jürgen Hohmuth: Labyrinths & mazes. Prestel, 2003.
  • Jacques Attali: The labyrinth in culture and society, pathways to wisdom. North Atlantic Books, 1999.
  • Lauren Artress: Walking the sacred path, rediscovering the labyrinth as a spiritual tool. Riverhead Books, 1995.
  • Lauren Artress: Meditation at your fingertips. Journey Editions, 2000. Met zanddoos.
  • Janet Bord: Speelboek der dwaalwegen, doolhoven en labyrinten. Landshoff, 1976.
  • Marion en Werner Küstenmacher: Labyrinten, een ontdekkingsreis door de wereld van labyrinten en doolhoven. Panta Rhei, 2001.
  • Sig Lonegrin: Labyrinths, ancient myths and modern uses. Gothic Image Publications, 1991.
  • W.H. Matthews: Mazes and labyrinths, their history and development. Dover Publications, 1970.
  • Jill Purce: The mystic spiral, journey of the soul. Thames & Hudson, 1985.
  • Tijdschrift Prana nr. 83. Thema doolhoven en labyrinten. Ankh-Hermes, 1994.
  • De Nederlandse OBOD-Nieuwsbrief nr. 6: Ruth: Labyrinten.
  • Wiccan Rede, Summer 1995: Iris: Over doolhoven en labyrinten, een inwijdingsdans (p. 16-22)
  • Caerdroia, tijdschrift. Zie http://www.labyrinthos.net/caerorder.html

Nederlandse doolhofstichting – www.doolhoven.nl/
Labyrinth Enterprises – www.labyrinthproject.com
Labyrinthos – www.labyrinthos.net
The Labyrinth Society – www.labyrinthsociety.org
Jim Buchanan – www.landartist.co.uk
Ashlandweb www.ashlandweb.com/labyrinth/index.html
Labyrinthe in Deutschland – www.begehbare-labyrinthe.de/
Labyrinths (Wikipedia) – en.wikipedia.org/wiki/Labyrinth

* Dit artikel, nu enigszins aangepast, is oorspronkelijk geplaatst in Wiccan Rede, Lammas 2004 (voordat ik ‘Harry Potter en de vuurbeker’ had gelezen, waar ook een doolhof in voorkomt).

Geplaatst in Artikelen | Getagged , | 2 reacties

Paganism as a cultural phenomenon in Europe

Last year I attended a conference with the theme ‘Gender in neo-paganism and native faith in Central and Eastern Europe’.  (March 2014, Krakow, Poland). I gave a paper in which I talked about gender in a Wiccan context. The thing I noticed was that people were differentiating between Western-style paganism which is generally Wiccanish… and Eastern-style paganism which is often patriarchal with nationalistic tendencies. In fact I had seen this trend in the early 2000’s. Also during my travels I found it easier to talk of paganism as a CULTURAL phenomenon rather than an expression of a religious or spiritual movement.

One of the main problem is one of definitions. Since people have difficulties in defining religion it makes it even more difficult to define a pagan religion. Also it was becoming evident that the very term paganism was also very unclear. 

I had been thinking about this situation for some time and it was in October 2014 when I was invited to submit a paper for the SIEF 11th annual conference in Kazan, Russia, that I decided to offer a paper discussing paganism as a cultural phenomenon. The theme of this conference was ‘Traditions and Transformation’  (June 2015).

It was received with a good amount of enthusiasm so I read the paper later again in July 2015 in Saint Petersburg, Russia at the College of Thelema.

Abstract: 

‘Neo paganism’ as a term was introduced in the 1860’s in the UK. In the last 60 years it has become a term to describe many things including New Religions described as ‘Nature Religions’. As many of the groups and practitioners have sought for their roots in classical paganism it has become increasingly difficult to determine what is actually meant by ‘Neo-paganism’. In recent discussions where there is a tendency to claim authenticity it has become more and more apparent that to understand the nature of neo-paganism we need to look at the cultural context. The pagan/heathen heritage in Europe does indeed go back millennia. In this paper I will be looking at the impact of cultural influences and how neo-paganism has developed in Europe over the last 40 years.

