Recensie Moongazers & Trailblazers

Moongazers & Trailblazers. Creative Dynamics in Low Country Wicca
Léon van Gulik
31 mei 2017
ISBN 978-90-826939-0-4

Cover off the book Moongazers and Trailblazers

Léon van Gulik studied Psychology of Culture and Religion at Raboud University Nijmegen. Whilst being a cultural psychologist, he chose the subject of Wicca and religious studies as the academic environment to communicate about his research. Wicca is a good example to show how religious creativity works.

Van Gulik wrote his dissertation in his own time, while having time consuming day jobs. Therefore this thesis is a collection of peer reviewed articles (and one chapter), rather than a monography. The articles are adapted for this book, and a substantial introduction of Wicca is added. Van Gulik conducted 45 interviews with 47 people, most of them in Flanders or the Netherlands. Participatory research was done at Greencraft meetings.
The general aim of this thesis is to contribute to a cultural psychological understanding of religious dynamics. Key question was: ‘How does religious creativity work in Wicca?’, broken down into two secondary questions: ‘What are the contents and structures of the sub-systems of the domain, the field, and the person with regard to religious creativity in Wicca?’ and ‘Through what processes do these sub-systems of religious creativity interact in the Wiccan context?’

The first chapter of the core of the thesis – Chapter 3, The Pagan Parallax, deals with the tension between traditionalism and eclecticism in Wicca, focused on the individual. Chapter 4, Sticks and Stones, is complementary to Chapter 3. It discusses how an established tradition in Wicca as a whole – Greencraft in this case – legitimizes itself to other groups in the field and implicitly to society at large.
Chapter 5, Scholar versus Pagan, continues with the description of Greencraft’s creative work. Chapter 6, Secrecy and Ritual Hygiene, is concerned with the role and meaning of secrecy in Wicca. In Chapter 7, Coining Names, Casting Selves, Léon explores how many Wiccans adopt a new name, and what the impact of the subsystems of the domain is on that of the person.
Chapter 8, Domestication the Imagination, deals with how the field distributes the artefacts of the domain to the creative individual, aiding his imagination.

The study explains, by using Wicca as its showcase, how individual, social, and cultural factors contribute to religious renewal, and, in turn, how adherents themselves are changed in the process.

Voor een Nederlandse samenvatting, zie de website van de Universiteit Tilburg.


Over Jana

Wicca is mijn religie, achteraf gezien is dat altijd al zo geweest. Ik heb het geluk gehad mensen te leren kennen waarmee het goed klikte. In 1984 hebben zij me ingewijd in een Gardnerian coven. Anders was ik alleen verder gegaan. Mijn ideeën over de rol van man en vrouw komen in wicca terug. Zo ook mijn ideeën over het belang van natuur en milieu: ik vier de jaarfeesten en eet de groenten van het seizoen. En de Wiccan Rede ('Doe wat je wilt, mits het niemand schaadt') was al mijn lijfspreuk voor ik wicca leerde kennen.
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