Karmapunten voor een nieuwe start

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Als ’t allemaal nog donker en koud is, vind ik het knap lastig om de lichtpuntjes te herkennen in het leven.
Dat geldt al voor deze tijd van het jaar, maar net zo goed voor de tijden van crisis waarin we ons – heb ik ergens gelezen – massaal ondergedompeld hebben.
Zegt iemand tegen me: ‘Ik heb echt veel gehad aan die Tarotlegging die je voor me deed,’ dan zeg ik: ‘Oh, fijn, maar jammer dat ik niet meer tijd voor je had. Dan hadden we wat langer na kunnen praten.’
Een soort heksenvariant op ‘Deze jurk leuk? Nou, het is maar een uitverkoopje hoor…’
In tijden van crisis overweegt het gesomber nu eenmaal in mijn gedachten. Het is allemaal niet goed genoeg en helaas ben ik te sukkelig om het beter te krijgen ook. Ik vermoed dat de aangename dingen wel degelijk gebeuren, maar ik verwacht ze niet en neem ze daarom ook niet waar. Nou ja, je moet je niet meteen zorgen over me maken, zo erg is het nou ook weer niet, maar de focus was nog niet echt verschoven naar dat met die groene puntjes nieuw begin in tuin, hart en geest. Daar heeft de voorzienigheid krachtig op ingegrepen. Per auto, de heksenvariant van de bezem.

Samen met mijn dochter was ik op weg naar de chiropractor om ons uit te laten deuken. Langs de kant van de weg stond een lege auto. We keken even om zeker te weten dat er niet iemand in lag dood te bloeden, maar de auto was gelukkig leeg, zodat we nog mooi op tijd op onze afspraak konden komen.
Op de terugweg stond die auto er nog steeds. Nu met een dame er bij die wat door de berm heen en weer liep te mokken.
‘Zullen we?’ stelde ik aan mijn dochter voor. Het is altijd prettig om iets te kunnen betekenen voor een ander, we hadden geen haast; dit was echt een buitenkansje. Toen ik zelf een tijdje geleden langs de weg stond was ik ook dolblij dat er twee auto’s stopten die weliswaar niks voor me konden doen, maar wel hun medeleven gaven. Dat helpt.
‘Doen,’ knikte ze. Dus keerde ik mijn auto en parkeerde ‘m achter die van de dame.
‘Jij staat hier wel al een tijdje,’ zei ik. Ze bleef opvallend neutraal onder die constatering. En dat terwijl er tamelijk veel reden was om de moed op te geven. Het was koud, haar auto deed het niet meer, ze had een enorme toer moeten uithalen om haar zoontje door iemand anders te laten thuisbrengen en haar telefoon begaf het toen ze de ANWB probeerde te bellen.

Met mijn telefoon deed ze dat nog een keer en kreeg te horen dat er geen wegenwacht voor haar zou komen omdat het lidmaatschap op naam van haar man en niet die van haar stond.
‘Nou jaaaaa…’ zei ze. Dat was haar heftigste reactie.
Wat een geduld!
‘Kom, dan brengen we je thuis,’ besloten we dus, want we konden gerust een half uurtje omrijden.
‘Dat was drie karmapunten,’ telde mijn dochter me terug naar huis voor. ‘Het is toch goed voor je karma om iets aardigs te doen voor andere mensen? Nou, we zijn omgekeerd voor haar, we hebben haar de telefoon geleend en we hebben haar thuisgebracht. Jammer dat ze dat flesje water niet wilde wat je haar aanbood.’
Dat was inderdaad een uitstekende score voor een half uurtje gezellig avontuur, besloten we met een high five.
Een auto naast ons hield even in zodat ik kon voorsorteren.
‘Aardig van die man,’ mompelde ik tevreden. En tegelijkertijd overviel me een optimistisch soort logica met een grillige denklijn. Als je drie karmapunten ineens scoort, geldt dan de Wet ook dat je drie keer terug krijgt wat je geeft? En gesteld dat dat zo zou zijn, telt het dan ook als je stiekem hoopt dat je iets terug gaat krijgen als je iets aardigs doet, of wordt het dan meteen weggestreept door De Lieve Dames van Hierboven die niet houden van opportunisme? Anderzijds: je gaat toch geen Wet maken als die alleen maar geldt voor vloeken en zo? En het was ook geen opzet geweest, het kwam gewoon zo uit, omdat ze op mijn pad was gezet. Nou ja, pal er naast dan, maar dat lijkt me ook wel tellen. Anderzijds: dat is natuurlijk wel een hele kinderlijke redenatie; je kunt niet zomaar 3×3=9 Goede Dingen verwachten, zo werken die dingen niet, dat ligt op een veeeeeel dieper mysterieus niveau. Maar toch… Zou het?

Kijk, zulk soort dingen, daar kom je gewoon niet uit met karmische wetten. Ik besloot dan ook mijn toevlucht te nemen tot Wetenschap en nam me voor om goed op te letten en bij te houden of mij aanwijsbaar meer Goede Dingen zouden overkomen in de periode na de Karmadrieklapper.

En verdomd als het niet waar is: sinds die dag kom ik allemaal aardige mensen tegen. Klanten betalen hun rekeningen, zeggen netjes hun afspraak af als ik eigenlijk te moe ben en ik zweer je dat ik vanochtend nog voor zonsopgang een briljant merelconcert kreeg, helemaal alleen voor mij. Oh ja, en in mijn tuin zag ik zojuist voorzichtig groen aan de wilg.

Kennelijk is het inderdaad pas buiten je als je het in jezelf vindt. Maar daar kan buiten best een prachtige ondersteuning bij zijn.

Reclaiming
Op 23 maart start ik met de cursus ‘Werken met de 5 elementen’, Reclaimingstijl, in Nijmegen. Zes avonden, met reader. Je bent van harte welkom.
Meer informatie en inschrijven hier: http://www.yoeke.com/magie/cursussen-magie/cursus-5-elementen/

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When runes become the gods

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“When runes become the gods”
Vincent Ongkowidjojo © 2012

The sagas and Eddas occasionally contain passages of rune lore. The picture that emerges is usually a magical one. Nonetheless, scholars are suspicious of seeing primarily magical powers in the runes. Similarly, a same suspicion is usually held against the use of runes in divination, however likely it may be.

The poetry of the sagas and the Eddas is rooted in an oral tradition that was designed to preserve initiate information. Taken together all these passages give insight in the magical reality of the runes. The available information may be incomplete, but given a second look remains consistent within the skaldic poetry, the myths and the sagas, and maybe even beyond that. Whether what is said in these verses is fact or fiction, it certainly serves as a source of inspiration.

Havamal 144 is a key verse in the interpretation of rune magic. It is embedded in a bigger passage, namely stanzas 142-145, most of which will be quoted. Havamal 144 hints to the use of runes in both magic and divination. The gods were consulted through divinatory means and runes played a role in communicating questions and answers. They embody the language that links two worlds.

Runes as gods

One of the theses in this article is that the runes themselves were seen as gods. The alphabet mediated communication between the earthly priest/magician and the gods, but the signs themselves allowed the magician to come into contact with the gods. According to the Havamal stanza, the runes were venerated and sacrificed in the same way as the gods. What is more, many of the runes carry the names of gods and godlike beings. This reveals that godlike entities were thought to exist behind the runes.

The Elder Futhark contains at least eight runes that directly refer to supernatural beings. These are Thurisaz, Ansuz, Algiz, Sowulo, Teiwaz, Berkana, Mannaz, Inguz and Dagaz. These characters are known from the myths. Possibly, the other runes refer to supernatural beings in an indirect way or in ways we have not explored yet.

Thurisaz is the name of a giant-like being. At the same time, the Old Icelandic Rune Poem suggests that we are dealing with a person of that name. Ansuz, too, refers to a class of beings, but it explicitly denotes Odin. Again, the Old Icelandic Rune Poem is very clear on this. Algiz is a deity known from the writings of Tacitus corresponding to the Alcis. Sowulo means ‘sun’ and was regarded as a numinous being with the same name. The Viking rune name Sól is the name of the solar goddess. Teiwaz is the name of a god later known as Tyr. Berkana is often translated as ‘birch’, but the word for birch is not quite the same. The n-morpheme in Berkana and Bjarkan points to a numinous being. Mannaz is known as Mannus from the writings of Tacitus. Inguz is the name of a fertility god, equated with Frey of later times. Dagaz features as the god Dagr in the Eddas.

Later in time, the Younger Futhark does not hide this tendency of personifying the runes. We have already met Bjarkan, which proves an interesting case. The Younger Futhark retains a name of no meaning. The word does not appear elsewhere and the kennings for this rune all support a meaning of ‘birch tree’. Yet, the word signifies the spirit of the birch tree. It seems likely that an original numinous being was alluded to. In comparison, the Old English rune alphabet, notorious for its Christian editing, simply has the word for ‘birch’ while the Gothic alphabet adheres to a word related to Bjarkan. More or less the same is true for Hagall. The Old Norse name for ‘hail’ is hagl, not hagall. Hagall is therefore supposed to incarnate a mythical person otherwise unknown.

And there is more. In late times, the aettir of the Futhark were named after the first rune of each aett. This happened under Irish influence. The Celtic Ogham alphabet is also divided in different groups, each group being named after its first letter. Hence the first group is called aicme beithe after the letter Beith. A similar pattern appears in the Younger Futhark where the groups are called Frey’s Aett, Hagall’s Aett and Tyr’s Aett. The names of the second and the third group correspond nicely to their respective initial rune. But the name of the first one is different and mentions Frey. This has led to the confusion that the Fehu rune was also called Frey. Nonetheless, this assumption might just be true and prove that individual runes were strongly associated with certain gods.

Some of the remaining runes still come very close to being numinous beings. Because the veneration of trees was widespread in those times, it would follow that a rune like Eihwaz would equally be categorized as a god. Maybe the same holds true for Pertho, although the interpretation of this rune is uncertain. Except for trees, other pieces of landscape were venerated. In this respect, Laguz might personify the sea itself. And then there are Gebo and Ehwaz. These names form the root of known divinities. Gefjon is a goddess known from Norse mythology related to Freyja. Epona is a goddess known from Celtic mythology, but would render the unattested proto-Germanic form Ehwana. Both names are formed by the n-morpheme.

Fehu Frey Hagalaz Goddess Hagall Teiwaz Tuisco/Tyr/Mars
Uruz / Nauthiz / Berkana Goddess Bjarkan
Thurisaz Giant spirit/Saturnus Isa / Ehwaz (Epona)
Ansuz Odin/Jupiter Jera / Mannaz Mannus
Raido / Eihwaz / Laguz /
Kenaz / Pertho / Inguz Frey/Freyja
Gebo (Gefjon/Freyja) Algiz Alcis Othila /
Wunjo / Sowulo Goddess Sol Dagaz God Dagr

Chances are that the other runes, too, represent supernatural beings. Possibly, they were considered to be the incarnation of the concept they referred to. The rune staves consequently embody the intelligent powers behind the rune concepts. Contact with a certain god would result in a thoughtform that would in its turn incarnate in a symbol. All three are therefore aspects of a Rune. According to Havamal stanza 80, the runes were created by the gods themselves. Connotations of the Old Norse word for creating are to make ready and to clothe. Possibly, the runes were meant to be the vehicles of manifestation of the gods. The symbols either represent themselves in the physical realm or in the imagination.

An exegesis of Havamal 144

Although the word rune is not even mentioned in Havamal 144, its context and first line is evidence enough for its application in rune magic. The stanza brings up eight ways to interact with the runes.

Veistu hvé rísta skal? Veistu hvé ráða skal?
Veistu hvé fá skal? Veistu hvé freista skal?
Veistu hvé biðja skal? Veistu hvé blóta skal?
Veistu hvé senda skal? Veistu hvé sóa skal?

Do you know how to carve? Do you know how to read?
Do you know how to colour? Do you know how to challenge?
Do you know how to pray? Do you know how to offer?
Do you know how to send? Do you know how to sacrifice?

The stanza portrays a procedure of working with runes. Once all the actions are put together an image emerges in which a ritual is organized to craft and load runes in order to communicate with the spirit world. The procedure ties in with surviving texts on the making of divining lots and is indicated by words such as blótspann. The ceremonies described include animal sacrifice and the casting of lots (Ynglingasaga, Landnamabok).

Analyzing stanza 144, an interpretation becomes difficult because it remains unclear whether all or some of the verbs relate to rune magic. The first two lines deal with rune casting proper, but the second half of the stanza seems to refer to the ritual that frames the rune casting. The words of the second half do not normally apply to runes nor are there any real parallels where these verbs are related to runes. Besides, the actions may relate to all kinds of lot casting and sacrificing and not just the runes.