‘PAGANISM as a cultural phenomenon in Europe’: Morgana, Utrecht, the Netherlands May 2015

Introduction: Good afternoon, my name is Morgana and I am presenting the following paper as a pagan practitioner. I have been practicing as a Wiccan priestess for more than 35 years and have seen the development of (neo) paganism in Europe, especially in the UK and the Netherlands.

Definitions and our understanding of the word “paganism”. 

Today paganism has come to mean a number of things to different people. According to the Merriam Webster dictionary the word is derived from pagus:

“In ancient Rome a person living in a rural area or village was called paganus, a word derived from the Latin noun pagus, meaning “village, district.” In time paganus came to refer to a civilian as opposed to a soldier. When Christianity became generally accepted in the towns and cities of the empire, paganus was used to refer to a villager who continued to worship the old gods. Christians used the term for anyone not of their faith or of the Jewish faith. The word in Old English for such a person was what is now heathen. In the 14th century, English borrowed the Latin paganus as pagan, and used it with the same meaning. In time both heathen and pagan also took on the meaning of “a person having no religion.”

“Having no religion” at best and at worst; followers of the old pagan gods were barbaric and devil worshippers.

On ‘Paganus’ Fritz Muntean writes “… neither paganus nor rusticus necessarily imply that the people or practices being referred to are rural in nature. In the context of the texts we are examining, paganus refers to non-Christian beliefs and practices, and rusticus means uncultured, unsophisticated or just uneducated, and as such is similar to Augustine’s rudes.”

However in more recent times, for example, the ancient Greek and Roman gods would be categorized under ‘Classical Paganism’. In the mid-19th century the term ‘Neo-pagan’ was first used and referred to the revival in pagan culture.

The term ‘neo-pagan’ now provides a means of distinguishing between historical pagans of ancient cultures and the adherents of modern religious movements.

Adler DDM

(fig.1)

Margot Adler’s now classic book Drawing Down the Moon: Witches, Druids, Goddess-Worshippers and Other Pagans in America Today (first published 1979) is an examination of neo-paganism in the US from a sociological point-of-view. Interviewing many pagans Margot mapped out many groups and practitioners who were already well established in the 1970’s.

To a large extent the same was happening in the UK where Wicca, introduced by Gerald Gardner, was also becoming popular. In fact it was due to Gerald Gardner and the emergence of Wicca after the repeal of the Witchcraft laws in 1951 that the way was made open for many people to practice ‘The Old Religion’. This was a term Christians gave to those who worshipped the old pagan gods as I noted earlier. The NEW religion was Christianity.

Restall Orr Honour

(fig. 2)

In her book Living With Honour: A Pagan Ethics (O Books, 2007) Emma Restall Orr begins by actually describing Paganism. She describes ‘Four threads of paganism’:

  1. The image of paganism as a fashion trend, a hype. The main audience being young people, particularly girls. TV shows such ‘Buffy the Vampire Slayer’, ‘Charmed’, ‘how to’ books etc.
  2. “An authentic and ancient thread … of magic: many paths within Western Paganism hold the craft of magic as a defining and focal practice”. The emphasis here is on methodology and not on a religion or theology.
  3. “Paganism based upon the quest for knowledge and knowing”. Using archaeology and anthropological sources, cultural studies, literature, mythology and language. Here we see too the revival of worshipping ancient deities. Here the religious aspect is evident.
  4. “The oldest thread. It is the perspective that appears to be the most rudimentary, the most primitive and elemental… Here the core focus is the spiritual power of nature, and spiritual or religious practice.”

In Part 1 ‘Finding a perspective’, she writes: “Even acknowledging its many diverse threads, there is one significant attitude that draws modern Pagans together: the unwillingness to accept without question society’s norms.” This and the above observations clearly refer to paganism as cultural, societal phenomenon.

Religion is one aspect of any cultural landscape and it would seem logical that paganism too falls within this category. My own experiences certainly attest to this. I have seen paganism – and particularly Wicca – be the subject of a hype (thread 1).

