Index Lughnasadh 2011

In dit nummer vind je de volgende artikelen / In this issue you’ll find the following articles

In het Nederlands:
Maan van de speer – Loes
De geur van de zomer – Merlin
Compassie – Jana
Hoe te beginnen met wicca – Jana
Lezing Joke en Ko – HC Mierlo 06 juli 2011 – Serotia
Oud nieuws in de verjongingsketel gegooid – Medeia
Websites – Jana
Redactioneel – Jana

In English:
Alizon the Witch – an extract from ‘A history of the Pendle Witches & their Magic’ – Joyce Froome
Lady Margaret’s Journey of No Return – Michael Berman
The Laidly Worm and Kemp Owyne – Michael Berman
The Scent of Summer – Merlin
The Museum of Witchcraft, Boscastle, UK – Morgana
Joyce Froome – a short interview – Morgana

en deze recensies / and these reviews:
Wicked Enchantments, the Pendle Witches & their Magic – book
by Joyce Froome
Magie – betovering en bovennatuurlijke krachten – boek
geredigeerd door Olivier Rieter
De Groene Man & de Groene Vrouw – boek van Joke & Ko Lankester
The Wildwood Tarot – deck by Mark Ryan & John Matthews, ill.
by Will Worthington
The Occult Reliquary – book.

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Index Samhain 2011

In dit nummer vind je de volgende artikelen / In this issue you’ll find the following articles

In het Nederlands:
Stone-people
Zand en modder: gedachten rond de oud-Egyptische reis naar het dodenrijk
Volle Maan van de Klif
Oud worden en sterven (column)
Gronden
Nieuws Samhain 2011
– Agenda
– Esbats & sabbats
– Heksencafés en Pubmoots
– Arachne’s Web
Redactioneel Samhain 2011
Websites

In English:
Stones are people too
On spirits: do spirits exist?
Your own celebration of winter
Whispering Winds – The Dolmen

en deze artikelen / and these reviews:
De Stem van de Godin (boek)
In het licht van de Maan (boek)
In de armen van de nacht (boek)
The Daughters of Danu (book)
Turkish devotional and contemporary music (music)
Je levenswiel in beweging (boek)
Daughters of the Spring (music).

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‘Whispering Winds’: The Dolmen

Cover of the album Whispering Winds by The Dolmen

Whispering Winds by The Dolmen

The latest album offering from those perennial Celtic rockers The Dolmen, entitled Whispering Winds is, in many ways, a journey back to their early folk roots with ten of the fourteen tracks being ’traditional’ songs. As with everything this band does, it is professional and served up with a rare passion and energy which flies in the face of those who say that The Dolmen aren’t ‘folky enough’ to play major folk music festivals. The simple truth is: this band of talented Raggle Taggle Gypsies can be what ever they choose to be at any given time. Folk, rock, heavy, they can do it all and very often do within one single performance. They do traditional fare very well indeed as is evident with this album.  The mix between Taloch Jameson’s sometimes pain-cracked and authentic voice and that of the two girls in the band, Kayleigh and Keri, with their stunning vocal range, makes this album one to truly savour.

It is front-man Taloch who starts the proceedings off with two traditional songs, the Scottish, ‘Mairi’s Wedding’ and the little known English folk song ‘Lark in the Morning’. Both are pumped full of typically infectious Dolmen energy. This is followed by a Taloch Jameson composition called ‘Guide Me’, which is beautifully sung in the unique voice of bassist Kayleigh Marchant. One which is very familiar to the hordes of Dolmen fans who flock to their concerts and wildly applaud every rendition she does of it.
The next song, ‘Albion’ is quite simply an Anthem from start to finish, a masterpiece in song writing. Once again a Jameson composition and once again beautifully sung by Kayleigh and ably backed up by flautist and vocalist Keri Pinney. It is essentially a love song to the sacred land that bore us and, with all the stuff in the news of late about searching for a new national Anthem, well, look no further for it is here and it is wonderful to our ears ! I can well imagine the two Dolmen girls belting this one out on the ‘hallowed turf’ before the FA Cup Final!

The next two tracks are the old Scottish classics, ‘Wild Mountain Thyme’ and ‘Loch Lomond’, exquisitely sung by Taloch and showing off his versatile vocal to excellent effect.
After this is a haunting traditional song sung by Keri in the Welsh tongue, ‘Suo Gan’. It is a song which Taloch’s mother used to sing to them as children and which her Granddaughter, Keri, does to perfection with her faultless vocal to not a dry eye in the house.
This is followed by the other side of the Jameson coin, ‘The Drunken Pirate’, a Dolmenised version of ‘Drunken Sailor’ and it does exactly what it says on the label. It’s a raucous rendition full of feverish Dolmen energy.
Then we are back to the sublime once more with what I think is the quintessential version of the Irish classic, ‘Danny Boy’. Taloch’s vocal is simply amazing as he effortlessly lays this one upon you and once again, the sentiment in the lyric will have you reaching for a tissue to dry your eyes. The next choice is a bit of a surprise. ‘The Gaoler’ was on their last album but this live version is raw and with Josh Elliott’s masterful guitar breaks makes it breathtakingly brilliant.