We assume that the second half of the stanza also relates to runes. This view is supported by its inner coherence and by the surrounding stanzas. This perspective facilitates an interpretation but we will have to allow that the runes were considered to be numinous beings or spirits. This interpretation exceeds seeing the runes as merely the coded language of the gods. It makes them the gods themselves. The runes themselves become the object of sacrifice and the recipient of prayer.

A short overview of the different verbs might be helpful. Linguistic information is mainly based on what is found in An Icelandic-English Dictionary by Cleasby and Vigfusson.

RISTA

Rísta means to cut and is said of carving something in wood. In a runic context, it stands for carving the letter shapes in either wood or stone. The same word is used to describe the process of carving an idol. With this in mind, the line may be translated as ‘do you know how to craft the idol of a Rune’. Many other words are used to denote runic writing, such as skora ‘to score’ and merkja ‘to mark’. The word for idol (skurð-goð) is based on the same root as skora.

RADA

Ráða is cognate with to read, but specifically means to interpret, explain. The act of interpreting dreams is termed raða drauma. In a runic context, it plausibly refers to a divinatory act. However, the first meaning of this verb simply relates to giving counsel; and secondary to consulting. The line from the stanza might be read as ‘do you know how to consult the runes’. This creates a more open attitude towards the nature of the runes. Are the runes consulted as a symbol-based oracle or are they beings you enter into a dialogue with?

FA

means to draw or paint. It refers to the colouring or staining of the runes after they have been carved. On stone, traces of red, blue, yellow, white and black have been found. The most common pigments were red ochre, white lead, red lead and soot. Presumably, wooden runes were coloured, too. It is generally assumed that wooden runes were reddened with sacrificial blood to apply life force on the object. This is how Egill Skallagrimsson performs rune magic in Egilssaga. In Grettissaga, too, the runes are stained with blood to effect magic.

Passages from Havamal indicate that the colouring was accompanied by chanting. Havamal 80 and 142 connect the act of colouring with the name Fimbulthul. This name refers to Odin and means ‘the Great Chanter’. A þulr is a cultic functionary associated with recitation. We therefore assume that included singing. Any verbal action is not indicated in the stanza, but must have been present.

Havamal 80

Þat er þá reynt, er þú að rúnum spyrr
inum reginkunnum,
þeim er gerðu ginnregin
ok fáði fimbulþulr;
þá hefir hann bazt, ef hann þegir.

This you will find when you look for the runes
Those that come from the Regin
They are created by the Ginn-Regin
And are coloured by Fimbulthul
It is better if one keeps silent

Havamal 142

Rúnar munt þú finna ok ráðna stafi,
mjök stóra stafi,
mjök stinna stafi,
er fáði fimbulþulr
ok gerðu ginnregin
ok reist Hroftr rögna.

Runes you will find, and divining staves
Very great staves, very strong staves
They are coloured by Fimbulthul
And made by the Ginn-Regin
And carved by Hropt of the Regin

FREISTA

Freista is a word that means to try one’s strength or to try one’s luck, challenge. It usually indicates a competitive context and involves two parties. From a mystical point of view, this verb has a slightly different meaning. It is used in the context of summoning and questioning a spirit. This has a divinatory ring to it. Examples are found in Voluspa 28 and Hyndluljod 6. In Voluspa, Odin commands the volva to speak, wanting to know the outcome of Ragnarok. In order to do this, he looks the volva in the eye. This discloses the hidden meaning of freista and, in modern practice, may include active imagination and scrying. As this particular volva can be identified with a well, a modern reconstruction might involve staring into water. The sacrifice of Odin’s eye supports this view.

In Hyndluljod, Freyja awakens the giantess Hyndla to ask her about hidden information. Both passages are paralleled by the story of Balder’s Dreams. In this tale, Odin awakens a dead volva and forces her to answer his questions. I assume that the technique of freista is implied. A similar motive is known from the sagas. The tale of Hauks þáttr hábrókar from Flateyarbok describes how the wooden image of a god, Lytir, is first carried to the temple to invite the presence of the god and then taken to the king to question this god. The questioning of the idol must be compared to our present Havamal line. In Greek mythology, the story comes to mind in which Odysseus digs a pit and sacrifices sheep to summon the dead and ask them about the future. With this in mind, we might translate the line with ‘do you know how to question the runes’, do you know how to make them do what you want. There is a hint of challenge in this. The magician must be able to try the power of the runes in such a way that they release their energy to his benefit.

Voluspa 28

Ein sat hon úti þá er inn aldni kom
yggjungr ása ok í augu leit:
Hvers fregnið mik? Hví freistið mín?
Allt veit ek, Óðinn, hvar þú auga falt,
í inum mæra Mímisbrunni.

Drekkr mjöð Mímir morgun hverjan
af veði Valföðrs .

Someone sat outside when the Old One came
The terrifying Áss and he looked her in the eye:
“About what do you want to be informed by me? Why do you challenge me?
I know very well, Odin, where you hid your eye
In the famous Well of Mimir

Every morning Mimir drinks the mead
From Valfather’s pledge

 

BIDJA

The primary meaning of biðja is to beg. The word has a ritual connotation and refers to an act of supplication. Basically, the gods and the spirits are asked for a boon. A request like this always implied payment. Offerings were made to the gods. The verb that describes the act of making offerings is gefa and simply means to give. In a runic context, a prayer would be said to the Runes. Therefore, it looks like the runes were regarded as higher powers capable of fulfilling a mortal’s wishes. The mention of this verb strongly suggests that the runes were seen as godlike beings. A more sensible translation of this line would run like ‘do you know how to ask the runes to do your bidding’.

BLOTA

The verb blóta describes the performance of a ceremony commonly known as a ‘blot’. In the old days, the blót was a ritual of worship. It usually included a sacrifice which was meant to feed the gods. At the same time, the animal sacrificed represented the deity in question and its blood was used to bless the congregation by sprinkling. The blood was also smeared on the walls of the temple if it was done indoors or on a tree if it was done outdoors. Sometimes a sacrifice was conducted for a specific reason: for peace or victory, long life, a good harvest or a fair wind. All these imply an act of supplication. More common were the annual blots that intended to gather the family/community and commemorate the ancestors or honour the personal gods and spirits. These annual feasts are identified as Winter Nights, Yule and Summer Finding, which might have been either or all Easter, Walpurgisnight and Midsummer.

The verb specifically means to worship by means of sacrifice. According to surviving textual material, it is known that sometimes waterfalls or other sacred places were worshipped. This suggests that these places carried a numinous energy. The same must hold true for the runes if we interpret this line as ‘do you know how to worship the runes with sacrifice’. It might simply mean that the runes were blessed with sacrificial blood at some point, but it might equally mean that the runes were seen as much more than only forces, but indeed as independent intelligences.

At other times, ‘blots’ were organized to perform divination. This is deduced from words such as blót-spánn and dreyr-stafir. These lots were cast to consult the gods (Germania, Vita Willibrordi, Vita Ansgari). The Old Norse word blót-fé means ‘enchanted object’ denoting at one time something sacred and sometimes something cursed. It signifies a spirit possessed object.

A blót case that might interest us is told in Heimskringla. A certain king Aun desires to live unnaturally long. He wishes it so much that he is prepared to sacrifice his own sons for prolonging his life. And this is what he does. Every so many years he sacrifices one of his sons to Odin and gains a few more years. In this case, the blot is not just an act of worship, but rather a magical act for personal gain. However, all the necessary components are present. A request is made to a god and in return the god is fed life force. The idea of giving was central to Ancient Germanic society and was firmly rooted in the Viking mind, as we read in passages from Havamal, such as stanza 145. Intertribal relations, diplomacy and politics were based on the principle of equal exchange. The Viking peoples were as much merchants as anything else, but this naturally defined their relationship with their gods, too. In this respect, Hyndluljod 4 reveals that biðja and blóta belong together. A request necessitated an offering.

Hyndlyljod 4a

Þórr mun ek blóta, þess mun ek biðja,
at hann æ við þik einart láti;

Thor I will have to give an offering, him I must pray to
So that he will ever be well-mannered to you

SENDA

Senda is cognate with to send. It is also used as a synonym for casting, throwing, or hurling, maybe of a spear or arrow. Sending implies a message that needs to be carried. The word is very intentional in its implication; however, it also evokes the basic model of communication of sender, message and receiver. The action intends to send the runes on an errand of your desire. This is quite different from plain divination but comes nearer to the practice of magic. A word of interest derived from senda is sending. The latter can mean a plain message but it can also refer to a spirit summoned by a sorcerer sent on its way to do harm to a person. Therefore, in a magical context, senda entails a spirit, maybe a rune spirit, sent off to do your bidding. In this case, a rune might be thrown in a certain direction, or even toward a certain symbolic target to activate its use.

Senda is used in a runic context in Sigrdrifumal. The passage speaks of how Odin comes to Mimir and asks him about the runes. Then, Mimir sums op all kinds of different objects on which the runes are inscribed. His recitation reminds us of the ritual role of the þulr. After his sayings, the text explains what happened to these runes. Initially, they were inscribed on twenty four objects. Then, their power was transferred to the Sacred Mead, which is Odrerir. The runes become the medium embodying the qualities of these sacred objects. Through the runes, these qualities are transferred into the Mead. The mead can then be drunk or offered. The transference of power is done by scraping the symbols off the material that they were carved on. This scraping does not occur in our Havamal stanza but does relate to the next verb sóa, with which senda is paired. Finally, the runes are sent on their ways. In other words, the abstract qualities inherently present in the sacred objects are available for the whole world. It is not known who or what sends the runes, but it is known for whom they are destined. The stanza is quoted below. There is a real sense of direction in this sending. The passage reminds us a little of the story of the war of Aesir and Vanir. When ultimately a truce is declared, all parties agree that hostages need be exchanged to seal the pact. In this myth, the exchanging of hostages is also explained as an exchange of qualities. On a symbolic level, a higher level of synthesis is reached among the gods through this exchanging. It remains uncertain that the Sigrdrifumal passage refers to this myth, but it could be, because of Mimir’s mention.

All in all, senda means that the power of the runes is released in a certain spatial, albeit possibly cross-dimensional, direction. Whether we must think of the runes as spirits or mere energies we cannot say. The term can be applied to both.

Sigrdrifumal 18

Allar váru af skafnar,þær er váru á ristnar,
ok hverfðar við inn helga mjöð ok sendar á víða vega;
þær ro með ásum, þær ro með alfum,
sumar með vísum vönum, sumar hafa mennskir menn.

All were shaven off – that were carved on
And cast into the Holy Mead – and sent on the wide ways
They are with the Aesir – they are with the Alfar
Some are with the wise Vanir – some of them, human beings have

SOA

Sóa is a verb that only appears four times in the Old Icelandic corpus. There are, however, derivative words, such as són, sónar-göltr and sónar-dreyri which help explain its meaning. Apart from the stanza discussed and the next one connected with it, stanza 145, the verb occurs in Havamal 109, where it is told how Odin steals the mead from Suttung. The giant pursues Odin and arrives in Asgard, but once he enters, the gods surround him and kill him. The verb sóa is used. This means that much more was going on then what we know from the story, because a ritual act is implied. The fourth mention of the verb is found in Heimskringla in the story of Domaldi, Ynglingatal 15 stanza 8. When king Domaldi reigned a severe famine occurred. Many sacrifices where carried out to turn the spell, but to no avail. They sacrificed bulls at Uppsala, but it did not help. In the end, the chieftains under Domaldi’s command decided that king Domaldi himself had to be sacrificed to improve the harvest. They kill him and stain the altars with his blood. Here, too, the verb sóa is used. Nonetheless, the prose text of this passage employs blóta. In both cases the victim is taken against his will. Both passages also speak of a person, not an animal. This reminds us of the story of Aun that also employed blóta to describe the event.

Sóa is akin to the noun són which word means atonement and refer to a ritual of peace offering. The example myth of such a ritual would be the war of Aesir and Vanir. Interestingly, the story explains són on different levels. Apart from exchanging hostages, the truce also includes the brewing of the Sacred Mead. This holy drink is contained in three vessels, Odrerir, Son and Bodn. The middle one is named after són, atonement, and directly refers to the truce that was thus ritually installed. We might argue that the gods had only to spit in the cauldron to brew this són, but another part of the myth discloses that the mead was eventually divided among the three vessels by killing Kvasir. Kvasir was created from the spit of the gods and represents the manifestation of the synthesis of Aesir and Vanir. He is praised as a god of wisdom and travels about to dispense it. One day he is invited by a duo of dwarves who slay him and catch the blood. Yet again, the person is slain involuntarily.

The subject of a són is always a victim. Each time, too, the sacrifice is performed or decided on by an assembly of priests. Suttung is slain by all the Aesir. Domaldi’s sacrifice is decreed by the assembly of his chieftains. The situation of Kvasir is a little different. The god is created by the spittle of the entire assembly of Aesir and Vanir, but the actual killing is carried out by only two dwarfs.