(Sub-)Urban paganism

For many years paganism was perceived as “a person having no religion”. In 1971 the Pagan Federation (UK) was established. As an activist campaigning group the main goal was to provide correct information about paganism and the emerging (neo) pagan religions such as Wicca and Druidism. The emphasis also was to highlight the connection these religions had with the Earth and the ‘divine feminine’. In many respects paganism as defined in thread 3.

It was in the 1970’s as Margot Adler pointed out that paganism as a religious, spiritual alternative suddenly exploded on to the scene. Along with anti-establishment demonstrations, cries of “Make love, not war”, feminism, the sexual revolution, gay-rights and civil-rights – the Goddess had returned!

Although the call “to go back to nature” resounded in the hearts of many people it was in the cities and towns where most people lived. If paganism was the spiritual calling then it was urbanism which was the cultural setting.

Wouldn’t this be a contradiction? It could have been but as we have seen in recent years the very term ‘Urban pagan’ is one which is being used to describe the very people practicing a Nature religion in the cities.

Nature is everywhere. It is the connectedness with nature which has been lost. As the monotheistic religions with the emphasis on scripture/writings of their respective ‘Holy Book’, Pagans were more connected by the locality and where their gods lived. Some of the ancient gods travelled well and were more universal but the majority were local deities or genius loci as the protective spirit of a place.

It is perhaps this very aspect that will be the overriding attraction of (neo)-paganism in a global sense. In his essay Civil Religion Aspects of Neo-Paganism (2004) Michael York writes,

“This last, however, already answers my second initial question, namely, how much does the language of contemporary Goddess Spirituality constitute a form of ‘pagan civil religion’? While I would argue that, indeed, belief in a transcendent yet immanent being called ‘the Goddess’ has and does provide a lingua franca through which many different types of pagans can associate, despite their denominational or sectarian separate identities, the future trend of contemporary Western paganism would appear to focus more on an abstract concept of nature – one that is both impersonal yet animated, pantheistic yet animistic. Increasingly, nature religion is, or nature religions are, supplanting even Wicca/witchcraft as the prevailing norm within present-day paganism. But in either case, whether Goddess Spirituality or nature religion, the common denominator has – or at least attempts to have – a more universal appeal. There may be at the end of the day a new global form of civil religion that supercedes the particularity of any national civil religion – be it American, Canadian, British or French. The pagan global civil religion will not conform to any Durkheimian reification of the state but will be transnational in the sense of focusing upon the planet as a global community. If Bellah can see the Vietnam War as an occasion for reflection on American civil religion, or Swatos can recognize the revitalization of the same through the calamity of 911, the increasingly imminent crisis of environmental disaster might no less be the occasion for the emergence of a global civil religion. If such be the case, contemporary paganism already has the door open in that direction.” [note 1]

Since ‘Civil Religion’ has everything to do with national culture and symbolism it is not unreasonable to see paganism in this context.  As a cultural phenomenon.

Situation in Europe

When looking at the development of (Neo-) paganism in Europe since the 1860’s, when the term was first coined, as a cultural phenomenon – or Civil Religion – it becomes easier to pin-point differences and commonalities. However, even more so than in the US, the cultural differences between European countries and the shift of political boundaries in the last 150 years makes it difficult to generalize.

As a practitioner though I have seen – in the last 35 years – that there has been a gradual emergence of what one could call ‘Western European-style Paganism’ with a great emphasis on Goddess spirituality and the reverence for Nature and ‘Eastern European-style Paganism’ with a great emphasis on male leadership and heroism. However as people intermingle and share rituals there may be a shift in emphasis. As a cultural phenomenon neo-paganism is of course still very young and the social impact is still limited if compared to the other world religions. [note 2]

Another term for Western European-style Paganism is Wiccanish/ Wiccanesque, alluding to the early work of Gerald Gardner, and others, and the influence Wiccan ritual practice and philosophy has had on the neo-pagan movement. Even though a group today may call themselves, for example Heathen, many of their practices are recognizably Wiccan including; duo-polytheistic, the drawing of a magical circle, calling the four quarters, following the Wheel of the Year and celebrating 8 seasonal festivals.