Then we are back with tradition and another live track, Dorset tradition and a song made famous by Led Zeppelin no less, but which The Dolmen have made entirely their own, ‘Gallows Tree’. Anyone who has ever been to a wild Dolmen gig will need no introduction to this one and, I dare you to not tap your feet. It’s just not possible!

The next song by contrast, is just wonderfully laid back. Again penned by Jameson, ‘Eternally’ is another of his songs which will definitely stand the test of time in much the same way that Fisherman’s Song and Dark Skies have. It is sung by both Keri and Kayleigh. Then it’s back with the Irish and the Dolmenised mayhem of ‘Whiskey In The Jar’! Recorded live earlier this year is another tried and tested live Dolmen classic done with all the energy conjured from their stage performances.
The final track can also claim that honour, though it is a far more recent addition to their live set, ‘Rocky Road To Dublin’. This one too bounces along to Taloch’s splendid feverish, tongue-twisting vocal and Keri’s flute mixed with Josh Elliott’s stunning guitar work make this one as memorable as any on the album.

All of the songs here are played to perfection and we must not ever forget Kayleigh’s driving bass and Chris ‘Spankie’ Jones’ awesome tribal drumming which bring so much to the Dolmen sound.

So, all in all, ‘Whispering Winds’ is yet another Dolmen triumph in CD form borrowing as it does from all four corners of these islands:  England, Scotland, Ireland and Wales. Then given the unique Dolmen treatment…  Dolmenising the old Celtic/Gaelic sound.

2011 witnessed the birth of Dolmen music in Holland and European countries with the ‘Storm’ tour, and 2012 promises their return with many festivals presently being booked.

All of the traditional songs from the album except for ‘Suo Gan’ (Keri) were arranged by Taloch and Josh who were clearly born to perform music together and the whole musical ensemble is vibrant, poignant and just out of this world.

The Dolmen are a Weymouth, Dorset based folk-rock band that incorporate elements of Celtic, folk, pagan-themed, and historically based musical works into their largely original repertoire. As of 2011, group members are singer and songwriter founder/member Taloch Jameson flautist and vocalist Keri Pinney, guitarist/singer-songwriter/lyricist Josh Elliott, bassist and vocalist Kayleigh Marchant, and drummer Chris ‘Spankie’ Jones.

Watch the preview on Youtube.
The album can be bought through the website: www.thedolmen.com.

Written by Mark Vine
Artwork Sem Vine

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Recensie: In de armen van de nacht

In de armen van de nacht – een vertelling over de weg die altijd verder gaat
Hilvert Timmer
Zie: http://www.concienciabolivia.com
Te bestellen via: hilverttimmer@hotmail.com
Facebook: http://www.facebook.com/hilvert?sk=info

In de armen van de nacht

 

Hilvert woont en werkt tegenwoordig in La Paz, Bolivia. (Zie ook zijn Facebook-pagina.) Toch is dit boek uitgebracht in het Nederlands.

Hilvert schrijft:

“Een spirituele en meeslepende vertelling in een middeleeuwse wereld waarin magie bestaat en waar we avonturen meemaken ven een hoofdpersoon die zijn persoonlijke levensweg bewandelt met muziek en zang.

Zijn pad leidt naar zijn eigen binnenwereld waar hij binnen moet dringen. Daarbij ontmoet hij tal van vrienden en vijanden en leert hij persoonlijke lessen die uiteindelijk leiden tot een heling van de duisternis van zijn tijd. Het verhaal ontwikkelt zich als een Europees sprookje maar bevat inzichten die voortkomen uit onder meer het sjamanisme en het boeddhisme, waardoor de sfeer tegelijkertijd zowel bekend als bevreemdend aandoet.”

En inderdaad: het is een sprookje volgens de Europese traditie, dat een inwijdingsweg beschrijft.

Het is dan ook Hilvert ’s verhaal geïnspireerd door bijzondere ontmoetingen. Hij is beïnvloed door zijn ervaringen in en betrokkenheid met het West-Europese paganisme/heidendom en later het oosterse zenboeddhisme en Zuid-Amerikaanse sjamanisme.

Hij heeft geprobeerd zijn boek een andere dimensie te geven door een CD samen te stellen met allerlei fraaie stukken en die als bijlage toe te voegen. Met sfeervolle foto’s – een enkele die ik persoonlijk herken, 🙂  –  is het boek een mooi geheel geworden.

Het boek is te bestellen via Hilvert. Hij vraagt een donatie van EUR 15. Het is zeker de moeite waard.

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Review: The Daughters of Danu

The Daughters of Danu
Piet Ceanadach
Moon Books, see their review.

Cover of the book The daughters of Danu

First of all who is Piet? He is described as

“a teacher of Paganism, especially the Wiccan and Druid-Craft paths. He is a third degree Gardnerian High Priest, well known throughout Europe. He has extensive practical experience of Circle Working, writing and organising Ceremonies, teaching workshops and legal weddings and handfastings. The Craft has taken him abroad where he meets regularly with other Wiccan’s, especially throughout Western and Northern Europe Piet has also been co-organiser of PaganCon Glasgow and had been Treasurer for both PaganCon and DruidCon until this year. He is also on the Scottish Pagan Federation Council in the capacity of Hospital Liaison Officer and is responsible for the whole of Scotland. Piet has written various articles for Pagan publications over the years and has been a keen contributor to many online discussion forums. Piet is married with children and grandchildren.”