When we translate myth into reality, the sacrificial deity is represented by a totem animal. According to the description of Cleasby-Vigfusson, the són ceremony was performed at Yule Eve. A boar, termed sónar-göltr, was led into the hall symbolizing the solar deity Frey. Hands were put on its bristles and oaths were taken. Afterwards the boar was sacrificed and possibly its blood was used for blessings. After the sacrifice, divination took place. Such a ceremony was described by the compound sónar-blót and was intended to reestablish peace of some kind. At the same time, sónar-blót is interpreted as an oracle which meaning fits Havamal 144. The reconstruction is based on material from Ynglingasaga, Hervarar Saga and Helgakvida Hjorvardssonar.

The above information connects són to another myth. Voluspa hin skamma 7-10 elaborates on the birth of Heimdal and links his origins to the sacrificial boar. Moreover, the passage draws a parallel with the creation of Kvasir. Specifically stanza 10 is of import here. It states that Heimdal waxed by three magical ingredients, namely the power of the earth, the coolness of the sea and the blood of the sacrificial boar. We can imagine that these were qualities added unto him in the ritual of his birth as explained in the foregoing stanzas of the poem. In a mythical context, we might think of Njord, Frey and Freyja acting as sacrificial priests. They are identified as such in Ynglingasaga. Moreover, Heimdal is described as ‘the Vanir alike’. The ceremony is set on the shoreline. There they have the blood of the boar drip unto nine waves and Heimdal is fathered. A similar tale is found in Greek myth, where the magical horse Pegasos is born by the blood of the Gorgon Medusa dripping onto the ocean’s waves. Another account from Greek mythology is the story about Iphigeneia who is the subject of a sacrifice to appease the goddess Artemis. We can interpret both Medusa and Iphigeneia as the involuntary victim. Interestingly, as with Heimdal, Pegasos was created at the ‘edge of the earth’. Remember that this was also the place where the gods created man. The Norse anthropogenesis and the birth of Heimdal might well be vestiges of a rite of consecrating idols.

A last reference brings us back to Norse mythology. The sacrificial killing of Ymir by Odin and his brothers has the looks of a són ritual. Ymir is a victim of sacrifices and the sacrificial act results in a new order.

As with the previous pair of actions, senda and sóa belong together. The sending away of the summoned force necessitates a sacrifice or destruction of sorts. One ritual example known from ancient times must be mentioned in this context. In Ancient Germanic times, warriors prayed to their gods before battle and promised them the war gear of the enemy and possibly hostages in return for victory. From many archaeological sites, weaponry is found in bogs and lakes. Some of these weapons bear runic inscriptions with the names of tribes on them. But all of these weapons were bent and destroyed. The picture that emerges is that symbolically the subdued tribe was somehow sacrificed by breaking the weapons and throwing them into a lake. This act combines senda and sóa. The destruction of the weapons symbolizes the sacrificing of the tribe, which relates to sóa. The throwing into the lake should be taken as a literal translation of senda. The promised gift is sent to the spirit world. If both terms apply to the runes, then we must infer that they were destroyed in order to release their power. This is what the ‘scraping’ means in the Sigrdrifumal stanza. Inscribing runes on a lot compares to runic inscriptions on the war gear of an enemy. In this way, the lot becomes the manifestation of a god.

Havamal 109

Ins hindra dags gengu hrímþursar
Háva ráðs at fregna
Háva höllu í.

At Bölverki þeir spurðu, ef hann væri með böndum kominn
eða hefði hánum Suttungr of sóit.

The day after, the Ice Giants went
– To be informed about the advice of the High One – in the hall of the High One
They were looking for Bolverk, whether he had come to the gods
Or whether he had been sacrificed by Suttung

Voluspa hin skamma 10a

Sá var aukinn jarðar megni, svalköldum sæ ok sónardreyra.

So he gained from the might of the earth – from the very cold sea and from the sacrificial blood

Paired techniques

It is possible that the different techniques of this stanza all relate to one big ceremony, but it is equally possible that they refer to separate modes of working with runes. Of the techniques described only a few relate to the physical representation of the runes. Most verbs however imply a conscious entity behind the ceremonial work. Words such as freista, biðja, blóta, senda and sóa would have the runes as the subject of veneration. Rísta and remain within the sphere of simple rune crafting, but as a matter of fact, the same words simultaneously denote the crafting of idols. Ráða refers to divination and the interpretation of signs, such as the runes, but at the same time it means consulting the gods – and these can be taken as the spirits behind the runes. The verb senda can be interpreted as relating both to simple runes or numinous beings. It might only refer to runes as a medium to get a message across, or it might refer to runes as the agents of materializing your statement of intent.

The interpretation of the key verbs mainly reveals two things. Firstly, that the actions are paired. Secondly, that the runes were subject to the same worship as gods. The idea that the actions must be interpreted by twos is strengthened by the stanza following Havamal 144.

Havamal 145a

Betra er óbeðit en sé ofblótit,
ey sér til gildis gjöf;
betra er ósent en sé ofsóit.

It is better not to pray than to worship too much – ever a gift looks for a gift
It is better not to send than to sacrifice too much

This passage makes it quite clear that the verbs must be interpreted by twos. Havamal 145 only covers the second half of stanza 144, but the remainder can be reconstructed. What emerges elucidates the connections between pairs of verbs.

[Better not to carve at all than to read the signs too much
Better not to paint at all than to provoke too much]

Better not to make a request at all than to give too much offerings
Better not to send at all than to waste too much

The first pair consists of how runes are carved and then read. The first needs to be done to do the second. This is also the most material phase or method of working with runes in the stanza. In my opinion, the line implies that new runes were made every time.

The second pair consists of how to colour and test the runes. This step is a little mystical, because freista implies the summoning of a spirit in order to extract information from it. If it is true that both verbs are ritually connected, then the summoning is done by colouring the runes. We usually assume that this is done with blood. Consequently, means to give life to a slip of wood or a piece of bone. By applying the life force on a physical object, the spirit is able to come through and manifest in the object. It is not clear whether blood was intended in the verb ; it means just to paint. Nonetheless, according to my above interpretation, it might have accompanied the naming process.

The third pair consists of entreating the runes and making offerings to the runes. This is a model of working with spirits well known from any tradition. You make a request and you leave an offering. That is the deal. But working with the spirits and filing a request practically entails a trance state. Some form of formal ritual may have framed the prayer of supplication. In modern work, it would include chanting and drumming.

The last pair consists of sending and sacrificing. Places of worship included ponds and rivers and other kinds of bodies of water. The petitioner comes to a river or a well and asks the spirit of the water to do this or that. As a payment in advance a coin is tossed in the well. In the old days, not just coin was tossed in the well, but weapons as well, sometimes even human bodies. They were the barter to pay the debt. Tossing something in a well relates to both senda and sóa. They would almost be synonyms then. A rune may be shaved off, which is the sacrificing of the rune, and then sent on its way by the flow of the river or through the depths of the well, which would be the sending. The energy is released. The sending is a real letting go. However, in case this last pair represents the payment section of the contract, then the sending and sacrificing would only happen after the desired result shows.

Staging the ceremony

Given the above interpretation, it is tempting to see one complete ceremony hidden in the words.

Some context is still missing but can be put together from other material. Two aspects have already been mentioned. Firstly, the colouring of the runes involved naming or chanting the runes. At that point, the priest/magician would become a temporary incarnation of Odin Fimbulthul. In a modern working, this would be preceded by an invocation. Secondly, talking to the spirits involves a trance state. The gods/spirits can only descend across the planes of reality so far. The priest/magician must be able to meet them on their own grounds and change his consciousness to the level of awareness of the spirit world. As suggested above, this is achieved by chanting and drumming, and possibly dancing, recitation, or plain meditation.

Now, after the runes are physically prepared, they become the housing of the spirit of the rune invoked, or provoked. We can also say that the rune spirit is born into the wooden slip with the carved symbol. The slip is given life by the act of staining the wood with blood. The whole rite corresponds to the Viking Age name giving ceremony. The heathen baptism consisted of mainly these two aspects. The baby was sprinkled with water and then given a name. The sprinkling of water corresponds to the painting and the name-giving to the recital of the rune name. The sprinkling ceremony sometimes included a present for the kid and possibly fortunetelling such as is found in the fairy tale of Sleeping Beauty.

The notion of giving life to a piece of wood as a spiritual act must have been fairly common among the Viking. First of all, the creation myth explains how the gods make man and woman from two logs of wood. Secondly, Havamal 49 relates how Odin gave his clothes to two wooden men in the field. He says that after that they looked like real men. Both stories are presumably based upon the use of idols in temples and homes. A ritual of consecration must have existed which made these wooden idols come alive. Such a consecration rite might have consisted of sprinkling the idol with sacrificial blood and then naming the god. Similar rites are known from other traditions, the most well known being the ritual of Opening the Mouth and the Eyes of Ancient Egypt. As a matter of fact, rites such as these may inspire the reconstruction of Northern tradition rites.

Havamal 49

Váðir mínar gaf ek velli at
tveim trémönnum;
rekkar þat þóttusk, er þeir rift höfðu;
neiss er nökkviðr halr.

My clothes I gave on the meadows – to two men of wood
Heroes they seemed, when they wore a coat
Full of shame is the naked hero

Prayer and worship must have been central to the rite, because it answers the why of the ritual. It pictures the contract that is established between the two parties. A deal is struck between a human person and a discarnate being. Both parties want something that the other can provide and on these terms the contract is build. The spirits are fed and in exchange they work to fulfill the person’s desires. Food and drink are the most common and practical stuff given to the spirits in Ancient Scandinavia as much as anywhere else. When a sacrifice was performed, the meat was boiled and given to the gods. Alcoholic drinks such as mead and ale are likewise appropriate.

Communicating with the Runes

In communicating with the spirits we must keep in mind that two worlds need to be bridged. This is mainly achieved by the trance state. However, the spirit, too, must make an effort to come through. We cannot coerce a spirit to come to us much the same as we cannot coerce another person to visit us. We can however invite them through worship. Nonetheless, it is my personal opinion that if you work with gods and runes, the symbols used will grant the practitioner invariably access to the being behind the name or the symbol. The name or the symbol automatically brings you into contact with this god. But how and when he or she will respond to your prodding is still his or her choice.

The practice of communication with the spirit world, the nature of the contract and the setting of a ceremony such as is implied by the words of Havamal 144 may be better realized once we see it as a simple model of communication. The model consists of a sender and a receiver and the message that needs to be transmitted. Obviously, the sender is the priest/magician and the receiver is the god or rune spirit. Simply put, the content of the message is what the priest desires of the spirits. It is generally defined in communication models that people all live in their own realities. They have different associations with words, ideas and concepts. In addition, an individual’s personal reality is always coloured by his mood, which makes any message or interpretation subjective. This makes effective communication difficult. In the case of working with spirits, we are literally speaking about different realities. Some kind of shared space, both physically and metaphorically, has to be present in order to effect communication at all. The physical aspect is set by the ritual format of a ceremony. In his imagination, the priest/magician travels to a location known to the spirit, for example Valhalla. Only from that point onwards does it make sense to transmit the message. According to models of communication, all messages are transmitted by symbols. Runes are symbols, but so are words. The words of an invocation and the words of a prayer are only symbols. Moreover, they hide the meaning you want to get across. On the other hand, because the spirits are not physically present, symbols such as runes help clothe an otherworldly answer. Whether the priest/magician then interprets the message correctly is entirely dependent on his skill, sensitivity and intuition. What the priest wants to get across can be misunderstood by the spirits, too, because the words and symbols are only the medium of the message. In reality, it is emotion which will represent the true content of the message, and this is what the spirits naturally pick up. If the consciously worded request and the unconsciously expressed emotions are incongruent, the words will always fail. Feedback will determine whether communication was effective or not. In the case of divination, this would mean a right interpretation of the signs which can be verified after the event has taken place. In the case of a request, one has only to wait for the results. If no result ensues, your magic has failed – or more correctly expressed, the communication has failed. If a result happens, you can gauge the efficacy of communicating with the spirits by the degree to which the result matches your specific request.

sender message receiver
PriestMagician RunesPrayer GodsRunes
Subjective reality Shared reality Metaphysical reality
Physical realityTemple TranceImagination Subtle realitySpirit World
INTENTION => => => food/energy => => => (contact)
(result) <= <= <= answer/fulfillment <= <= <= FEEDBACK

Conclusion

In Havamal 144, we are possibly dealing with two different ceremonies. The first two lines relate to divination and the second two lines relate to magic. A divinatory ceremony would summon the gods to gather their advice. This is induced by the verbs ráða and freista. A magical ceremony summons the gods for acting on a human’s behalf. The words biðja and senda seem to indicate this. But in both cases, something is wanted, and we cannot exclude that a ceremony of magic would also include divination. Many reports from the sources seem to indicate this. In the least, the communication model will always be present, and the ceremony itself, which is unfortunately not described, can be reconstructed on this model.