This is perhaps the biggest compliment that Gerald Gardner could have ever wished for. That his interest in folklore, connection with the Goddess, interest in naturism and many other things, leading to the creation of Wicca, has evolved in itself into a cultural  phenomenon not just a religion.

Undoubtedly the emergence of internet and social media has encouraged and influenced many people to look at their own cultural roots. Whether they fall into the definition, or threads of paganism as outlined by Emma Restall Orr will remain to be seen. Whether paganism will emerge as a Global Civil Religion where the genus loci is the leading cultural force will also remain to be seen.

That there is a new map emerging is clear. Thank you for your attention.

References

[note1] ‘Civil religion’; in the Sociology of Religion civil religion is the folk religion of a nation or a political culture.

[note 2] Number of practicing pagans worldwide. If one was to include ALL indigenous people and Hindus, who have in recent years also claimed a pagan heritage, then the numbers would be round about 1.2 billion people, who would consider themselves to follow a pagan, polytheistic, life-style.

Adler, Margot (1979): Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today. Publisher: Penguin Books; Revised & Expanded edition (2006), ISBN 978-0140195361 

Merriam Webster dictionary; definition of the word pagan; [online] available at http://www.wordcentral.com/cgi-bin/student?pagan [accessed May 10, 2015]

Muntean, Fritz “On ‘Paganus’” University of British Columbia (n.d.) : [online] available at http://pagantheologies.pbworks.com/f/On_’Paganus’.pdf [accessed May 10, 2015]

Restall Orr, Emma (2008): Living with Honour – a Pagan Ethics. Publisher O-Books. ISBN 978-1-84694-094-1 

York, Michael: Civil Religion Aspects of Neo-Paganism Pomegranate: The International Journal of Pagan Studies, Vol 6, No 2 (2004) Full essay Civil Religion Aspects of Neo-paganism by Michael York

Bath Spa University College Association for the Sociology of Religion 2003, Atlanta [online] available at http://www.michaelyork.co.uk/Domus/CV/confpapers/cp-4.html [accessed May 10, 2015]

On Wiccanate/ Wiccanish/ Wiccanesque/Wiccan Privilege

Frew, Don: The Rudiments of Neopagan Spiritual Practice. Posted on Friday, November 15, 2013 at 09:00AM [online] available at http://theinterfaithobserver.org/journal-articles/2013/11/15/the-rudiments-of-neopagan-spiritual-practice.html [accessed May 10, 2015]

Frew, Don on saving Pagan lives, ‘Wiccan privilege’ and interfaith February 11, 2014 [online] available at http://www.patheos.com/blogs/pointedlypagan/2014/02/don-frew-on-saving-pagan-liveswiccan-privilege-and-interfaith/ [accessed May 10, 2015]

diZerega, Gus: “Looking to the future: Pagan religions in 50 Years” March 11, 2014 [online] available at http://www.patheos.com/blogs/pointedlypagan/2014/03/looking-to-the-future-pagan-religions-in-50-years/?ref_widget=related&ref_blog=pointedlypagan&ref_post=don-frew-on-saving-pagan-liveswiccan-privilege-and-interfaith [accessed May 10, 2015]

See also: http://www.siefhome.org/wg/ry/kazan.shtml

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Activism, interfaith and tradition – a pagan perspective; an interview with Morgana

by Dr. Dmitry Galtsin, St. Petersburg, RUSSIA July 5, 2015

– Most Russian Pagans know you as a Pagan activist, a PFI international coordinator and a Gardnerian Priestess. Less is known here about your interfaith initiatives and your role in academic study of Paganism. Could you expand on these aspects of your activity?