Indeed … I know Piet both as a witch and Pagan Federation Scotland officer. He and his wife Siusaidh have served the Pagan community for many years.

As far as I know this is Piet’s first book but it is quite possible that he and/or Siusaidh have written other books. I wouldn’t be surprised  🙂

This book is in fact a novel and is the story of a young girl Orla who becomes a Priestess or Daughter of Danu. She is born as the daughter of a blacksmith. Her story starts when the Land of Eirinn is suffering neglect … even the animals are depressed as the rains continue day in, day out.

Through Orla’s belief in the Old Ones, at first unconsciously, she is chosen to restore the balance. Together with others she follows the instructions Dana give. We hear how she fares .. which rituals have to be performed …

In the second half it is her niece and good friend Niamh whose story is told.

Both girls, although young, are touched by the Otherworld and it is they who are ‘The Daughters of Danu’.

This is lovely story and describes the necessity of observing the seasonal cycle, honouring the Spirits of the Land and the practice of seasonal rituals in the true storyteller’s tradition.

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Websites – Samhain 2011

Logo pagina Webwegwijzer Wiccan Rede Online MagazinePagan calendar
This Pagan calendar shows Pagan, Witch, Druid and Heathen festivals, dates and events. Jump to other dates (use more than one step to go to a year further in the future or past) and find the planetary times as well. Or download a calendar for a complete year.
http://pagancalendar.co.uk/

Making wands
It does not have to be as simple as this, but it can be a nice start for making wands.
http://magic-wands.weebly.com/index.html

Zelf een athame smeden
Iemand die handig is, kan ook zelf een athame smeden. Hier vertelt onze Merlin hoe hij dat deed.
http://www.silvercircle.org/merlinsarchive/athame.htm

Zelf een gewaad maken
http://www.silvercircle.org/merlinsarchive/gewaadmaken.htm

Center for Pagan Studies
“Our History: Formed in 1995 by John and Julie Belham-Payne and based in an 18th Century barn in the grounds of their home in Sussex England. The Centre was put together as a resource facility for those wishing to learn for themselves, more about the ancient religions of the world.”
“The late Doreen Valiente was our patron and continues to be so as we carry on her work.”
http://centre-for-pagan-studies.com/

The Druid Path
This is a hidden part of druidry.org (cut off the rest of the URL to get there) or so it seems, with quite interesting articles. The headings are Druidry,  Personal Perspectives, Lore and Essays.
http://www.druidry.org/obod/druid-path/index.shtml

The Order of Bards, Ovates and Druids
This website offers a lot of articles on Druidism and the Order, and a guide to other resources. The articles deal with Tree, Plant and Animal Lore, ethics and values, and the relation between Druidry and other world views: the ancient religions of India, Wicca and Christianity.
http://www.druidry.org/

Matrifocus
MatriFocus Cross-Quarterly is a seasonal web journal (zine) for Goddess Women and others interested in Goddess Lore and Scholarship, Goddess Religion (ancient and contemporary), Feminist Spirituality, Women’s Mysteries, Paganism and Neopaganism, Earth-based Religions, Witchcraft, Dianic Wicca and
other Wiccan Traditions, the Priestess Path, Goddess Art, Women’s Culture, Women’s Health, Natural Healing, Mythology, Female Shamanism,  Consciousness, Community, Cosmology, and Women’s Creativity.
http://www.matrifocus.com/

Pagan-focused magazines and periodicals
Here’s a list of printed Witchcraft, Wiccan and Pagan focused magazines that you can either purchase as a single magazine (most are available at Sacred Mists Shoppe), or can purchase a subscription directly from the publisher. The list is not really up to date (PanGaia and NewWitch merged some time ago) but you may find an interesting magazine for when you finished the Wiccan Rede collection.
http://www.workingwitches.com/wicca/wicca_witchcraft_pagan_magaz
ines.html

Pompoenrecepten
Met onder meer een goed recept voor pompoentaart.
http://www.pompoenrecepten.nl/

Groentewijzer pompoenrecepten
Hier bijvoorbeeld een soufflé met pompoen, pompoenrisotto en een Zuid-Amerikaanse pompoentaart.
http://www.dewassendemaan.be/groentewijzer/pompoen/pompoen.htm

Sjeefs’ pompoenrecepten
Onder andere beignets, chutney, confiture en curry.
http://www.sjeef.eu/Nederlands/Recepten/Pompoen/00pompoen.html

Happy Halloween
Wat kun je nog meer met pompoenen, behalve ze eten? Hoe lang kun je ze eigenlijk bewaren? Elders op de site nog veel meer over Halloween.
http://users.telenet.be/HappyHalloween/Pompoenen.html

Pompoenen kweken
http://www.tuinadvies.nl/groente_pompoenen.htm

Soorten pompoenen
Welke soorten zijn er eigenlijk allemaal? Hoe zie je wanneer ze rijp zijn om te oogsten? En nog meer recepten (pompoenomelet).
http://www.pompoenen.com/index.html

Pompoenzaad
Bestel op een van deze website zaden om zelf pompoenen te telen:
http://tuinzaden.eu/nl/121-groentezaden-fruitzaden-pompoen-
kalebas

http://www.vlaamszaadhuis.com/winkel/index.php?
page=browse&action=list&orderby=2&group=5&cat=182

http://www.tabernal-zaden.nl/contents/nl/d123_siervruchten.html

https://www.vreeken.nl/2007/pages/web_zaden.php?page=web_zaden&categorie=&zoekwoord=Pompoenen+%2F+Pumpkins+and+Squashes&Submit=zoek

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On Spirits: do spirits exist?