A rite may be constructed that includes all eight actions and enacts them in the order in which they appear. Before anything happens, an intention is formulated. A rite like this presupposes a question. First, a set of runes is made. Next, one or more runes are selected through divinatory means. The selected runes are sprinkled and named. Then the person needs to go into a slight trance to contact the rune spirit. At this point, an invocation is helpful. This phase of the rite may also include scrying and the active use of the imagination to contact the spirit. Then the second half comes. A prayer is voiced that formulates the request. Next, the rune spirit is fed energy. Possibly, food is shared. And last but not least, the spirit is sent on its errand by throwing the rune or its shavings into natural water or breaking the rune slip. After that, the remainder of the rune set serves no more purpose and is destroyed.

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Bees, a review by Bobby Matherne

Bees, bRudolf Steiner
A Book Review by Bobby Matherne ©2002

See: http://www.doyletics.com/arj/beesrvw.htm

Rudolf Steiner: 8 Lectures in Dornach, Nov 26, 1923 to Dec 22, 1923
Translation: Thomas Braatz. Intro: Gunther Hauk. Afterword: David Adams
Published by Anthroposophic Press/NY in 1998
A Book Review by Bobby Matherne ©2002

This book is a celebration of love. It is also a celebration of health. Love and health come together in the life of bees in a unique way. The hive of the honeybee exhibits a life process that mirrors that of the human head. The queen bee is like the round protein cells of the brain, the worker bees like the red blood cells, and the drones like the nerve cells. Bees were the first domesticated animal, the result of human-engineering of wasps so that their purified sweetness could be harvested (1). The poisons found in bees, wasps, and ants are pure distillations of spiritual substance and are essential to maintaining life in the plant world. Bee and wasp stings can be health-giving to humans with normally strong hearts. Bees vacate a hive for the same reason souls vacate the human body. Queen bees have a larval gestation period of 16 days, workers of 21 days, drones of 23 to 25 days. Our Sun has a rotation cycle of 21 days, the same as the worker bees. There is an intimate connection between the gestation cycle of the various categories of bees and the rotation of the Sun that correlates with the bees’ division of labor and sexual habits. Humans at a future stage of evolution will develop similar characteristics to honeybees. Honey is an amazing natural production that promotes growth in human beings. Growing children past the infant stage and senior citizens can benefit their health greatly by eating honey from bees as part of their daily fare.

In keeping with my basic rule of teaching and learning that goes, “When learning a new subject, it’s best to know all about it before you start,” I have outlined for you in the paragraph above what I recall as the most important concepts I received from Steiner in these lectures. There are many more, and as this review proceeds, I will elaborate on the above concepts and introduce some new ones. Be prepared to learn more about bees than you ever imagined possible. And about human nature and evolution.

In the Prelude lecture, Steiner has these prefatory remarks about bees:

[page 2] The bees have a life in which the element is suppressed, very strongly suppressed, which in other animals is expressed through their sexual life. With bees, this element is very much repressed.

[page 2,3] That which we experience within ourselves only at a time when our hearts develop love is actually the very same thing that is present as a substance in the entire beehive. The whole beehive is permeated with life based on love. In many ways the bees renounce love, and thereby this love develops within the entire beehive.

To understand this next passage it will help some of you if I explain the love life of plants a bit. Plants have only a physical and etheric body. The etheric body is what distinguishes a living reed from an empty stalk, a live petunia from a wilted blob. Plants grow until they are mature and ready to reproduce, at which time, the uppermost leaves modify in color and structure to become what we call flowers. These flowers attract beings that exist in kingdoms higher than the plant kingdom to come to them, to admire them, to sip from them, to pollinate them, to leave traces of life-giving spiritual essence (bee, wasp, ant, insect poisons like formic acid). During the blooming of flowers, the uppermost part of the plant takes on an astral glow, a residue, if you will, from the attention given to the flowers by beings with astral bodies such as insects, animals, humans, etc. Without such attention no plant is able to reproduce itself. A planet with only plants is impossible(2).What’s important is to understand that the sexual organs of plants are near the top of their physical bodies, exactly the opposite as for humans. If you have ever seen the glow of new love on someone’s face, it should be easy to understand that plants take on this glow when they are in bloom.

[page 3] But the thing that a bee profits from the most is that it derives its sustenance from the very parts of a plant that are pervaded by the plant’s love life. The bee sucks its nourishment, which it makes into honey, from the parts of a plant that are steeped in love life. And the bee, if you could express it this way, brings love life from the flowers into the beehive. So you’ll come to the conclusion that you need to study the life of bees from the standpoint of the soul.

[page 3, 4] You can study the matter further by eating the honey. What does the honey do? . . . Honey creates sensual pleasure, at the most, on the tongue. At the moment when you eat honey, it creates the proper connection and relationship between the airy and fluid elements in the human being. There is nothing better for a human being than to add a little honey in the right quantity to food . . . it makes human beings strong.

[page 4] Whoever looks at a beehive should actually say with an exalted frame of mind, “Making this detour by way of the beehive, the entire cosmos can find its way into human beings and help to make them sound in mind and body.”

Few people who paid any attention at all over the past twenty years could have missed the New Agers’ obsession with quartz crystals. If you look at quartz crystals in their natural state, you’ll find a hexagonal structure with the point growing out of rocks. We humans have quartz minerals flowing within our body [silicic acid], but in its own wisdom, our body prevents it from becoming crystallized. Take a quartz crystal, hold its point down and you will notice two things, it is hexagonal, and, if it were an empty shell, the point would be a good receptacle for an insect egg such as a honey bee. In fact, honeycombs are designed as the exact shape of a quartz crystal and the egg develops into a larva which begins to fill the six-sided compartment until it’s ready to climb out of it into the world.

[page 51] The bee is formed by the same force that resides in the Earth and can construct a quartz crystal. It’s the finely distributed silicic acid that has this effect. . . . In this process the honey, having been worked upon by the bee’s body, has such an effect that it can create wax in just such a form that human beings can use, because all human beings need to have these six-sided spaces within themselves. Human beings need the same things that bees do . . . a form of nourishment that can carry over into our bodies . . . a force that produces a six-sided effect.

Steiner mentions that this six-sided force can be found in the shapes of our muscles, but these shapes are not easily visible, however, inside our bones, the hexagonal shapes are easily to view. Engineers have only in the past fifty years begun to mimic bone structures by building extra strong structures of honeycombed metals. A living bone, with its low density and weight, is one of the strongest structural materials known. When we eat honey, we are ingesting a food infused with this hexagonal force, and it helps our bodies to grow stronger. Steiner was very aware of this force and its benefits. After childhood, we develop this force in ourselves naturally, but at times of weakened health or advanced age, its power may wane, and then honey is an enormous boon to health.

[page 51, 52] You see, gentlemen, if you eat honey, you will take into yourselves a tremendously strengthening force. If you have become too weak to develop within yourself this six-sided force that must flow from your head to the rest of your body, if you don’t have any longer the power to give your blood a certain degree of solidity so that this six-sided force is continually present, then honey must step in to make up for the loss, or, in the case of children, milk will be necessary. Children don’t have this six-sided force as yet — they still must obtain it through that which a woman produces in herself in the form of milk.

About 25 years ago, I encountered an experiment in which oysters were moved from Long Island, NY to Wisconsin by airplane in order to answer the following question, “Will the oysters, who open their shells when the Moon is overhead, open their shells in Wisconsin when the Moon is overhead in Wisconsin or when it is overhead in New York?” On the face of it, this seems to be a trivial question, but its results are important and its implications far-reaching. Here’s what researchers found: for the first three weeks, the oyster continued to open their shells when the Moon was over Long Island, and thereafter when the Moon was overhead in Wisconsin. About the time I read that article, I had just moved several times, to an apartment, then to another place, then to a house, and I realized that three weeks was about the time span during which the following happened to me: that door into which I placed a key each night upon returning from work became my door! What the researchers had discovered was that 21 days was the time it takes for a new behavior to form into a habit. The time it takes us to become accustomed to some new thing in our lives.

The Sun undergoes a complete rotation every 21 days. Coincidence or insight into a cosmic connection of us with the Sun? You decide. Steiner takes us through the gestation of the various bees, showing us that the Queen Bee only stays in the larval stage for 16 days, and as such she does not experience every aspect of the Sun in its rotation. The Queen is fully developed while she is still very much connected with the Sun. The worker, on the other hand, has spent the full Sun cycle of 21 days in the larval stage and has all of the effects of the Sun inside of it. The drones, however, have remained several days longer than the workers in their larval stage and developed thereby an attachment to the Earth. Steiner tells us that because of their different gestation periods, the Queen Bee remained attached to the Sun, the workers to the Queen Bee, and the drones to the Earth. Read his explanation for why this is important to the operation of the hive and relate it to the 21 day habit formation process.

[page 9] The queen can lay eggs because the Sun effect is always within it, and it hasn’t anything at all of the Earth’s effect upon development. The worker continues its development for four to five days longer. It makes use of every influence the Sun has to offer. But then it enters slightly, for just a moment, into the Earth development’s sphere of influence . . . This is why it can’t lay eggs. The drones are fertile males; this fertilization capability comes from the Earth. The drones acquire the power to fertilize from the few days longer they are exposed, as incomplete insects, to the influence of Earth development. This leads us to the conclusion that with bees you can see clearly that the male’s fertilization powers come from the energies given by the Earth, whereas the female capability to develop eggs derives from the Sun’s energies.

There are two dramatic events in the life of a beehive: the nuptial flight of the Queen Bee and swarming. During its nuptial flight, the Queen takes off during a day when the Sun is present and flies towards the Sun, to which it is still attached, as high as it can. Following close behind it is a flight of drones who will attempt to impregnate the Queen. At the highest point of the Queen’s flight she is fertilized and returns to the hive to begin laying her eggs.

Why do bees leave the hive in a swarm? Steiner’s explanation is that the poison in the bee’s body causes its eyes to almost entirely close. Bees live in a twilight world and depend mostly upon their sense of smell for collecting honey from flowers. When a new Queen Bee is hatched, the Sun influence from the new Queen neutralizes the poison in the worker bees and suddenly they are dazzled by the light emanating from the new Queen and rush around madly within the hive till they finally exit the hive in a swarm, leaving behind the original bees(3). [These two paragraphs summarized from Lecture One.]

In the next passage, Steiner explains the similarity between the human head and the beehive:

[page 16, 17] Inside the beehive things basically happen the same way, only with slight differences, as they do in the head of a human being. The only difference is that the substances do not develop and mature as much. In the human head we have nerves, blood vessels, and also individual protein cells, which remain round. They are always somewhere in there. . . . If the nerve cells in the human head could develop in all directions like the beehive, then these nerve cells would become drones. Second, the blood cells, flowing in the arteries, would become worker bees. Third, the protein cells, particularly those in the middle of the head, having undergone the shortest development, can be compared to the queen bee.

The sterile female worker bees bring back to the hive the nectar within their body which they convert into honey and wax. The blood cells in the human body do something similar. They collect nourishment from our internal organs and distribute it to the various cells of the human body for the building of six-sided cells in our muscles and bone structure. The basis of organic chemistry is the six-sided chain of molecules known as the benzene ring. Is it possible that the forces that lead to the structure of honeycombs, muscles, and human bones originate in the structure of the six-sided benzene ring?

The nerves are constantly being worn out in the same way that the worker bees battle the drones within a hive once a year. Death is the end result of that perennial weakening or fraying of nerves in the human being.

[page 18] It is actually because of this weakening of the nerves that the human being dies. We are then no longer able to sense the body as well as we once did, and human being always die because they have frayed their nerves and worn them out.

Like a modern jet liner that progressively loses its sensors and the motor controls to its engines and ailerons will eventually crash, so, too, a human body will have a catastrophic failure at some point. Steiner’s insight helps us to understand why the oldest humans we meet tend to be calm and collected and evince no sign of frayed nerves. We likely have it reversed when we deem their calm demeanor to be a result rather than a cause of their long life.

Speaking almost eighty years ago, Steiner used the word ecology in this sentence, “You need to take a deep look into the entire ecology that nature has to offer.” (Lecture 7, page 127) There is a present issue at the present time in the USA where radical conservationists want us to stop drilling for oil, or drill less for oil so as to extend the time over which we will have access to this natural resource. It pleases me to hear Steiner weighing in on the side of utilizing present resources and allowing the future to take care of itself. He was saying these words just at the time when coal was soon to be replaced by oil and later by nuclear energy.