I’ll start with interfaith first. Five years ago in the Netherlands there was not much interfaith work going on. I remember one of the first interfaith meetings I attended that went on in synagogue, with some foreigners present and a welcoming speech addressed to “Christians, Buddhists, Muslims, Jews and whatever”. I introduced myself as being English, so a foreigner, and a high priestess of whatever.  🙂

The first thing I learned about interfaith in the Netherlands is that people were not really aware of what Paganism was about. Wiccans and Pagans in the country were a minority group which no one really bothered about, and that’s why for most part they didn’t bother about interfaith. Another thing I learned from the very first interfaith symposium was that the famous so called Dutch tolerance was most often indifference. Its motto is “so long as it doesn’t involve me, I really don’t care what you do”. But after Theo Van Gogh’s murder we lost our innocence, and other events, including the financial crisis, made us question many things which we had taken for granted earlier. An anti-Islamic and anti-immigrant sentiment grew along with right-wing parties becoming more and more popular. This sentiment was based on fear and ignorance. We usually fear what we don’t know. Working with United Religions Initiative (URI) I also noticed, that some people still harbour very strong biases against Pagans. When I mentioned my involvement with Pagan Federation International, some people would ask: “Are you Pagan?” and when I answered in the affirmative, would walk away. That is the moment when indifference in matters of religious pluralism gives way to fear. So I find that in the interfaith work it is sometimes more appropriate to call yourself not Pagan, but a humanist, because Paganism is still not what many people are comfortable with.

Via United Religions Initiative I have also become more involved in politics. For example we were invited recently to join a group concerned with Religious Freedom. This has been initiated by the Dutch Ministry of Foreign Affairs. This consultative group is concerned with humanitarian aid as well, and I have always said that, while helping people abroad, internationally, it is important to be aware that there are many socially insecure people, domestically, who need help as well.

Speaking about the academic study of Paganism; for a long time there have been no visible representatives of Pagan point of view in the Netherlands. The University of Leiden was probably one of the first institutions here where modern Paganism started to be discussed from an academic point of view. On the curriculum of the World Religions university course, taught there, there were “Antique Religions” alongside the four world faiths of Christianity, Judaism, Islam and Hinduism. At that time Wicca was classed under “Antique Religions” and it also included discussions of modern (neo) Paganism. I once went to the open day at Leiden University in mid-2000s, and the open lecture was devoted to “Gospel of Aradia” by Charles G. Leland. The lecturer, prof. A. F. De Jong, represented a “middle ground” between accepting Leland’s book as totally fiction devised by Leland himself, or a collection of genuine Italian practices. De Jong argued that while the presence of Leland’s ideas which is evident, Leland really looked into the existing practices he encountered whilst travelling in Italy. Later, modern Witchcraft/Wicca and Neo-Paganism have become subjects of a separate university course at Leiden (also within World Religions major), so there has been a significant change in approach in recent years. There is also now the classification of “New Religions”

I also  came into contact with the academic work of Ronald Hutton, Vivianne Crowley, Jo Pearson and Melissa Harrington, who deal a lot with Paganism and Wicca in an academic context. Via the journal “Wiccan Rede” (established in 1980) we also published reviews. One significant book was by Emma Wilby “Cunning-Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic” which is a study of early modern cunning folk practices[1].

Gradually I became aware of the uneasy problem the academic world is having with insider/researcher relations. It became especially topical after Marcus Davidsen’s article “What’s wrong with Pagan Studies” (2012)[2]. I have given lectures on Wicca and Paganism as an insider, practitioner at different academic conferences throughout Europe. I learnt, that, as in the interfaith, I have to be somewhat careful about representing my background, for very often representing yourself as Pagan undermines your credibility in a biased audience.

In order to bridge the gap between researchers and practitioners, Leon Van Gulik and I set up the Pagan/Academic European Network (PAEAN) in 2013 as a Facebook group[3]. The emphasis was on Europe as the name suggests. As people who joined come from places as far away as Great Britain, Turkey, Russia and Israel, we later chose the format of online conferences. The goal was to allow the researchers to meet the practitioners of modern Paganism and give the practitioners access to the academic discussion of Paganism.

I also have an account on academia.edu as an independent researcher, where I share my articles in Pagan Studies[4].

– You are in a unique position to observe the development of Pagan communities in Europe. What, do you think, are the most interesting new features of Paganism/Heathenism that have emerged in the last 15 years?