Dancing_Maenad_Python_Ian_Elliott

Part I: Do Spirits Exist?

If you say you believe in spirits these days, people look at you funny. Spirits are regarded as relics of old ways of looking at the world that have been superseded by the scientific outlook. A certain latitude is granted us to continue to believe in persons and free will, but any other entities that cannot be seen, weighed and measured in the laboratory are discounted. Effects from the unseen world are assigned to impersonal forces, as if humanity consisted of 7 billion ghosts wandering through an otherwise uninhabited machine.

Where are spirits? Well, if there are any, they are right here. Then why can’t we see them? Because, under normal conditions, they inhabit wavelengths or energy frequencies that fall outside our range of perception. We can only see 7/100,000ths of an ångstrom of the total energy spectrum. Infrared and ultraviolet vibrations lie just beyond our ability to perceive, yet we know they are there by their effects. The same is true of radio waves and gamma radiation. If some of these energy flows are organized into persons, that is more than scientists know, and, ordinarily, it is more than we can know about it. People who claim to talk to spirits are considered either mentally ill or at least weak-minded.

This attitude can be traced historically. Science had to struggle against the power of the Church for the independence to conduct research and report discoveries. The Church taught that psychological urges that were hard to control came from spiritual entities called devils, and states of unusual happiness and inner peace from other beings called angels, or directly from a transcendent creator called God (a name derived originally from one of the titles of Thor, meaning ‘the handy one’). The Church governed access to these angelic or divine beings, and forbade traffic with the others. The Church, in effect, was like a huge tourniquet on humanity’s experience of spirits.

Standbeeld_Ian_Elliott

The scientific revolution against the Church re-asserted humanity’s freedom to investigate all phenomena, by denying the existence of spirits and insisting that it was only investigating impersonal forces that could be understood in solely mechanical terms. This meant that approaching anything other than other humans on a personal basis was out; manipulation, not dialogue, was the approved method. Some leeway was allowed to animal researchers to approach their subjects on a simplified personal level, but the reports they drew up had to be totally impersonal and concerned only with details of time and circumstance, presented in terms of measurements. Behavioral psychology even extended this impersonal approach to the study of fellow human beings. The researcher had to alienate him or herself from his or her own personal feelings and only report what could be detected by a third observer. The criterion of repeatability demanded that all observations be confined to the realm of publicly verifiable statements.

The rubric of science that excludes spirits is called ‘Occam’s Razor,’ named after the medieval philosopher William of Ockham. It states that ‘entities should not be multiplied beyond necessity.’ Respectable tracts written by scientists or research scholars, when encountering accounts of spirits, always refer to such as employing superfluous explanations. Yet there are areas of experience that require the use of personal knowledge, of communication of subjective experience, which is excluded from the canons of laboratory research. Science makes allowance for this in its place, which is always limited to interpersonal transactions. Anything private, however, is merely subjective, and nothing noetic or effective is to be expected from talking to oneself.

Now, the interesting thing is that certain schools of therapeutic psychology depart from this model. They advocate dialoguing with one’s inner impulses, as if they were persons inhabiting one’s inner mentality. Is the as if thrown in to ensure that the patient does not fall into the error of schizophrenics, who regularly hear voices and respond to them as though they were other entities inhabiting their minds? If so, it would seem curious that cognitive therapists (as they are called) think that the addition of two little words would be sufficient to guard against this happening. Schizophrenia, as we are coming to understand increasingly, is a biochemical condition, and perfectly healthy, ‘normal’ people can talk to themselves without any danger of falling into that condition. Small children and isolated old people, for instance, talk to themselves frequently, as do people of intermediate age when they want to ‘see what they think’ about a given subject.

If, then, the as if is unnecessary from a therapeutic point of view, what purpose does it serve? It is, I hold, a sop thrown to our culture’s mandate that ‘entities should not be multiplied beyond necessity,’ and taking the notion of spirits seriously is regarded as exceeding the bounds of necessity. Yet here we see that the interests of resolving inner conflicts call for such dialogue, though only as if we were talking to someone else. I pointed out to my last therapist (the insurance rules changed shortly thereafter, ending some twenty years of therapy and workshops for me) that, since we are not privy to each other’s mental processes, we are already speaking to each other as if we existed as separate persons. He chuckled in response (the philosopher R.G. Collingwood once remarked that people tend to be ticklish in their absolute presuppositions). So dialoguing with inner ‘drives’ (mechanical metaphor) and ‘urges’ as if they were persons simply amounted to dialoguing with them. It was a distinction without a difference. This suggests a refinement to Occam’s Razor: “Entities should not be multiplied beyond, nor subtracted within, necessity.” We need as many entities as are necessary to deal with the world, including ourselves, but no more than that number, and no less as well.