[page 21] We could figure out approximately when the Earth’s reserves of coal would be exhausted. Then we could decide to extract a smaller amount of coal, so that the reserves would last until the Earth reaches the projected end of its existence. You can’t say that you must do this, because you really ought to be optimistic and put some trust in the future. You must then tell yourself, well, all right, we’ll rob the Earth of all its coal, which means, in reality, that we’ll rob our descendants of coal. But they will be able to find another source of energy, so that they won’t need coal.

The more I read of Steiner’s lectures the more I discover that he was aware of processes in his day that I discovered from others in my day. The “dormitive principle” is one of those things. I first heard of it from Gregory Bateson, I believe. Doctors used to attribute morphine’s sleep-inducing effects to a dormitive principle. What is a dormitive principle? Something that makes one go to sleep. By using such an explanatory principle, we have in fact said nothing of interest. Steiner explains on page 43 that Heine once explained that poverty comes from pauperism, another example of the dormitive principle at work. Also Steiner tells of someone who claimed that the comic elements comes about when someone has thevis comica, or “power of being comical.” Again – the dormitive principle at work.

Another process is that of “Klüge Hans” or “Smart John” that Steiner relates on pages 57 through 60. A Mr. van Osten owned a horse that could perform amazing numerical calculations. Scientists were dispatched from all over to examine this horse and they were astounded. The range of questions the horse could answer seem endless. Finally a scientist came and did the following simple test: he had everyone removed from the room who knew the answer to the question, and “Smart John” was unable to answer the question. Seems that there was a calibrated communication between the horse and anyone in the room who knew the answer to the question, and the horse would stop pawing the ground when he received the signal of a correct answer. I first heard of this story about 25 years ago when I was studying therapy. One of the messages I got from this story was that there is an intimate interaction between the therapist and the client. This interaction is open to multiple levels of interpretation, and thus one would be wiser not to posit explanations, but rather be satisfied with results.

I cannot resist sharing this quote about the horse experiments because I think it illustrates a rather rare display of Steiner’s sense of humor. A learned professor suspected that Mr. van Osten was prompting the horse when to stop stamping and placed himself in front of Mr. van Osten to scrutinize him carefully while the horse did a calculation.

[page 58] This he did, but he noticed nothing at all. But he didn’t let himself get confused by his own theory. So he said to himself, “This change in expression is so minute that I can’t detect it, but the horse can.” Well, gentlemen, what we can conclude from this is that a horse can see more and better than a professor. There can be no other conclusion.

Steiner goes on to explain how the horse managed its wondrous feats. Apparently each time the horse was successful in a calculation, he was given a sugar cube. This reminded me of how kids react when adults give them candy or a woman reacts when a man gives her chocolates.

[page 59] The horse senses what is going on in your brain when you are thinking “nine” and then stamps his foot. If the horse had not received the sugar, the horse’s love might have transformed itself somewhat into hate and then it would not have stamped its foot.

He uses this to explain why bees will attack someone who is afraid or angry. Fear causes the blood to retract from the skin making you pale, while anger causes blood to flow more to the skin area making you red-faced, as we say. If you’re afraid, the bees sting you because they want to obtain from you honey or wax, whereas if you’re angry, the bees sting you because it senses you’re trying to take away its six-sided force from them. Only in a calm person who is neither afraid or angry will the bees sense that this person has the same amount of six-sided force as they have and leave them alone. It should not surprise you that plants can also respond to a person’s feelings (“exhalations, vapors, perspiration, and so forth”) and thrive for one person and not for another. Perhaps our expression “green thumb” should be better expressed by the phrase, “green breath.”

Reading the next passage, I gave thanks that breast feeding of infants is returning to favor after many years of being replaced by manufactured formulas. Steiner discusses how the medical profession of his time took a short-term view of things, whereas the results only show up in the long term. It would be good to remember this story when you encounter a doctor prescribing some new procedure, drug, or method of diet – doctors haven’t really changed all that much in 80 years. [The lime-rich cow’s milk of Steiner’s time may be likened in its effect to “Calcium-Enriched” products, such as orange juice, that line the grocery shelves today.]

[page 74] Along comes a medical doctor of the modern day sort and shows you one such child who was raised on milk from a cow that grazed on land with a predominant lime content and another child who had received only mother’s milk, and such a doctor says, “It doesn’t make any difference which type of milk the child gets.” But it turns out that the child raised on mother’s milk is still fresh in appearance at an age of sixty-five or sixty-six, and the other, raised on cow’s milk, has suffered from calcification at the same age.

Do you know someone who cannot tolerate honey? I don’t. But I can imagine from reading what Steiner says below, that such a person would tend to be thin and pale due to restricted blood flow. What honey does is to increase the blood flow, to which a normal person has a healthy response, a feeling of increased vitality.

[page 79] People of the type that can’t tolerate any honey are usually those who tend toward getting sclerosis, an inclination towards hardening throughout the body, which causes the body’s metabolic rate to be quite slow. This is why they can’t tolerate honey, the primary effect of which is to increase the metabolic rate. Within their bodies a split in their metabolism occurs when their bodies want an abnormally slow metabolism and the honey makes it faster. As a result, they get indigestion, which manifests itself in a number of ways.

One of my favorite fruits is figs and I always have a fig tree close by for picking fruit and preserving it. In Greece the sweetness of the figs on the wild fig tree can be doubled by a process called “caprification,” which derives from caprificus which means “wild fig.” Fig growers in that region since long ago have noticed that figs in which the gall wasp laid its eggs produced a juicier, better-tasting fig. The grower waits till the wasp has laid its eggs in a couple of figs, then removes the figs, ties them together with a length of string and hangs them over the branches of another fig tree. As the two figs dry up, the wasps inside speed up their developmental process and mature so quickly that they are able to emerge from the figs in time to lay their eggs in the figs of the new fig tree. These figs, that are picked before this new brood has matured, will have twice the sweetness of the other wild figs due to a honey-like secretion of the larval wasps within the figs.

[page 97] A wasp is unable to prepare honey the same way that a bee does; the organization of this insect isn’t even suited for that. But if you force the wasp to take this detour, it can transfer, during its reproductive cycle, to one plant the sweetness of the honey it has extracted from another plant. . . . they can make possible a certain type of honey creation involving the transfer of something from one fig to another.

Steiner tells us that the bee is an animal that was bred from wasps a very long time ago, during Atlantean times, in fact, when wasps’ bodies were not as hardened as they are now. The forced sweetening of the wild figs using wasps over a long time resulted in the generation of a modified wasp that was able to “carry on independently, away from the tree, the process that the wasp can carry on only in the tree itself,” and this modified wasp began to be called a honeybee. What the wasp was able to create only while a larva within a fig, the modified wasp or honeybee was able to create as an adult. [paraphrased from page 98]

In this next passage, we get an insight to how the circulation of the blood creates the pulse which we correctly call a “heartbeat.” In our modern enchantment with things mechanical, we imagine the human heart to be a pump and that the heartbeat is the result of the pumping action of the heart. This makes so much sense that “everybody knows it is true.” Doctors have even built mechanical pumps that replace the human heart. Doesn’t that prove that the heart is a pump? Well, doctors have never taken a human corpse and by pumping blood through it caused life to appear within it, have they? The best they can do, and will ever be able to do, is to sustain a life that is already present in its quaternity of physical body, etheric body, astral body and “I” or Ego body. And that I-force powers the circulation of the blood. What is the function of the heart, then, if it’s not a source of pumping as in our crude mechanical hearts? It is an hydraulic ram that exists to provide an intimate mixing of the oxygen and carbon dioxide molecules with the red corpuscles immediately before the oxygen enriched blood flows out to the arteries to the body.

Steiner says if you must use a mechanical metaphor for the heart, it is not a pump, but rather a turbine, against whose resistance the circulating blood pushes and causes the generation of the heartbeat. If you’ve ever seen the movie clip of a heartbeat in a month-old fetus before the heart is even well-formed, you would have trouble explaining how a seriously incomplete mechanical pump could be responsible for the circulation of the blood that is so clearly visible. If the heart were a mechanical pump and responsible for the circulation of the blood, it would need to be completely formed before the circulation began, not after (4).

[page 106] Likewise a human being has such places of resistance within. The blood hits this resistance and drives the heart. The only difference is that the blood comes up against this resistance only once, and while oxygen and carbon dioxide are combining, it pushes backward. In so doing, the blood snaps forward once and then backward once. This is how the heartbeat arises. In this way it comes about that the I activates the blood circulation in human beings.

That I-force present in your circulation is present in bee poison. Thus a bee sting will increase your heart rate immediately. This has curative effects for some people, and I have heard of bee and wasp stings being used to cure people of various illnesses just recently. Steiner was asked about a man who had a heart attack after being stung by a bee. He explained that in a normal human heart, a bee sting can have a salubrious effect, but in a person with a history of heart disease, a bee sting may have a deleterious effect.

[page 107] If, however, the heart is diseased, then the I is strengthened and increased dangerously by the effect of the additional bee poison entering the bloodstream. This poison will push hard against a somewhat diseased heart valve, the result being that a person may become unconscious or even die. . . The strange thing, however, is that anything and everything that can make a person sick or even kill a person can also have curative powers that bring about healing.

Rheumatism and gout leave deposits in the body due to the I being unable to move the blood properly. A bee sting or bee poison in the proper dose can get the blood moving again properly. Steiner was an expert in mixing such medicines and deciding whom to administer them to. See “Extending Practical Medicine,” that he co-authored with Ita Wegman.

[page 108] For what reason does a person get rheumatism or gout? Because the I-organization is too weak. It is unable to influence the blood to move properly. It needs a special stimulus. If the blood does not have the correct amount of movement — for example, it may flow too slowly in a person’s system — then tiny crystals may settle our all over, and these crystals will move into the area around the arteries. These tiny crystals consist of uric acid. They begin filling the entire body. This condition is gout or rheumatism, and it arises when the I-organization is too weak.

The question of a man who had just bought an apiary and became a beekeeper. He went unconscious after a bee sting. His doctor told him to give up beekeeping or he would die if he got another bee sting. Here’s how Steiner responded to this doctor’s advice.

[page 112] I’m astonished that the doctor who observed this case that you’ve told us about didn’t tell the man that the second time the effects would not be so bad and the third time he’d be immunized. But perhaps he had such a severe heart condition that he couldn’t be exposed to this danger.

Ants leave a trail of formic acid wherever they walk. This formic acid is essential to living plants and but for the ants, much of the life of the Earth would suffer. Think of that next time you grouse over ants when you see them crawling around in nature — the Earth would become completely dead, covered in mold, but for the action of these tiny creatures(5).

[page 136] But ants also give in what they transmit as formic acid something directly to rotten, dead material, and by doing this, they stimulate life to a certain degree, and they contribute to the fact that the Earth in its decaying substance remains alive at all. You could really say that the spirit that is present and prevails in all these things is certainly one to be marveled at.

What good is formic acid to human beings? Steiner says that we’ll find it everywhere in our “arms and legs, muscles and other tissues, heart, lung, liver, spleen” – everywhere in our bodies. We are saturated with formic acid, in very small concentrations, to be sure. Lacking formic acid, a person may be appear pale and be unable to eat. Someone who had sufficient formic acid and suddenly too little of it might speak about themselves this way:

[page 145] Assume, for instance, that you have before you an individual who tells you, after being inspired to think along certain lines, “Several months ago I could remember just about everything. I could think back and reflect on past occurrences very well. Now I have trouble with that; I don’t seem to be able to do it anymore. Every time I try to think back, I just can’t remember.”

For such a person, their body needs to be making more formic acid internally, not getting formic acid from ants. Where do humans get oxalic acid from? The German word for oxalic acid is Kleesäure or literally “clover acid” since clover has a high concentration of oxalic acid. All plants have oxalic acid in them, however, so an increased diet of green vegetables may be helpful to such a person.

As we age, it may become more difficult for our body to make formic acid. When that happens, the attraction of our soul and spirit to our body diminishes until they eventually abandon the body. Interestingly, Steiner tells us that a similar thing happens within a beehive to cause the bees to leave in a swarm.

[page 153] Let’s look at the human being first. Let’s assume it’s a young child. As long as this child is still young, it can transform very easily the oxalic acid located in the lower body into formic acid. The organs get enough formic acid. The human soul develops within the child. So here we have formic acid as the foundation of soul and spirit. And when a human becomes old and can’t develop enough formic acid anymore, the soul and spirit leave. It’s the formic acid that attracts and mobilizes the soul and spirit; otherwise the spirit would go away.