The two things which have greatly influenced Paganism in this period have been the development of the European Union and the “sense of belonging”. The question is how can people find their identities, their sense of belonging amid greater mobility of our times and the process of political and economical integration. While Internet gives people new connections and communication, it also makes them more fragmented, for they stop meeting each other physically. The “Witches Café” meetings which we were holding from 1997 in the Netherlands, where people come to talk about Wicca and Witchcraft on “neutral” public ground, have dwindled in the 2000s due to the fact that people lost the need to get together. Now, though, there is again a growing interest in “devirtualization”, and in meeting each other in person.

The PFI which evolved in the late 1990s – early 2000s – was evolving first along my personal Wiccan contacts throughout Europe (Germany, Italy, Spain, Czech Republic), and Internet played a huge role in creating the initial network. The evolving of what is now sometimes called “Wiccanate” or a wiccan approach has started to take place: people found out that Wicca offers a panoply of simple and effective instruments that one can easily imitate (creating a circle, invoking quarters, adapting Wiccan tools etc.), and adapt for one’s purposes or traditions. But at the same time I saw at the various PFI conferences that people also have an urge to go deeper into their respective local traditions. The Czech Republic was an especially good example of people very carefully looking at their Slavic roots. The Wiccan youth in the Czech Republic is, for instance, incorporating Slavic deities and Slavic ritual patterns in Wiccan ritual.

As a practitioner I have seen that there has been a gradual emergence of what one could call “Western European-style Paganism” with a great emphasis on Goddess spirituality and the reverence for Nature and “Eastern European-style Paganism” with a great emphasis on male leadership and heroicism. At the same time, the Eastern and Central Europe where the latter style is more present, Paganism (or Heathenism, for that matter) has been long associated with living traditions of “superstition”, “black magic” or even “devil-worship”. It differs greatly from the somewhat more “light” image of Paganism coined in the West in XIX and XX centuries.

The emergence of World Congress of Ethnic Religions in 1999 (now ECER European Congress of Ethnic Religions) revealed that the “ethnic” view may be very non-tolerant to what they perceive as “imported” religions – and Wicca most certainly falls into that category in their eyes. I think we must be wary of Pagan fundamentalism, which is focused on creating rigid identities which may under certain circumstances beget nationalism, racism and bias.

While European Union seeks to create large “overarching structures”, it fails to appreciate identities which bind people to their respective localities and cultures. We get something simplistically unified instead of a united Europe “of the hundred flags”. There is lack of respect as to how people identify themselves. The trick of labelling, for instance, Muslims, living in Europe, “Euro-Muslims”, is both ineffective and insensitive, as if they need the legitimizing “Euro-” prefix to be accepted. There is a fear that instead of bringing people together modern integration makes them more fragmented.

Paganism has moved to the stage of its development where it should be brave enough to admit that many grand Romantic images were simply not true. The idyllic myths of peaceful Celts, or heroic ancient barbarians, or matriarchy, or the Burning Times, must be held up to the light of day for examination (and here’s where academic research is actually helping Pagans), even though many paths may hold fast to these myths. The evolution is what the Pagan path is about and we can’t stick with a certain “tradition” or “belief” as an unshakable dogma if our experience battles against it. Paganism is above all organic and experiential.

After “The Triumph of the Moon” (1999) by Ronald Hutton saw the light, Merlin (who co-founded Silver Circle with me) wrote a sort of replique to Hutton’s notion of cunning folk (Emma Wilby actually read Merlin’s article and led her research in the same direction). I think Merlin’s article was named just that – “The Cunning Folk”. Studying the cunning folk material we found out that a lot of seasonal lore (including many ideas behind the Wheel of the Year, or names for full moons in different months) could have been picked by Gardner from his native Lancashire, where very strong Danish influence persisted into the Middle Ages. And while we don’t find in the folklore the notion of traditional covens of thirteen or naked rituals, or surviving Pagan religions, we do see the archetype of a “cunning man/woman”, which is actually very common for all regions of Europe. The “mythic-poetic ideal” as Merlin called it, is that which binds us to modern Wicca and was based on that, even if it wasn’t exactly what the real folklore was.

– You have a long experience of working with Russian Pagans and Heathens. What is peculiar about Russia Pagan-wise, what things are different here, from the Western European point of view?