Nevertheless, in dialoguing with inner forces, I found I was not employing ‘entities’ (that is, assumptions as to existence) at all. I was simply engaging in the act of dialogue. An inspection of ancient religious psychology, once we strip off modern bias on these points (see e.g. The Greeks and the Irrational, by E.R. Dodds, Ch. 1, for both the data and the bias) reveals that the act of dialoguing, or engaging in what the later Church would call ‘traffic with spirits,’ was the sole concern of the ancients. If challenged as to whether the gods actually exist or not, they would probably answer that the question, besides being unanswerable, was irrelevant, since prayer and offerings were found to be effective most of the time anyway. It was the act of interaction with these ‘forces’ (modern mechanical metaphor) that counted, not what one believed about them. Bringing the question of belief into these studies is anachronistic, since the emphasis on belief only arose with the advent of Christianity and the subsequent defensive reaction against it among the late pagans.

Tekening Agamemnon

The better studies in their better moments will admit that these questions simply ‘never arose’ for the people of those ‘primitive’ times, but always regard such non-questioning as a defect of pre-philosophical understanding; but this is nonsense. Plenty of evidence exists that people three thousand years ago and earlier questioned the existence of the gods, and we have the Memphite Theology from Egypt as an example of the philosophical sophistication of deep antiquity. So it is at least possible that the reason the question of independent existence did not arise for people of those times was that the question, if considered for a moment, was dismissed as irrelevant.

The question of whether there are spirits, then, changes into “Are there private circumstances in which it is effective to take a personal approach in order to cope with them in our lives?”

Someone might say at this point, “Oh well, if that is all you mean by spirits, I am not very impressed. Do you mean we can never see one, or that they never take the initiative to appear to us?” I can only give a personal answer to this question: “Yes, on rare occasions; and when they do, you might wish they hadn’t!”

Part II: A Personal Encounter

 

In February 1970 I was living in my stepgrandfather’s house in San Diego. My friend Stan Colenso and I had gotten together and were casting about for something to do. We tried the municipal tennis courts, but they were closed in the late afternoon. We bought a paper and looked at the movie ads, but the only interesting films, as usual, were showing at the Unicorn Theatre (now long gone) in La Jolla up north. Finally we decided to give La Jolla a try and headed up Highway 5, but the fog got thicker and thicker until we had to turn around and head back to my place. I lay on my bed and Stan sat in a chair in the corner, and we talked of this and that, mostly politics. It was a pretty boring evening, with no alcohol or anything else to relieve the tedium.

Around about 10:30 PM I was talking about the books of a British writer and an image of a scene from one of his books came into my mind. I noted it casually and went on talking, not about the scene I was imagining but about the writer. The scene was on the porch of a character in one of the books. It was dark and there was an alien or supernatural being standing there, a sort of living rod of cold light. I thought at first I was simply recalling the scene from my imagination, but when I turned my attention to other things the scene remained in my mind; in fact, it grew in vividness and strength. I continued to speak of other things to Stan, but grew increasingly uneasy.

Then an even stranger thing happened. From the right side of the scene I was imagining, the alien presence moved to the right side of my visual field. It was definitely in the room now, on my right just at the limits of vision. I felt its presence over there as a sort of throbbing on the right side of my head. Unable to think of anything more to say, I fell silent.

Stan was the first to speak. “I’m scared,” he said.

I jerked a thumb. “Is there something over there?”

“Oh, wow! You see it too?”

“Is it something like a flame?”

Flame_Ian_Elliott

The room by now beat with the throbbing energy of the interloper like a great heart. I turned my head to look directly at it. I found I could neither look at it directly, nor entirely look away from it. If I turned my head all the way to my left I saw two mental images: the bedroom wall to my left, and the 5-foot unwavering flame standing in front of my bookcase on the right side of the room. I actually saw both sides of the room at once. The flame itself was a second image; it did not block my view of the bookcase behind it. Nevertheless, it was not transparent, and seemed to bear an amber color in its center.

Stan and I started comparing notes on what we were seeing. To him the visitation looked more like a cloud, but we agreed about its location and when it appeared. We jabbered nonstop and never noticed when it went away. When we stopped talking, I looked at the clock: it was a quarter to midnight! We had gibbered in our fear and nervous excitement like a couple of chimpanzees for over an hour!

The flame has never come back, but the event taught me several lessons. First, this being began by entering my mind, and from my mind it entered the room. Second, we could tell somehow that it was intelligent, incredibly ancient and very powerful. Third, I remember comparing its throbbing power to the feeling one gets walking in the dark when one is somehow aware that there is an unseen step down or up. Fourth, it was not in the room as we and the furniture were there, but intruded into it from some other dimension. This followed from the ‘double-vision’ quality of the experience. Fifth, since that night I have had no fear of non-existence after death. I am convinced my friend Stan and I saw a spirit, and since that spirit entered the room from my mind, my mind must in some way extend into the place from which it came; therefore I too am a spirit. If it came through my mind, my mind must have a back door, as it were, on the world of spirit, just as it has a front door on the world of matter. Finally, this being so, it doesn’t matter if scientists claim that all paranormal experiences come from some human mind present at the scene. My mind was one of those minds, and I know that it was temporarily taken over and used as an instrument of projection, and another mind witnessed that projection. Therefore the spirits come through our minds into this world when they want to manifest themselves, and perhaps one reason we have incarnated into this world of matter is to provide them with access.