As above, so below. The Earth has a spirit that would leave during the winter when the Earth becomes rigid and stiff, but in spring it enlivens the Earth again due to the formic acid that the insect world has created in its interactions with the plant world. In the life of a beehive, the time comes when a young queen arrives from her egg sac. The bees, normally held to seeing only as in twilight due to the present of the formic acid in their bee poison, sense that their formic acid has gone, become agitated, and finally leave the beehive in a swarm. [paraphrased from page 155,156]

[page 156] This is truly a grand sight, to see a horde of bees swarming away. In the same way in which the human soul leaves the body, so also does the old queen, after a young queen reaches adulthood, leave the hive with her company. You can really see, by looking at the escaping swarm of bees, an image of the human soul flying away from the body.

In Lecture 8, given on December 22, 1923, Steiner was speaking a couple of days before Christmas. It was fitting that he described the origin of the tradition of the Christmas tree in the Kranewittbaum, a juniper tree. The juniper is an evergreen shrub with berries that are used to flavor gin. The berries have a poison that attracts the birds to them. When the bird peck at the berries, a weak acid is released over the area that allows a spiritual element to arise in it. [paraphrased from page 158] I imagine the holly with its red berries is an apt substitute for regions without indigenous juniper trees.

[page 158] The people of antiquity knew this instinctively and said to themselves that during winter, when the juniper stands there and the bird come to pick its berries, the Earth is once again rejuvenated, reenlivened by means of the juniper. From this natural phenomenon people formed a picture in their minds, one with a moral sense: Christ is reenlivening the Earth.

In pedagogical circles, the “bank” system of education has been discredited for some time. This refers to a method of teaching in which the teacher deposits some educational material in a student and then returns later to withdraw the deposit, as if the student were a bank or safe deposit vault. In this next passage from a lecture he gave in 1905, Steiner explains that way of teaching will especially not work for student of spiritual science.

[page 169] A student does not receive a mass of material that must be learned in a strict manner when learning about hidden spiritual matters, but rather he or she is given a profound statement containing an inner power. That is the way it was done in earlier times. The student had to meditate on this statement while maintaining a complete inner calm. In this way the student would be illuminated from within.

In the next passage I fulfill my goal to provide a statement for you to meditate on about how humans at a future stage of evolution will become like bees today, not individual bees, but the entire living beehive.

[page 170] The consciousness of a beehive, not the individual bees, is of a very high nature. Humankind will not attain the wisdom of such consciousness until the next major evolutionary stage — that of Venus— which will come when the evolution of the Earth stage has finished. Then human beings will possess the consciousness necessary to construct things with a material they create within themselves.

When we look at another human, one we haven’t seen for 14 years, we know that every cell in his body has changed twice since we last saw him and yet when we look into his eyes, we see his I and know that it is him, our old friend. Animals have three bodies: physical, etheric, and astral. Humans have a fourth component, called variously, the I, the I-being, the I am, or the Ego. My pet Schnauzer, as bright as he is, does not possess an I — he looks up to me with eyes that seem to be looking upon the very thing he most wants for himself in a future stage of evolution, an I. When he dies, he will return to the group soul which hovers above in the astral world. I write all this by way of introduction to this next passage about the group souls of animals and the individual Egos of humans.

[page 172] We also stated that these group souls play the same role in the astral world as our human soul, if gifted with an I-being, does in the physical world. In reality the human I is a group-self that descended from the astral to the physical plane. In so doing, it has become an individual (nondivisible) I.

Sometimes the animal dies and is not able to send back to the spiritual world all that they brought down to physical plane. When that happens, these torn off things remain behind as what are called “elemental beings.” When a bee sucks on a flower, these elementals hover nearby because they find nourishment from the glow around the flower. In addition to these elementals left behind by animals when they die, there are also elementals created by human beings by their very thoughts. As I read the next passage, I was reminded of the elementals drawn to the chief antagonist at the end of the movie “Ghost” starring Patrick Swayze.

[page 174, 175] Wherever there is an opportunity for certain things to exist, they are always there. When a person, by entertaining very evil sentiments, spreads these feelings all around himself or herself, then these sentiments also become alive around this person; and this is exactly what attracts existing beings that only wait for something like this, just as any physical being would wait for nourishment. I once compared this to a clean room without flies. If all sorts of left-over food sits around in a room, flies appear. This is how it is with spiritual beings: all you have to do is provide the proper nourishment.

If you go to someone’s home or apartment and notice all kinds of leftover food hanging around to attract flies, you have a pretty good indication of the ecology of that person’s mind: they are entertaining thoughts that are becoming alive and subsequently attracting existing beings to their source of nourishment. Few mothers would not be upset to find their adult offspring living in such a condition, even though their motherhood training had never explained the spiritual implications of someone living in such conditions. The best tonic for establishing a wholesome ecology of mind is EAT-O-TWIST!, which reminds us when we say it, that Everything Allways Turns Out The Way It’s Supposed To, where supposing is how we entertain thoughts within our minds from now on.

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1 In 1964, an article appeared Datamation Magazine to the effect that the structure of a software system mirrors the structure of the organization that designed it. Computers, I have come to understand, we design such that their organization mirrors the internal structure of our human brain. In effect, what humans did by domesticating wasps into bees was this: they trained wasps to have a similar structure to the human brain, and thereby created what we call honeybees.

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2. This has interesting implications for evolution because it implies that humans must have been the first beings on the Earth, followed by plants and then animals. It is this salient point that distinguishes Steiner’s view of evolution from the materialistic Darwinian view. For details on this, read his An Outline of Occult Science or read my review of his lectures on Spiritual Hierarchies and the Physical World.

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3. Steiner discusses how its poison is like a concentrated spiritual essence that is released in minute quantities inside of the bee and prevents it from seeing, causing the bee to live in a twilight world. Might it be that materialism for human beings is such a concentrated spiritual essence of the Thrones’ sacrifice? If so, it could lead to spiritual blindness unless our equivalent of a new Queen Bee neutralizes the poison long enough for us to view the dazzling light of the Sun Being, Christ Jesus?

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4. Some of you may be thinking, “Isn’t the explanation for this that the mother’s heart supplies the pumping power?” . That’s a very good question — I assume that is the typical materialistic medical science explanation. The answer would seem to hinge on whether there is a pulsation in the umbilical cord or not. What I do know is that the placenta is like a sponge growing off of the womb or even such places as the intestinal wall in extra-uterine pregnancies. Its job is to supply the oxygen-rich blood to the fetus through the umbilical cord. How could the pulsing motive force of the mother’s heart get through the maze of capillary vessels in the placenta? Don’t think it’s possible. If there is a pulse in the cord, more likely it’s the baby’s independent heart beat — hmmm — I think there’s one answer — babies have faster heartbeats than their mothers! They must have an independent heart creating the pulse by its turbine/hydraulic ram action. My point is the blood in the fetus flows at the same rate through its no heart, primitive heart, to full-term heart stages, but the pulsing action matures during gestation. What the pulsing does is mix the oxygen and carbon dioxide according to Steiner above. During early months the fetus gets all its oxygen directly from the mother’s blood. In order for it to survive independently of the mother, it must develop the pulsing mixing action, which it usually has available by the fifth month, which I think is about the earliest a fetus can live outside the womb, and even then it needs enriched oxygen to survive as the heart may not yet be up to the full task.

After some help from a friend, I discovered that another answer is that actually the mother’s blood and the child’s blood never mingle, so it’s not possible that the mother could supply the pumping power. The placenta is where osmosis of oxygen/nutrients from mom to baby — and of carbon dioxide from baby to mom — takes place…. But the two blood streams never actually mingle — which is why your blood type can vary from your mother’s. The typical rH compatibility problems stem from the fact that antibodies from the mother can transfer to the child via the placenta, which may have a different blood type from its mother.

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5. This should give one a new appreciation for the Jains of India who will not step on or harm the smallest insect in their path.

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Review: Secrets of Asgard

Secrets of Asgard : an instruction in esoteric rune wisdom
Vincent Ongkowidjojo

Mandrake of Oxford, 2011. 293 p. ISBN 978-1-906958-31-2 (with an index!)

Cover of the book Secrets of Asgard

The author of ‘Runen in de Noordse traditie’ (Ankh-Hermes, 2007) studied rune magic under the tutelage of Freya Aswynn. (She wrote the foreword.) He also studied very different subjects and the bibliography is very diverse. But the runes and the Northern mythology are the main focus of this book. The first part centres on the meaning of the (24) individual runes and each chapter, each rune, gives food for thought. The second part centres on the application of the system, namely magic and divination and includes rituals and exercises. The Havamal poem is a guide to make your own set of runes and talismanic magic. The threefold division of the futhark is discussed in a chapter on the Aettir. And there’s a chapter on the Nine Worlds. “It is exactly in these mythic worlds that the different powers of the Gods find expression. And the powers they express are represented by the Runes. The system is therefore built around three components: the worlds, the Gods and the Runes. Metaphorically speaking, all of these refer to aspects of the mind. The worlds symbolize different levels of the mind, whereas the Gods represent archetypes playing within these areas of action. The Runes are energies present. In daily life, the worlds refer to different contexts a situation takes place in. The Gods represent our response patterns, and the Runes symbolize conscious decisions throughout life.” (To be honest, this is the only place I came across the mentioning of the Gods as representations of things, and not as themselves.)
Certainly a fountain of knowledge and ideas to people who are already familiar with the runes, but I think it is also a good book for the interested beginner.

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Websites over bijen

Nederlandstalige websites over bijen

Logo pagina Webwegwijzer Wiccan Rede Online Magazine
Jaar van de bij 2012

“2012 is het Jaar van de Bij … en daar zijn goede redenen voor:
– Onze voedselvoorziening is voor een belangrijk deel afhankelijk van de bestuivende arbeid van bijen.
– In de afgelopen jaren is er een onrustbarende bijensterfte in Nederland.
– Omdat het Nederlandse landschap qua aanbod van bloemen sterk is verschraald, zijn vele soorten wilde bijen in gevaar.
We hopen dat het Jaar van de Bij de broodnodige aandacht voor de honingbij én wilde bijen zal opleveren. Op deze website wordt u op de hoogte gehouden van alle activiteiten en nodigen we u uit om uw bijdrage te leveren.”
http://www.jaarvandebij.nl/

Het houden van honingbijen:
http://www.imkerpedia.nl/wiki/index.php/Hoofdpagina

Nederlandse Bijenhoudersvereniging
http://www.bijenhouders.nl/index.php

BD Imkers
In 1979 is de BD-imkerwerkgroep gevormd door Sieb Fontein (1914-1993). Hij was zich bewust van de grote bedreiging die de moderne, kunstmatige bijenteelt voor de imme is. Het werk van Rudolf Steiner (1861-1925), grondlegger van de anthroposofie, was zijn inspiratiebron. In de voordrachtcyclus ‘De Bijen’ gaf Steiner in 1923 al aan dat de vreugde omtrent de kunstmatige bijenteelt, die sinds 1908-1912 begon, geen 100 jaar zou duren. Inmiddels is het zover. (Zie ook de recensies ‘Bees’ by Rudolf Steiner in Wiccan Rede Online).
http://www.bdimkers.nl/page/nl/Wat+kan+IK+doen

Bijenhuis

Hier kunnen imkers terecht, maar je kunt er ook bijenvriendelijk bloemzaad kopen.
http://www.bijenhuis.nl/

Een bij hoort er bij!
Een toegankelijke site over bijen, zo geschreven dat het bruikbaar is voor bovenbouwleerlingen van de basisschool. De schrijver is heel bescheiden. Alleen bij ‘Copyright’ staat de naam Theo Vogels.
http://www.eenbijhoorterbij.nl/

Biodiversiteitsjaar
2010 was het Biodiversiteitsjaar. Ook toen was er aandacht voor bijen. Bijvoorbeeld voor drachtplanten en bijenhotels voor wilde bijen:
http://www.biodiversiteitsjaar.nl/

Bijenhelpdesk
Voor honingbijen, wilde bijen, drachtplanten en biodiversiteit.
http://www.bijenhelpdesk.nl/

Wilde bijen:
http://www.plantaardigheden.nl/art_div/bijenhotels.htm

Meer tips voor een bijenvriendelijke tuin
http://www.drachtplanten.nl/
http://www.wildebijen.nl/insectenplanten.html
http://www.bitsandbees.nl/bloemen_planten.htm
Je kunt meer (Nederlandse) sites vinden op de zoekterm ‘drachtplanten’ en meer (Vlaamse) op de zoekterm ‘bijenvriendelijke tuin’.