Throughout Europe I see a lot of commonalities in folk traditions, which center around food, home and the hearthfire, Rites of Passage, music and “women’s lore”. The same is true of Russia. For me the heart of Wicca, as well as Paganism, is really in the kitchen. The down-to-earth, local traditions define how we live together, and that’s what connects various localities.

It is important that we view the ever-changing contexts of different cultural practices and motives we are using as Pagans without trying to force Romantic notions on them. While “Celtic”, “Teutonic”, or, for that matter, “Slavic” Romantic narratives were vital and fruitful at the start of exploring people’s forgotten heritage, now they have to give way to more accurate and more local research, if we want to be truthful. Though you’d be probable told a lot about “Celtic” ornamental patterns or symbols in, say, Ireland, or “Teutonic” symbols in Germany, chances are that the same patterns and symbols will be recognized as “Slavic” in other countries. Nature doesn’t have ethnic or national borders, and neither does spirituality. It is impossible to capture in a container of a certain isolated “tradition”. Practices and symbols travel – and that’s why the symbol of the river is so important. I found that the European arterium of Danube-Rhine was vital in the spread of cultural material across Europe, and I’m sure this is also true about Russia with its great rivers.

 

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(College of Thelema in St. Petersburg hosted a meeting with the head of the Pagan Federation International Morgaine Sythove. Thank you Morgana for the interesting and informative presentation, and Dmitry Galtsin -for the excellent translation – from Facebook. Meeting on July 4, 2015) 

– Wiccan community in Russia has been visibly developing for the last five years. Is there anything about your communication with Russian Wiccans you’d like to share?  

It may sound as a cliché, but stay open-minded. Explore your traditions, explore the world around you, find information. And use it.

When I was in America last year I heard a couple of people saying that “Wicca is no longer the vanguard. In the next 30 years, if Wicca does not evolve, it will disappear altogether”. The problem is in the people who are not accepted by the community because of their differences: if the ways are not found to make Wicca a safe and welcoming place for people of various origins, cultural background, sexual orientation – young people won’t join or embrace a religion where they have to twist themselves in order to “fit” with the tradition. We cannot expect people to “leave things outside the circle” concerning who and what they are; we have to find ways to integrate them into the ritual, into community.

Appealing to the “tradition”, blindly following tenets or practices simply because “this is traditional”, without actually understanding why has this or that tradition emerged in the first place, can be neither effective, nor good for the path. Look at what you do, analyze it, and realize the native contexts of your sources – otherwise anything you build upon them will be sandcastles. As people living in the now we have the challenge not only to remember the old gods, but to relate to the new.

The present world is much more fragmented than before. People lack identities they can relate to. They have lost their connection with their environment, the places and cultures they live in. And they lack connection with each other. This may be the reason why so much unmotivated, useless violence is taking place in the world.

It is time for finding commonalities. Although we may seem to have differences we, both as humans and Pagans, often find that we still have so much in common. The way we do ritual or relate to our different lands, the Rites of Passage, the awareness of seasonal changes. Look at the women of different cultures and what they are talking about, when they meet together, discussing raising children, sharing tips on doing household work etc. – the place where they appear to differ so much is actually the place where they find community.  In Dutch we have the expression “onbekend maakt onbemind” literally “unknown makes unloved”. Only by engaging and sharing with each other can we hope to live together in greater understanding and harmony.

Wiccans and pagans in general should reflect this approach – hopefully others will join us and celebrate and share the bounties of the Earth, our Mother … and Father. Become true Guardians of the Land. Blessed be!

References:

 

[1] Wilby, Emma (2005) “Cunning-Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic” published by Sussex Academic Press. ISBN 978-1845190798

[2] Davidsen M. A. What is Wrong with Pagan Studies? // Method and Theory in the Study of Religion. Vol. 24, 2012. P. 183 – 199.

[3] Site of PAEAN: http://www.paean-network.org/

[4] https://independent.academia.edu/MorganaSythove

Photo: https://www.facebook.com/spbthelema?fref=photo

Biography: Dr. Dmitry Galtsin is a Researcher at the Rare Book Department, Library of Russian Academy of Science. More about his work and interests can be found here: http://www.paean-network.org/dr-dmitry-galtsin.html

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