We are the mystery, for we are the doors of the Other World.

September 17, 2011

 

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Stones Are People Too…

Logo rubriek 'Gedachten' in Wiccan Rede Online Magazine

We all know how to get acquainted with other people. What if we made an analogy between getting to know people, and better understanding our Stones?  Why?  Because Stones are people too…

“Where Are You From?”
The place we were born shaped much of who we are.  Earth’s many cultures each have a flavour all their own.  Perhaps culture comes in part from energies unique to that specific patch of Earth (under which our Stones were born too).  Like people, Stones come from diverse places all over the world, carrying with them a heritage chock full of unique traits.  What energies might you discover in an Amethyst from spicy Latin America, or maybe a Ruby dug from the snowy Himalayan peaks?  If you work with a specific pantheon, Stones from which part of the Earth might best fit that pantheon?  What herbs or animals, foods, music or dance might also come from that same region?  Researching where your Stone was born can help you understand it better.

“Where Did You Grow Up?”
Stones form in many different ways. Pearls are the milky secretions an oyster paints atop a grain of sand, day after day, as a smooth band-aid to prevent the rough sand from irritating the oyster’s delicate inner membrane. Amber is age-old tree sap – not much different than the syrup we pour over pancakes!  Diamonds are carbon, the basic chemical building block for all plants and animals on Earth (including people).  Emeralds are born white, and ‘ripen’ into their rich green colour.  Malachite is rich in copper, the same metal that links together your local phone network.  Now that you know this, how might Malachite help you reach out and touch the magical energies you desire?

Examining our own past helps explain how we were forged into the people we are today.  Likewise, knowing how your Stone ‘grew up’ might help you understand its properties. Shiny black Obsidian, formed by a violent volcano eruption, was cast forth – red hot and flaring.  But like anything cast forth with sudden rage, the Obsidian cooled down over time, and gently settled into its present smooth state.  How might pondering this process help us cope with life’s many flare-ups we may encounter each day?

Wherever your Stone comes from, remember that it is far from home, uprooted by a rather disruptive mining process.  Ripped away from its homeland, from where it formed and rested beneath the Earth for ages, your Stone may have travelled halfway around the world, just to sit upon your book shelf.

“What’s Your Name?”
Names given to Stones often tell what we thought of them, many centuries ago. The name Amethyst comes from the Greek word Amethustos, meaning anti-intoxicant. This word is related to Methyl, a form of alcohol. People once believed that holding Amethysts in your mouth, or using an Amethyst cup, would prevent drunkenness. Crystal comes from Kyros, and means icy cold.  The name Ruby comes from the Latin word for red. However, the Greeks called Rubies Anthrax which means ‘living coal’, like what you might find nestled in the warm afterglow of campfire ashes. Anthrax is also the name of a nasty disease causing ruby-red blisters! Garnet is related to the word Pomegranate, which has many Garnet-collared seeds or ‘grains’. Perhaps Sapphires are related to the same name used by the Greek poet Sappho.

Regardless of what ‘given name’ your Stone was born with, you might want to create your own pet names for the special gems in your life. Like the Dear Ones close to your heart, Stones become more personal, more intimate, once a little nickname is used for them, and only them. Can’t think of a pet name for your favourite Stone? Ask it and be sure to listen deeply for the answer that pops into your thoughts!

“Do You Have Brothers and Sisters?”
Like people, Stones come in families. Like any family, members share common traits and look alike, yet are still quite unique. Perhaps knowing which types of Stones are kin might help you plan for ways to use multiple Stones together. Experiment here. Play with the chemistry between Stones, mixing and matching between families.

When should you use Stones within the same family, versus outside the same family? Think about what activities ‘people’ do best when shared with family?  Conversely, then think about those activities usually not shared with family members, where opposites attract. Be sly, and trust your intuition about these ‘social interactions’.

(Be sly – and the family Stone? 🙂  )

Think about your favourite Stones and research their family tree. Emeralds, Aquamarines and Alexandrites are part of the Beryl family of Stones. Beryl means the Stone contains the metal Beryllium, and may be related to the Germanic word for brilliant. Beryls come from six-sided crystals, and offer something to ponder for people interested in numbers. Rubies, Sapphires, Zircons, and Topaz are part of another family, called Corundum, and form via a mix of aluminum and oxygen. The Quartz family of course contains Quartz rock crystal itself, along with siblings such as Citrine, Rhine Stone, Amethyst, and many others. Quartz is made of the mineral Silicon, which composes nearly one third of the Earth’s crust (and the vast majority of its microchips)!  How might Quartz affect your daily activities that involve technology?