Gastvrij voor de bij
Hoe meer bijenvolken hoe beter. Heeft u een ruime tuin en wilt u daarin wel bijen, maar u wilt niet zelf imkeren? Huur één of meer bijenvolken en eet straks uw eigen honing.
http://www.gastvrijvoordebij.nl/index.html

Mede
https://nl.wikipedia.org/wiki/Mede_(drank)

Mede maken
http://www.debaldadigebij.nl/

Mede kopen – Mead & More
http://www.meadandmore.nl/

Honingwijn kopen
Zoek op internet naar Ambrosia kruidenwijn of ga naar http://www.propol.nl/

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Review: Bees by Rudolf Steiner

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Review: Bees by Rudolf Steiner

8 Lectures in Dornach, Nov 26, 1923 to Dec 22, 1923

Translation: Thomas Braatz. Intro: Gunther Hauk. Afterword: David Adams
Published by Anthroposophic Press/NY in 1998
ISBN 0-88010-457-0

(NB an extensive review of this book, by Bobby Matherne (2002), is included elsewhere in WR-online. I have included it in full because of it’s depth and insights.)

The plight of the Bees has been something which I have been consciously aware of for about three years although my first real conscious encounter was much earlier when I saw bee-keeping in Turkey in 2005.

Unfortunately many people, like me, are so accustomed to having honey, beeswax, Royal Jelly around them that the subject  is taken for granted. Like cows in our meadows, bees are a part of our normal everyday life… no big deal. Right, no big deal until we realise how acute the current situation regarding Bees really is.

Einstein is reporteldy said to have said something to the effect of “If the bee disappears from the surface of the earth, man would have no more than four years to live.”
Actually he didn’t say this but the message does contain more than a grain of truth in it.
Read more: http://www.thedailygreen.com/environmental-news/latest/einstein-bees#ixzz1o9JHfFEx

Even if Einstein didn’t say much about bees Rudolf Steiner certainly did… and way back in the 1920’s. Nearly one hundred years ago Steiner gave very clear warnings about the demise of bees and the consequences of bees becoming extinct.

Regarding the artificial breeding of bees Steiner said:

“You can increase the production of honey, all  the work they do, and even the worker bee’s capability of accomplishing this work. The only problem is, as Mr. Muller has just stated, that this whole procedure should not be carried out in a way that is too rational and business-like. Next time we will investigate more thoroughly the matter of breeding of bees, and we’ll see that what proves to be an extraordinarily favourable  measure upon which something is based today may appear to be good, but that  a century from now all breeding of bees would cease if only artificially produced bees were used. We want to be able to see how that which is so wonderfully favourable can change in such a way that it can, in time, gradually destroy whatever was positive in this procedure. And we want to see, specifically, that beekeeping can become of great interest in getting to know all the secrets of nature, particularly how something on the one hand, proves to be very fruitful but, on the other hand, simply leads to death and destruction. And so it is that beekeepers can indeed be very happy with all the progress that beekeeping has recently experienced in such a short time, but this happiness will barely continue for on hundred years. ” (This was 1923)

The book “Bees” contains the transcripts of 8 lectures which Steiner gave in Dornach, Switzerland from February 3 – December 22, 1923.

The spiritual background of bees and the beneficial effects of honey are discussed at length. Mr Muller, one of the workers from the Goetheanum and a professional beekeeper, asks a number of questions which Steiner answered with many example of the life-cycle of the bees.

For those people who are not familiar with Anthroposophic principles and terminology the lectures may prove to be quite difficult to follow. Sometimes it is better to read the lectures aloud .. and “listen”  to them as they were intended. Visualising certain processes can also help one to grasp what he is talking about. And of course an understanding of bees though mythology and folklore will definitely help.

Also included are the blackboard drawings Steiner made to illustrate the various concepts he talks about.

This edition also includes “The artistic Alchemy of Joseph Beuys”, whose artistic work is very much influenced by Anthroposophic imagery and insights.

“Beuys, as he often explained in his interviews, saw and used his per formative art as shamanistic and psychoanalytic techniques to both educate and heal the general public.”

(See also: http://en.wikipedia.org/wiki/Joseph_Beuys)

UBSBeuys.jpg

For anyone interested in the secret/spiritual life of bees this series of lectures is highly recommended.

NB In the Netherlands there is the group called “BD Imkers” (BD = Biologisch Dynamisch) See: http://www.bdimkers.nl/page/view/language/en

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Review: The Wanton Green

The Wanton Green
by Creeping Toad & Susan Cross

Mandrake Books, Oxford, 2011
ISBN: 978 1 906958 29 9 Price: £10.99

Cover of the book The Wanton Green

I have known Creeping Toad/ Gordon MacLellan for a number of years. I met him first as a wonderful poet and storyteller. Then later as a practicing shaman. Many of his ideas and experiences also echo my own childhood in Lancashire. In this book he is the editor. In the press release one can read:

“From the lost magics and holy waters of London to bleak Staffordshire Moorlands; from childhood adventures in Rochdale to faeries in Devon and Cumbria, a new book, The Wanton Green, offers readers a different perspective on landscape As our relationship with the world unravels and needs to take new form, or maybe to reconnect with an older pattern, The Wanton

Green presents a collection of inspiring, provoking and engaging essays by modern pagans talking about their own deep and passionate relationships with the Earth. With contributions from twenty authors that range from Druids to Heathens, from Chaos Magicians to Witches, Shamans and Voudou Mambo, Wanton Green brings voices from the diverse and growing Pagan community of Britain to the environmental debate and promises food for thought and inspiration for the spirit.”

The Wanton Green is a collection of essays by some of the leading members of the British Pagan community exploring their own relationships with places. The project started with a challenge: how do we share that connection between pagan people and places, the richness that we experience, maybe the despair that we meet in a wider world.

With contributions from Emma Restall Orr, Runic John, Jan Fries and Susan Greenwood,  The Wanton Green has gathered practitioners from a range of traditions. Witches, Heathens, Druids and Pagans are all represented here; and shamans, Voudou Mambo and magicians. “We didnʼt set out to be careful, said Gordon MacLellan editor and agentprovocateur for the project, with some precise balance of traditions to berepresented. We approached people we thought would write provocatively,moving beyond the usual interpretations of ‘sacred places’ or how a relationship with a world where landscapes are sacred evolves or manifests in daily life. What we got was far more than we expected or hoped for. Our authors have given us a set of essays that move from the deeply philosophical to the practical, with reflections on ancestors and heritage, pilgrimage, art and cityscapes. What unites this diversity is the personal nature of the writing. Our authors wrote about themselves. Emotional and revealing pieces exploring the connections that pagans experience with places.”

Contact Gordon at creepingtoad@btinternet.com.

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Imbolc 2012 – Volle maan van de overstroming


Thema: Welk oud patroon is zó gewoon geworden dat je het niet meer ziet?

Deze volle maan houdt je een spiegel voor… om nog eens naar jezelf te kijken.
Deze volle maan staat in het teken van ‘water’… water dat als een spiegel kan dienen.
Deze volle maan geeft je de kans schoon schip te maken… water voert af en reinigt.

Heet je ‘blinde vlek’ welkom.
Bedank je blokkade(s) voor zijn/haar/hun aanwezigheid… niets voor niets.
Weet dat je, als je dit kan, afscheid gaat nemen van zaken die je ‘lief’ zijn.
Zaken die je gekoesterd heb… of ze nu pijn deden of niet, ze hebben hun functie gehad.
Vanaf NU ga je verder… het verleden achter je latend.
Neus in de wind, ogen gericht op de horizon!!

Ja, doei… klinkt makkelijk zo. Dit doe je niet zomaar even. Pijn en onverwerkt leed vreet zich een weg in mensen… schuldgevoelens vreten het ‘Hier en Nu’ weg en trekken je steeds naar ‘Toen’ en ‘Had ik maar’. Klopt, en toch, toch is verwelkomen van je blokkades en pijn de enige weg… een soms moeilijke en eenzame weg. Wat in je lijf zit wil eruit… niet ‘een plekje’ krijgen, nee! Eruit!
En mensen, echt… ik kan het weten 🙂 Bijna ieder mens draagt ‘shit’ met zich mee… en iedereen weet wat ‘shit’ wil… eruit!

Ik kan nu nog van alles vertellen over de kraanvogel, de vogel die bij deze maan hoort. De vogel van geduld en precisie… en die verwant is aan de ooievaar, en helpt bij de geboorte van iets nieuws en kwetsbaars. Of van de lijsterbes… de boom waar de vrouw uit geschapen is. De boom die je bewust maakt van natuurkrachten die groter zijn dan wij… een boom die je helpt je open te stellen voor de krachten in de natuur…
Beide krachten heb je nodig als je werkelijk aan de slag wil. Je open stellen voor je eigen storm en de vloedgolf die komen gaat… en het nieuwe wat daarna geboren wordt, koesteren omdat, dat nog zó kwetsbaar is.

Met liefde, Loes
Zo, dat moest er even uit. Laat ik jullie nu dan meenemen naar vorig jaar Imbolc en mijn Volle maanwandeling.

Middagwandeling. Zicht op bomen en water. Foto Loes.

17 februari 2011 (Volle maan op 18e) Volle maan van de overstroming.

‘De biechtmoeder luistert naar je verhaal’

Op 17 februari was er een heuze zonnevlam actief. We zouden last kunnen ondervinden met mobiele telefoon en navigatie, las ik in de krant. Ik heb de hele dag gevoeld of ik iets vuurderig zou ontdekken bij mezelf… helaas geen heftig vuurgevoel gehad 🙂 Wel besloot ik om, zeker na de nacht van 16 op 17 februari… waar een prachtig heldere maan was, vanavond op maanwandeling te gaan. De 18e had ik beloofd om naar het springen van mijn dochter te gaan kijken… met een paard, wel te verstaan.

Het thema is deze maan ‘Welk oud patroon is zo gewoon geworden dat je het niet meer ziet?’

Op zoek naar mijn valkuilen en blokkades…

Het voorstel voor het ritueel… zoek stenen die in het water liggen. Dat lijkt me mooi om mee te nemen op mijn wandeling, en ze één voor één achter te laten of van me af te werpen. Ik zie het plaatje al voor me. In de tuin hebben we een Japanse watersteen, met daaromheen mooie gladde kiezels… in ieder geval dat dacht ik. Ik graai in de bak met drabbig donker water… wel veel drab maar geen steen te vinden. In het donker tuur ik tussen de planten… liggen ze misschien in de tuin? Ik begin het toch wel erg koud te krijgen… ik besluit dan maar geen stenen mee te nemen. Het had zo mooi geweest om steeds een ‘blokkadesteen’ van me af te kunnen laten vallen… on the way.

Met een schuin oog kijk ik nog even naar mijn altaar… echt niet, die gaan niet mee. Deze stenen (wie weet mijn grootste blokkades) gooi ik niet van me af. Een ring van prachtige halfedelstenen siert mijn drakenaltaar.

Eergisteravond, tijdens het wachten op het springen van dochterlief, heb ik in mijn prachtige boek Magie langs de IJssel – ontdek de verborgen geschiedenis van de Hanzesteden, van Dick van den Dool, de geschiedenis van Zwolle gelezen. Zwolle is een drakenstad en in een van de kolken buiten Zwolle woonde eens een draak (deze stond voor de Saksen die tot tweemaal toe Zwolle hebben afgebrand). Onder Zwolle lopen drakenlijnen… vuurlijnen. In mijn huis zijn de draken oververtegenwoordigd en mijn relatie heeft een astrologische drakenknoop… naar wat het schijnt, een geluksfactor. En mijn altaar is een draak met een glazen plaat op zijn vleugels… toch wat vuur-inzicht rond de zonnevlam 🙂 En mijn wandelingen lopen altijd richting een van de grootste kolken rondom Zwolle… wie weet, huist hij er nog steeds.

Dus zonder stenen, met hazelaarstaf… de paden op de lanen in. Buiten is het grijs… zo dompig, het lijkt wel of er een zak watten op Zwolle ligt. Weinig geluiden, geen mensen en water koud.

Af en toe is er een windvlaag, die zwiept het water op en zorgt ervoor dat het nog kouder is. Ik heb er flink de pas in zitten. Tijdens het lopen moest ik echt even mijn ‘zin’ vinden… een vollemaanwandeling zonder volle maan 🙁 Trouwens de hele wandeling heeft ze zich niet laten zien. Wel viel het mij op dat het redelijk licht was. De wattenlaag zal wel niet heel dik zijn geweest en de lichtvervuiling dringt zelfs in het buitengebied door.

Ik ben overal behalve ‘Hier en Nu’… pas als ik al geruime tijd over de brug ben en Luca heb geroepen over de velden, sta ik plotsklaps stil. Ik realiseer me dat ik ‘ren’… achteruit en vooruit. Nu dan een pas op de plaats. Zo ik ben er… soms moet ik er een heel stuk voor lopen, om dat te voelen.