“How Old Are You?”
Unlike people, Stones won’t take offense if you ask their age. Stones have a life span nearly immeasurable by us mere mortals. Formed over many millennia beneath the Earth, your precious gem (including the 99 cent rock from the mall) is by far the oldest thing in your home. Millions of times older than any herb or oil, your Stone is an honoured elder in any Tradition. As you hold a Stone in your hand, think of the time that has passed during its existence!

Liquid yellow Amber oozed out from a now-extinct species of pine 300 million years ago and is older than human culture itself. Remember their fortitude as you think about Stones. The gem you wear on your finger will continue on, long after that finger has turned to dust! Our Stones will survive eons after the winds of time have swept away every building, city, or temple ever built in our era.

The ancient Roman world has crumbled to a few tattered ruins, yet the Emerald that Nero peered through while watching gladiators has likely changed very little. Where will your favourite Stone be in a hundred years? A thousand? A million? How many functions will it have served; how many stories could it tell?

“What Do You Do?”
There are countless references over the ages about what Stones do. In addition to researching the books, try to feel which Stone is good for what purpose. And again, if you don’t know just ask it!

Historically, Stones were used in many ways. Some were even ground up, mixed with sugar and eaten. (Note: this could be dangerous and is not recommended). Ground Diamonds were once used as weapons, since they lodge in the intestine quite painfully. Amber was once smoked in a pipe and inhaled for medicinal value. Even today, it is customary for fine tobacco pipes to have yellow plastic mouthpieces, once made of Amber.

Over time, with practice, people get better at any task they repeat. Do you use stones for divination? Try using the same Stone over and over many times, for divination or any magical act. As you improve with practice, perhaps your Stones will too. If your Stone is an odd shape, let your inner nine year old try looking at the Stone like you might gaze at the clouds. What does that one look like? A fish? Maybe a rabbit? What do these shapes symbolize for you?

Down to Earth Folks
Not all Stones are fancy polished gems. Most are as common as dirt. But being ordinary makes them no less special. While they might not have elegant names or pedigrees, the Stones we encounter every day along our path can be very powerful indeed. Want to change some part of your home life? Could a Stone from your own back yard help better than some foreign import from a far-off land? Stones from our own back yard teach us to see the simple solutions, ones we may otherwise overlook. Think about the Stones you might find in the many places of your life:  where you work or shop, your school, hospital or bank. What energies might these places hold?

A Familiar Face
Stones become memorabilia that bring us back to the people, places and things we love. Ever take a pebble as a remembrance of an intimate walk along the beach, forest or vacation? Whether we fly to an exotic resort, or NASA flies to the Moon, rocks are often what we bring home as souvenirs! Perhaps we innately sense how they absorb and store energy, recording a bit of what our own emotions splash upon them.

Stones in your home hear your every word. They have been there for every holiday, witnessed every occasion. As gifts, they often last longer than the person who gave them to you! As jewellery, they bask in your aura, become warmed by the heat of your body, and oh so gently touch your skin for hours on end… How many stories could that Stone tell about you?

Stones Are People Too
If you see this analogy, perhaps other objects can become more personal and take on new life too. The same questions we asked our Stones can be asked of any part of our surroundings. Perhaps all things (whether animal, vegetable or mineral) are part of the vast community of all things, a community larger than we ever realized and a community in which we too are a part.

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Reviews: Turkish devotional and contemporary music

As many of you already know I am very attracted to Turkey and Anatolia in particular.

Over the years I have collected a number of albums. If you are also interested in Turkish music please get in touch with me personally. And perhaps come over to visit me and listen to a few artists and different numbers.  🙂

During my recent visit I bought the following CD’s:

Cover of the album Breath by Mercan Dede

Breath: Mercan Dede

Released by  Doublemoon records, see: http://www.doublemoon.com.tr/

See also: http://www.mercandede.com/EN/ for an extensive biography.

And various You tube clips.

This one is from the Dunya festival in Rotterdam 2008: http://www.youtube.com/watch?v=nNXa3-XTj-c&feature=related

And “Dem” with Azam Ali: http://www.youtube.com/watch?v=1uLFSNt4M2g&feature=related

Turkish born Mercan Dede lives in Canada. He performs under various names and with his Secret Tribe or as dj Arkin Allen. I first came across his name way back in 2004 at the World Forum at the World Parliament of Religions in Barcelona (2004).

From his website: “‘I don’t like the separation, says Dede. ‘The Sufi poet Rumi has a very good saying: ‘If you are everywhere, you are nowhere. If you are somewhere, you are everywhere.’ My somewhere is my heart. I try to figure it out. The rest, the hype, the trends, they are not important. We are here for nothing else but Love, the rest is nothing but a bunch of gossip. If music does not make us a better person even in a small way, who cares if you are the best musician in the world. I prefer to be someone who follows his heart no matter where it goes. Success is not something to which I aspire but rather I accept as simply a wonderful gift of life from the Creator as a recogniton of my naive and simple believe that with music we can help ourselves and others in a most humble way.”

The CD I bought is part of a series. He also released ‘Nar’ (Fire),  ‘Su’ (Water) (2005) and Breath/ Nefes was released in 2006. These last albums both topped the BBC world music charts making him the first Turkish artist whose albums received the number 1 of the world music charts.

Breath is a wonderful album of 15 tracks (73 minutes) with various artists and where the flute takes a central place as you may imagine.