Ik adem diep in en maak dan pas contact met mijn omgeving en mijn lichaam dat hier staat, in de volle wind, in het donkere buitengebied. In mijn handen mijn staf… nooit alleen. Mijn staf heeft een mooie zilveren Keltische slang van me gehad, mijn wandelmaatje. Eigenlijk ben ik al vlakbij ‘Boompje’, alle knotwilgen zijn ondertussen geknot. Ik zie ‘Boompje’ al op afstand… omdat ik hem niet zie. Een lege ruimte in het ritme van de bomenrij… 7 is er niet.

Even voor de nieuwe lezers… Boompje is de wilg waar ik al drie jaar heen wandel. Anderhalf jaar geleden is hij omgewaaid. Hij was de zwakste van allemaal… voor de helft schors en achteraf bezien al ingerot. Toch is hij, onderaan de achtergebleven stomp, uitgelopen! En sindsdien hebben we weer contact. ‘Boompje’ geeft mij altijd een woord, een zin…

Dichtbij gekomen zie ik zijn nieuwe ik… klein en kwetsbaar. De uiteinden van zijn takjes zijn verdroogd, en toch geeft hij “LIEFDE”. Ik had iets anders verwacht… iets wat met mijn blokkades te maken zou hebben… inzicht. Ik blijf zo nog een tijd bij hem staan… in de hoop op. Stil, het blijft stil.

Achteraf is het toch prachtig…”LIEFDE”. Met liefde los je alle blokkades op. Als we genoeg liefde ontvangen en doorgeven… geven en ontvangen… uit laten stromen en binnen laten… dan moet dat toch zorgen voor het doorbreken van blokkades?

Wat had ik verwacht… een aanwijsstok?… een vinger die mij mijn blokkades aan zou wijzen? En dan? Wat dan? Verdwijnen ze daardoor? Nee, waarschijnlijk niet… maar ik hou van inzicht, van ‘Aha erlebnis’. In plaats daarvan krijg ik, denk ik nu achteraf, de sleutel. Liefde voor mezelf, liefde voor al wat leeft en daardoor liefde voor de godin/god… en daardoor liefde voor al wat leeft en daardoor liefde voor mezelf.

Terug naar 17 februari… buiten… ‘Boompje’… koud… wind… donker bos in het verschiet. Ik ben letterlijk naar ‘Boompje’ gesneld om een hapklaar inzicht te verwerven… helaas. Daar sta ik dan, met “Liefde” in mijn hart. Voor mij ligt het erg donkere bos, ik twijfel… wil ik niet liever naar huis?

Zo twijfelend nemen mijn voeten gewoon het besluit om door te lopen… ik weet dat het altijd goed is om te gáán… de twijfel te laten voor wat het is. Wel voel ik nog of het geen intuïtie is dat me tegen houdt… ik heb een auto het bos in zien rijden en niet zien vertrekken. Ik blijf een doemdenker… altijd uitgaande van de grootste ellende, griezelscenario’s enz. Het is een wonder dat ik zo rustig door de bossen loop 🙂 Laat dat een blokkade zijn die ik beslecht heb! Ik weet ondertussen wel dat ik menig griezelfilm zou kunnen schrijven en dat inderdaad producten zijn van mijn bovenkamer… mijn fantasie.

Het is niet stil in het bos. De kale takken van de hoge bomen tikken tegen elkaar. Als ik zo af en toe stil sta om de sfeer op te snuiven en te luisteren… hoor ik hen. Ik kan niet ver het bos in kijken en toch valt de duisternis mee. Voor me de brug van de klif en achter me een lichtje van een huis in de bebouwde kom… een lichtje dat er altijd is, dat dus op één lijn ligt met de brug en tot me komt over de landerijen en bospaden… mooi. Op de dijk zie ik een fietslichtje voorbij fietsen, er zijn trouwens meer fietsers actief… ik zie ze allemaal… in de verte. Op de brug neem ik de tijd om het, aan de ene kant, komende water en, aan de andere kant, gaande water te observeren. De wind maakt het een en ander nog duidelijker, prachtige golven jagen het water op. Aan de rechterkant van de brug staat in het water (ik kan niet meer terug halen of het komend of gaand was) een stevige stok, als een speer, in het water. De golven spelen er omheen en de schaduw van de speer maakt, met de speer samen, een scherpe hoek van 45 graden in het water. Het doet me wat… de doelgerichtheid van de speer in mijn levenswater. Mijn leven heeft een doel. Het mezelf overstijgen voelt goed, het creëren van iets dat groter is dan mezelf… groter dan de som der dingen. En hier verantwoordelijk voor zijn, het bedding geven aan deze creatie en het zuiver houden.

Naast het groene gebeuren zijn daar ook mijn kinderen die ik afschiet als een speer… de wereld in!

Ook zij overstijgen mij, zij zijn de toekomst en zullen voortbestaan als mijn speer neerwaarts gaat (dat hoop ik althans). Binnenkort zijn de opnames van ‘Het zouden je ouders maar wezen’ van SBS6, mijn zoon doet hier aan mee. Ik ben heel benieuwd hoe dat zijn vorm gaat krijgen en hoe het eindproduct zal zijn. Ik las net dat de kinderen van Steve Evans hier ook aan mee doen… Omnia bij SBS6 en Greenthingz… het zal, denk ik, vermakelijke televisie worden.

Na de brug ga ik rechtsaf de dijk op. Ondertussen moet ik heel de tijd behoorlijk poepen… nog nooit gehad. Op de dijk, in de volle wind, gaan de bomen behoorlijk tekeer. Aan het einde van de dijk lokt ’thuis’ en de wc (als ik stevig doorstap moet dat in 20 minuten zijn te doen). Toch gaan mijn voeten linksaf, richting deltagebied van Vecht en Zwarte Water. Door de klapdeuren, verder over de dijk. Het gemaal spuit geen water deze keer. Het gemaal staat stil. In het bos stonden flinke plassen aan weerszijde van het pad… de overstroming, duidelijk aanwezig. Verder op de dijk vang ik de wind vol! Met mijn armen gespreid en mijn gezicht in de wind vraag ik om inzicht. Inzicht in mijn blokkades… tja, ik had het niet van ‘Boompje’ gekregen, dacht ik. Daarom is het laten bezinken, van de ervaring, zo lekker.

Zo loop ik een flink eind om, om uiteindelijk weer bij de brug naar de bebouwde kom te komen… en ondertussen… er zit een flinke blokkade die eruit wil! Toch neem ik de tijd om ook op deze brug over de reling te kijken. De oever van deze waterloop is gebed met een houten beschot. De andere twee bruggen die ik gepasseerd ben, toonden een natuurlijke bedding, met afgeknabbelde kanten en inhammen… prachtig. De hele weg terug naar huis bedenk ik me waar ik zou kunnen poepen. O, ik zou zo in de bosjes willen duiken of bij mijn vriendin naar binnen stuiteren. Maar het genot van mijn eigen toilet en de ‘beloning’ na de wandeling lokken me het meest. Na een ‘short cut’ via de woonwijk stuiter ik mijn voordeur binnen, kwak alles van me af en laat de verbaasde gezichten van de vrienden van mijn zoon voor wat ze zijn….. wat is het heerlijk om blokkades op te ruimen!

Achteraf bezien is het niet kunnen vinden van de kiezels een boodschap op zich. Wat er niet is behoeft ook niet gevonden te worden….. of is dit één grote blinde vlek 🙂 ?

Liefs,
Loes.

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Mystieke plekken in Zuid West Engeland (recensie)

Mystieke plekken in Zuid West Engeland
Jan Willem Verkerk en Annemieke Loots

Frontier Publishing, 2011. 123 p. ISBN 978-90-78-07038-2
Zie ook www.frontierpublishing.nl en www.mystiekmoment.nl.

Voorkant van het boek Mystieke plekken in Zuid-West Engeland

Eerder verscheen van beide auteurs/fotografen al het boek ‘Mystieke plekken, bijzondere plaatsen in Nederland, België en Duitsland’ (besproken in Wiccan Rede, Beltane 2009). Tijdens hun reizen naar Zuidwest-Engeland maakten ze ook daar veel foto’s. Er bleek vraag naar een Nederlandstalig boek met informatie over ‘mystieke plekken’ in Engeland. De inleiding gaat in op het woord ‘mystiek’. “Wij hanteren de volgende definitie: mystiek wil zeggen verborgen. Je hoort of ziet iets of er overkomt je iets waar geen woorden voor zijn. Je wordt plotseling geraakt door de schoonheid van de natuur of je voelt je een moment sterk verbonden met een bepaalde plek. Dit kan je op elke willekeurige plek gebeuren, zomaar spontaan en onverwacht. Zeker in Engeland is ons zoiets regelmatig overkomen. Meestal gingen we gericht naar een bepaalde plek om deze te bekijken. Vaak kregen we daar dan weer tips over andere bijzondere plekjes, al dan niet in de buurt. Samen gingen we op pad naar bekende plaatsen, maar werden minder bekende plekken zeker niet overgeslagen.”

Dit is een gids naar bijzondere plekken, met foto’s zoals ik die nog niet eerder heb gezien van Tintagel, Glastonbury Abbey en van vele andere bekende en onbekende plaatsen. En van een aantal bijzondere graancirkels en andere formaties.

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Recensie: Godinnen van eigen Bodem

Voorkant van het boek Godinnen van eigen bodem

Ineke Bergman – Godinnen van eigen bodem
Illustraties: Pol Wijnberg
21×23 cm, 96 pagina’s. ISBN: 978 90 77408 35 3. Prijs: 24,50 euro
Uitgever: A3 boeken

Even voor Imbolc lag dit boek in mijn brievenbus, net op tijd om het eens door te bladeren en lezen, en tot de conclusie te komen dat het toch wel een bruikbaar boek is, voor mensen die de Godinnencultuur wat hoger in het vaandel hebben staan, en wie er nieuwsgierig is naar Godinnen van eigen bodem. We worden overspoeld met allerlei pantheons, maar van de Godinnen in ons eigen kikkerlandje weten we erg weinig, merk ik zelf. Heel prettig dat daar dus in dit boek uitgebreid op in wordt gegaan, op een manier die lekker leesbaar is en toebasbaar binnen het jaarwiel van allerlei seizoensfeesten.

Allereerst lees je een stukje geschiedenis over het ontstaan van de Godinnencultuur, en dat het feit dat vrouwen leven konden voortbrengen maakte dat zij als Godinnen werden vereerd in een tijd dat men nog helemaal geen inzicht had in het werkelijke ontstaan van leven – zaadje/eitje/voortplanting – maar men dit proces in de natuur om zich heen wel zag gebeuren. Ook uitleg over diverse gevonden archeologische Godinnenbeeldjes en hun betekenis.
Dan een korte omschrijving hoe we van matriarchaat naar patriarchaat gegroeid zijn, en wat dat gedaan heeft met het kwijtraken van het vrouwelijke aspect in ons leven, en dan niet alleen voor de vrouwen, maar ook voor de mannen.
De opkomst van de spiritualiteit bracht deze vrouwelijke kwaliteiten weer terug in ons leven, en zo ook de Godinnen.
Verder kwam ik ook nog een hoofdstuk tegen over visualisatie/imaginatie, waarin een voor mij persoonlijk onbekende methode stond om snel in alfaritme te komen, maar wel een interessante manier. Na een paar keer oefenen merk ik duidelijk een toegang tot alfa, ik ga hier zeker verder mee aan de slag. En heerlijk om weer eens in een boek totemdieren aan te treffen, inclusief een visualisatie waarin je jouw totemdier kan vinden. Ook een visualisatie voor de ontmoeting met je innerlijke Godin vind je in dit boek.
Nieuw was voor mij de koppeling van elementen en windrichtingen zoals in dit boek beschreven, aan de andere kant zorgt het weer voor een andere frisse invalshoek.
Acht Godinnen passeren de revue in dit boek, gekoppeld aan acht jaarfeesten, waar ook even kort van ieder jaarfeest een omschrijving te lezen valt, en het gebruik van een altaar binnenshuis.
Acht Godinnen met hun achtergrond, verhalen, hoe in contact te komen met, meditatie en correspondenties behorende bij de specifieke Godin van dat jaarfeest.
Gebruikmakend van de informatie uit het boek, heb ik dus een mooie Imbolcviering gehad. Ter ere van de Godin Brigida kon ik een heel verhaal voorlezen over deze Godin, hadden we een mooie meditatie, stond er op mijn altaar een groene en een witte kaars, brandde er salie voor lucht, lagen er sneeuwklokjes voor aarde, een kelk voor water, en een afbeelding van de zon voor vuur. En kwam ik er achter dat in het dorp naast de mijne, Geldrop, een Brigidakerk staat, waar ik op de dag van Brigid, 2 februari, een kaarsje ben gaan opsteken voor haar. Ik kijk al uit naar de Godin Ostara voor komend jaarfeest.
Extra vermelding: prachtige illustraties van Pol Wijnberg.

 

Dit boek werd eerder besproken door Jana in de editie Beltane 2009.

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