In ‘Dem’ we hear Azam Ali on vocals singing a poem from Mevlana Celaleddin-i  Rumi, probably better known to most as Rumi. This is a perfect CD if you are not familiar with traditional Turkish music but want to get to know more. Imagine the Swirling Dervishes as you listen to tracks such as ‘Ginhawa’ or enjoy the natural sounds of water and air on the title track ‘Breath’. And finally relax to the hypnotic sounds of ‘Moya Alitu’.

Cover of the album Nar-I Sufi by Halik Baskal

Nar-I Sufi: Halil Baskal (August 2010)

Released by Âti Müzik: http://www.facebook.com/atimuzik.com.tr or www.atimuzik.com.tr

See also Musiques du Monde: http://www.musiquesdumonde.net/The-project-of-Musiques-du-Monde.html who may have also been involved in the production of this CD. Take a look at their site for special projects and mission statement.

And this page via Facebook:  http://www.dr.com.tr/0000000320420,0000000340865/Eser/Muzik/Albumler/Diger-eserler/Dini

This is a CD of instrumental music. And is similar in many ways to the above CD by Mercan Dede. Not quite as traditional as you may expect from the cover. 🙂

Released in 2010 this is lovely … again mainly flute music.

Unfortunately I couldn’t find out too much about the artist Halil Baskal. Nevertheless an interesting CD and worth a listen.

 

Levent: Levent

Released by Le Chant du Monde, see : http://www.chantdumonde.com/en/label/fiche_artiste.php?artist_id=37

See also Levent Yildirim: http://www.myspace.com/leventdehollo with some of the tracks from ‘Levent’.

“Levent Yildirim was born in Ankara, in 1968. Influenced by his elder brother, Ustad Misirli Ahmet, he began to play Darbuka just after his High School education. After a short musical life in Ankara, he moved to France where he toured with French, African and Egyptian jazz players.”

This is indeed an album which shows these different influences.  For anyone into drumming and percussion  this is a fantastic album and is an alternative to Djembe with its more Arabic sound.

‘When Ahmet is smiling’ is a happy, fast number  and invites you to dance whilst ‘Trois Étoiles a St Bo’ is more traditional and haunting with a solo flute and drums.

Have a listen 🙂

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Recensie: Femke Bloem: Je levenswiel in beweging

Femke Bloem: Je Levenswiel in Beweging – Ontdek je talenten en passies door te werken met het Keltisch Jaarwiel
Akasha, 208p. ISBN 978-94-6015-036-4

Voorkant van het boek Je levenswiel in beweging

In dit fascinerende boek brengt Femke het wiel van het jaar, met de ons bekende acht jaarfeesten uit de wicca, samen met het levensverloop van de mens, onderverdeeld in perioden van zeven jaar. Dit concept is voor het eerst door ons (Merlin & Morgana) uitgewerkt, maar Femke geeft het hele patroon echt handen en voeten en maakt er een serieus werkboek van waar je bijzonder praktisch mee aan de slag kunt.

Het werkgedeelte begint telkens met een korte beschrijving van het jaargetijde en de levensfase. Daarna volgt een serie indringende vragen over hoe je zelf deze levensfase hebt beleefd. Dit is de uiterlijke werkfase. En dan volgt er een bijzonder mooie pathworking of geleide fantasie die je deze levensfase in symbolische vorm, in de vorm van een beeldentaal, laat meebeleven. De innerlijke werkfase. Heel fijn om te zien dat deze pathworkings ook een onderlinge samenhang hebben, waarbij het concept van ‘de tuin’ een belangrijke verbindende schakel is. Hierdoor wordt het hele jaar ook één samenhangende reis.
Als negende aspect van het levenswiel is er tenslotte de as, het centrum, van waaruit je alle acht levensfasen kunt bezien met behulp van een kernbegrip. Daardoor ontvangt het hele systeem ook een theoretisch raamwerk, een echt skelet waardoor het stevig op de aarde staat.

Het boek word gecompleteerd met een CD met de belangrijkste pathworkings erop (Imbolc, Beltane, Lughnasadh en Samhain) samen met de As-pathworking. De overige pathworkings kun je downloaden op www.jelevenswiel.nl. Femke’s voordracht is bijzonder prettig en de pathworkings zijn echt fijn om te doen. Hou wel de afstandsbediening bij de hand zodat je de CD kunt stoppen en starten daar waar je meer tijd wilt om iets te overdenken.

Tot slot een persoonlijke noot. Het is altijd even afwachten wanneer je leerlingen met door jou ontwikkelde concepten aan het werk gaan en de wijde wereld in trekken. Zal de leerling inderdaad de meester overstijgen? Ik ben bijzonder blij om te kunnen zeggen dat dat hier absoluut het geval is. Femke heeft zich ons concept van het ‘Wiel van het Leven’ helemaal eigen gemaakt. Ze heeft daar haar eigen vakkennis als therapeute aan toegevoegd, en daarbovenop haar inspiratie als heks in de mooie geleide fantasieën. Wat mij betreft is dit boek dus meer dan ‘van harte aanbevolen’, namelijk ‘met trots aanbevolen’ 🙂

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